欧里亚克

Sophocles's version of the Electra story was written around 410 BCE, and it is difficult to read it without thinking of Euripides's Electra and the middle portion of Aeschylus's trilogy, the Oresteia, which recounts the same events.

索福克勒斯的版本的恋父的故事写在公元前410 ，这是难以阅读它没有思想的欧里庇得斯的恋父和中东部分埃斯库罗斯的三部曲的奥瑞斯提亚，其中叙述了相同的事件。

From such a surplus the Parthenon and the Propylaea were built, the sculptures of Pheidias paid for, and the festivals celebrated, for which AEschylus, Sophocles, Euripides,and Aristophanes composed their dramas.

靠这种剩余财富，建造起了巴台农神殿和希腊雅典卫城的入口，购买了菲迪亚斯的雕刻作品，举办了庆祝盛典，埃斯库罗斯·素福克勒斯、欧里庇得斯和阿里斯托芬的戏剧，就是为这些盛典创作的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。