橄榄油

Add raw leaves to a salad or saute with a little olive oil and garlic.

可把其鲜叶加入沙拉或用少量橄榄油和大蒜清炒食用。

Heat the olive oil in a saute pan over moderate heat.

在平底煎锅里放入橄榄油，以中火烧热。

For Greek Vinaigrette, in a screw-top jar combine 2 tablespoons olive oil or salad oil; 2 tablespoons lemon juice; 1/8-teaspoon salt; and 1/8-teaspoon pepper. Cover and shake well.

维纳格雷酸辣沙司的制法：将2勺橄榄油或色拉油、2勺柠檬汁、1/8勺的盐和胡椒放置唯一拧盖的罐子里，合上盖后摇匀即可。

For Greek Vinaigrette , in a screw-top jar combine 2 tablespoons olive oil or salad oil; 2 tablespoons lemon juice;1/8- teaspoon salt; and1/8- teaspoon pepper.

维纳格雷酸辣沙司的制法：将2勺橄榄油或色拉油、勺柠檬汁、/勺的盐和胡椒放置一个拧盖的罐子里，合上盖后摇匀即可

The cod brandade made its entry in the "nmoise" gastronomy only in the 18th century when cookers transformed the cod into a mash and grinded it with milk, olive oil and scrubland herbs.

尼姆厨师把鳕鱼剁成泥，捣碎与牛奶、橄榄油和一些南部石灰质荒地上生长的蔬菜相混合，经过精心烹调，尼姆奶油烙鳕鱼这道色香味俱全佳肴就呈现在我们面前。

During this time heat up a pan and add a small bit of oil, when pan is hot sear the scallops and sea bream, skin side down for approximately 1 minute each side.

在此期间，加热另外一个锅子，加入少许橄榄油，煎带子和鱼，正反两面各煎大约一分

In a capacious paella pan, achieve decolour in the olive oil rice, cloves of seasoner and shredded onions.

在一个宽敞西班牙海鲜饭潘，实现脱色的橄榄油大米，丁香和切碎的洋葱调味。

Put the flour, eggs, extra virgin olive oil and semolina flour in the mixing bowl of a food processor.

把面粉、鸡蛋、特级初榨橄榄油和粗粒小麦粉放进（品牌Kitchen Aid的）搅拌机的大碗里。

Semolina pasta in a hearty Bolognese meat sauce flavored with red wine, onion, celery, and olive oil.

肉酱意大利面，很经典。浓重的肉酱加入红酒、葱、芹和橄榄油。

Serve the soup in a deep plate with the bean soup and the pearl barley all around.

用深盘装珍珠麦和豆汤，并洒些橄榄油和黑胡椒提升口感。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。