横跨

The required machines were located in a building at the opposite end of the hospital,so I had to be wheeled across the courtyard on a gurney.

所需的机器位于医院对面的一个建筑内，因此我必须在轮床上被推着横跨医院的院子。

Patterns in Nature: Island Aerials Swirling sandbars wend their way across Oregon Inlet, part of Cape Hatteras National Seashore in North Carolina's Outer Banks.

漩涡沙洲外面它们的方式横跨俄勒冈州的进入口，部分哈特拉斯角国家海滨在北卡罗莱纳州的外部的堤岸。

The direction of coordination about US policy toward: formed military watershed west from Baltic Sea east to Central Asia's hinter land which through Georgia connected eastern Europe and central Asia, Which strategic deeply into Russian borderland and forced to Russian hinter land.

美国中亚政策协调方向是，通过格鲁吉亚将东欧和中亚连接起来，形成了一条西起波罗的海，东抵中亚腹地，横跨整个中亚的军事战略分水岭，其战略纵深入俄边界地区接壤。并直逼俄国腹地。

The ancient hobgoblin dynasty lives on as a series of ruins across Khorvaire, and knell beetles inhabit several of these sites.

古代的大地精王朝已经成为横跨科瓦雷的一系列遗迹，而丧钟甲虫就栖息于部分遗迹所在之处。

They can also land in Hokkaido, across the Pacific Ocean, within an hour.

也可以在一个小时之内横跨太平洋在北海道降落。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

A crescent in stone, the humpbacked bridge at Mostar spans the Neretva River in Yugoslavia's Bosnia-Herzegovina Republic.

意译：Süleyman的宏伟图片。新月形在石材，驼背桥在莫斯塔尔横跨内雷特瓦河在南斯拉夫的波斯尼亚――黑塞哥维那共和国。

A crescent in stone,the humpbacked bridge at mostar spans the neretva river in yugoslavia＇s bosnia-herzegovina republic.

意译：süleyman的宏伟图片。新月形在石材，驼背桥在莫斯塔尔横跨内雷特瓦河在南斯拉夫的波斯尼亚――黑塞哥维那小学生为故宫做导游。

Photo Gallery: Süleyman the Magnificent A crescent in stone, the humpbacked bridge at Mostar spans the Neretva River in Yugoslavia's Bosnia-Herzegovina Republic.

新月形在石材，驼背桥在莫斯塔尔横跨内雷特瓦河在南斯拉夫的波斯尼亚――黑塞哥维那共和国。

The Hygeia network offers nationwide coverage across the US with concentrations in metropolitan and urban cities, traditional travel states, and many rural areas.

该hygeia网络提供覆盖全国的横跨美国与浓度在大都市和城市，传统的旅游国家，和许多农村地区。

No clear conclusions can be made about the predictie alidity of specific measures, they found, except for criteria for the underuse of drugs for cardioascular disease.

除了心血管病不合理用药标准外，对于特定评价方法的预测效度没有明确的结论。

The third and last is that almost all of them, being infinite in number, have been impostures, and by idle and crafty brains merely contrived and feigned after the event past.

第三、即最后一点是：几乎所有这些不胜枚举的预言都是欺人之谈，都是在事件过后由无聊而狡猾的脑筋推测与凭空捏造的。