欧洲主义

To David Cameron's new government, even with the pro-European Liberal Democrats on board, the very idea may sound fantastical.

卡梅伦的新政府以及在野的赞成欧洲统一主义的自由民主党来说，听起来同样不靠谱。

By interrogating, appropriating, and dismantling Eurocentric discourse, the "subalterns" manage to have their own voice heard.

通过质问、挪用、消解欧洲中心主义话语，昔日的&贱民&们终于发出了自己的声音。

The humiliation of Germany by the victorious European powers, and the postwar isolationism and protectionism of the United States, reflected in the Senates rejection of the League of Nations and the passage of the Smoot-Hawley Tariff Act, led to an ultra-nationalist backlash in Germany, the rise of Hitler, and then World War II.

获胜的欧洲列强对德国的羞辱，以及战后美国的孤立主义和保护主义，这在参议院拒绝加入国际联盟、拒绝通过《斯穆特一霍利关税法》（斯穆特和霍利是两位议员的名字，该法案试图以高关税壁垒保护美国市场，使之免于外国竞争）等事件中得到了体现，结果导致了德国极端民族主义的强烈反对，而且希特勒的崛起，最终引发了第二次世界大战。

As an international actor playing important role on the world stage, EU is different from not only traditional state actors but also non-state actors. To some extent EU can be called a quasi state actor or a postmodern actor.

作为一个在世界舞台上发挥重要作用的国际行为体，欧盟不同于传统国家行为体，也不同于一般的非国家行为体，在一定意义上可以说是独特的准国家行为体或日后现代行 2 欧洲联盟国际行为能力研究：一种建构主义视角为体。

The spirit of isolationism and the poor economic situation in Europe prompted Britain and France to look askance at Germany's violations of the Treaty of Versailles, signed at the end of the First World War.

的精神，孤立主义和恶劣的经济状况在欧洲促使英国和法国向睨在德国违反凡尔赛条约，结束时签署的第一次世界大战。

These two poles of experience—roughly speaking, Russian acclimatisation and Germanic colonisation—anchor Joseph Horowitz's masterful study of how the Russian revolution, the rise of European fascism and the second world war all transformed the American performing arts by sending an unprecedented wave of immigrants and refugees from Eastern Europe.

两位大师截然不同的经历（俄罗斯人的极强适应能力与日耳曼人的多方位殖民）让约瑟夫·贺乐维兹成就了一番深厚的学术研究，即俄国的革命、欧洲法西斯主义的抬头以及二战是如何让东欧那场史无前例的移民与难民大潮迫使美国表演艺术发生了转型。

These two poles of experience—roughly speaking, Russian acclimatisation and Germanic colonisation—anchor Joseph Horowitz's masterful study of how the Russian revolution, the rise of European fascism and the second world war all transformed the American performing arts by sending an unprecedented wave of immigrants and refugees from Eastern Europe.

贺乐维兹成就了一番深厚的学术研究，即俄国的革命、欧洲法西斯主义的抬头以及二战是如何让东欧那场史无前例的移民与难民大潮迫使美国表演艺术发生了转型。

These two poles of experience—roughly speaking, Russian acclimatisation and Germanic colonisation—anchor Joseph Horowitz's masterful study of how the Russian revolution, the rise of European fascism and the second world war all transformed the American performing arts by sending an unprecedented wave of immigrants and refugees from Eastern Europe.

楼主原译：这两位大师的经历——笼统说来，俄罗斯人的适应性和德国人的殖民性——约瑟夫·贺乐维兹作为主持人，很有高度地研究了俄罗斯的革命路程、欧洲法西斯主义的产生，以及二战带来的前所未有的移民、难民潮对美国表演艺术的彻底改变。

For example, politically, socially and economically, white supremacy was by and large the law of the land in the United States before and for decades after Reconstruction ; the same is true of apartheid -era South Africa , and of parts of Europe at various periods of time, most notably under the Third Reich .

举例来说，在政治上，社会上和经济上，白人优越主义其实在美国的重建时期以前和其以后的几十年里都可以说是美国这块土地上的法律；在南非的种族分隔时代和在不同时期中的部份欧洲，尤其是在德国的第三帝国时期，也是同样的。

American critics'responses to post-structuralism are mainly manifested in the deconstructive criticism.

美国对欧洲后结构主义的反应主要表现在以解构批评家为代表的批评实践上面。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。