樱桃

Long lengths are rippled with chocolate cherry and razored with random texture to create a range of wearable looks.

长长的微卷，敷以巧克力樱桃红色，随意的剪裁，成就一组颓废系列。

Small pieces of banana increase heat, very ripe kiwi fruit copy alone newly, look for half pure strawberry that talent find, ultra sweet a person of pineapple slice one, there are red cherry , several black grape and strong sauced mango stock of papaya.

小块香蕉增加热量，刚刚熟透猕猴桃一人份，找了半天才找到的纯草莓，超甜菠萝片一人份，还有红樱桃和几个黑加仑果外加一小碗超浓的木瓜酱芒果原汁。

Without a second word Grandfather Chen scurries up a ladder to pluck some cherries for us; as he thanks us with effort, his wife tells us of her gratitude.

陈爷爷二话不说，拿了把梯子摘樱桃给我们吃，来表达谢意，他的妻子则是把感谢挂在嘴边。

They are carefully poured over a barspoon or speared cherry so as to keep the layers separate.

一定要小心使用吧匙或樱桃牙签以便保持分层的效果。

The garnish is a cherry speared onto a lime wedge split to sit on the side of the glass.

装饰是一个樱桃插在一片莱姆片上，并将莱姆插在杯口的位置。

Its attractive and intense aroma is filled with black and red ripe fruits such as blueberry, blackberry, blackcurrant, strawberry and cherry, spicy hints and harmoniously joined to tinges of chocolate, tobacco and oak.

它融合多种黑色和红色的成熟果实的浓郁香气，如蓝莓、黑莓、黑加仑子、草莓、樱桃。同时伴有淡淡的辛辣味道、巧克力、烟草和橡木桶的香气。

Vivid tonalities, cherry red colour with blue reflections. Aromas of a youth stand out with a fruity background.

这款酒呈现活泼动人的樱桃红色酒体，芬芳的果香跃动着青春的活力。

"They gave me a Cherry Ripe chocolate bar after they winched me up to the chopper - it was like a gourmet meal," he said.

他说︰「他们用绞盘吊我上直升机后，给了我一条樱桃馅的巧克力－尝起来就像是人间美味。

Goes to the sink and wipes it off on the outside .

我还记得去年夏天我做樱桃罐头的那个下午。

If it is in your budget, you might consider Cherry cabinets.

如果它在您的预算方面，您也许考虑樱桃内阁。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。