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Living to reach 3 sons to male, goodwife in farm of a countryside; In an early morning goodwife awakes, looking at prairie of the herd outside the window, she detects in their home only the die in one's shoes of a milker of remnant is on the prairie, this acedia picture is invading her---How should she continue to maintain family livelihood?

在一个乡村农场里住着一对男、女主人及三个儿子;在一个清晨里女主人醒来,望着窗外牧草原,她发觉他们家中仅剩的一头乳牛横死在草原上,这绝望的景象侵袭着她---她要如何继续维持家计呢?

All day and evening long on the Strip, one sees actual wedding parties, waiting under the harsh lights at a crosswalk, standing uneasily in the parking lot of the Frontier while the photographer hired by The Little Church of the West ("Wedding Place of the Stars") certifies the occasion, takes the picture: the bride in a veil and white satin pumps, the bridegroom usually in a white dinner jacket, and even an attendant or two, a sister or a best friend in hot-pink peau de soie , a flirtation veil, a carnation nosegay.

在拉斯维加斯大道,从白天到黑夜,当你在人行横道处刺眼的灯光下等待的时候,当你在弗兰提尔酒店的停车场烦躁不安地站着的时候,你都可以看到正在进行的婚礼派对。而这时由"西部小教堂"雇佣的摄影师会为婚礼现场做见证,拍下这样的画面:新娘戴着面纱,穿着无带浅口的白缎婚礼鞋;新郎通常会穿着白色晚礼服;在一旁还会有一两个人陪伴,是新娘的姐姐或是最要好的朋友,穿着粉红暖色的双面横棱缎,戴着一块富有调情意味的面纱,再插上一束康乃馨。

You hear it from the trackers, a more breathless chant, as they pull desperately against the current, half a dozen of them perhaps if they are, taking up a wupan, a couple of hundred if they are hauling a splendid junk, its square sail set, over a rapid.

纤夫拼命拉纤逆流而上时,你就会听见他们唱着较急促的号子。拉五板木船时,或许五六人就行,但当拉着鼓着横帆的大船过急滩时,那就得要二三百人。责任编辑:admin

In the Rue Sainte-Croix-de-la-Bretonnerie, twenty young men, bearded and with long hair, entered a dram-shop and emerged a moment later, carrying a horizontal tricolored flag covered with crape, and having at their head three men armed, one with a sword, one with a gun, and the third with a pike.

圣十字架街,二十来个留着胡须和长发的青年走进一间咖啡馆,随即又出来,举着一面横条三色旗,旗上结一块黑纱,他们的三个领头人都带着武器,一个有指挥刀,一个有步枪,一个有长矛。

In the Rue Sainte-Croix-de-la-Bretonnerie, twenty young men, bearded with long hair, entered a dram-shop emerged a moment later, carrying a horizontal tricolored flag covered with crape, having at their head three men armed, one with a sword, one with a gun, the third with a pike.

圣十字架街,二十来个留着胡须和长发的青年走进一间咖啡馆,随即又出来,举着一面横条三色旗,旗上结一块黑纱,他们的三个领头人都带着武器,一个有指挥刀,一个有步枪,一个有长矛。

Plyfil composite yarns is similar to two-ply yarn structures.

纺纱方法决定着成纱结构,成纱结构与纱线组成原料又决定了纱线的性能。sirofil复合纱线纺纱时长丝与短纤纱须条的间距及长丝的张力,plyfil复合线加工时二组分间并线张力对成纱结构及纱线的性能有着重要影响。sirofil复合纱的成纱横截面呈近似圆形结构,长丝位于成纱的一侧;纵向呈有"股线螺纹"的单纱外观。plyfil复合线具有类似于传统双股线的横截面和纵向外观。

What he wanted for Sydney was the effect he had noticed when tacking round the promontory at Elsinore, of the castle's piled-up turrets against the piled-up clouds and his own billowing white sails; the liberation he had felt on the great platforms of the Mayan temples in Mexico, of being lifted above the dark jungle into another world of light; the height and presence of Gothic cathedrals, whose ogival shape was to show in the cross-sections of the Sydney roof-shells; and the curved, three-dimensional rib-work of boat-building , as he had watched his own father doing it at Aalborg.

当他在艾尔西诺海岬旁作之字形航行时,天边积云朵朵,海水蓝天融为一色,海风一过,巨大的白帆随之鼓起,城堡上层叠而立的塔楼在一片湛蓝中像条游龙飘忽不定。如此景致早已收藏于心。他所向往的悉尼巨作不正是这幅美景的再现么?当他伫立于墨西哥玛雅寺庙辽阔的平台之上时,那份无拘无束的洒脱正从昏暗的丛林中抽身而出,徐徐升腾,遁入另一个光的世界。这不羁的心不正是他想施予悉尼的么?还有那直插云霄的哥特式大教堂,它们的伟岸和雍容时时撞击着他,剖开未来悉尼歌剧院的扇形穹顶吧,横截面上所展示的不正是带着尖顶拱的外形么?当他在奥尔堡傻傻地看着父亲建造船坞时,那有着优美弧线的三维肋拱结构不也是激活他未来创作的源泉么?

Broad bands of rosy gold, as if daubed on with a gigantic brush, stretched across the dark, blue tinted fields; here and there shreds of fluffy, transparent clouds gleamed whitely, and the freshest and most enchanting of breezes barely stirred the surface of the grass, gentle as sea waves, and softly touched the cheek.

阔朗的金红色光带如同被巨人的大笔蘸着,横抹过靛青色的草野。这儿那儿点染着洁白的轻云,蓬松而透明。熏人欲醉的微风乍起,款款轻拂着草尖,柔媚有如海面的微波羞触粉颊。

In their saddles, with their trumpets at their head, cartridge-boxes filled muskets loaded, all in readiness to march; in the Latin country at the Jardin des Plantes, the Municipal Guard echelonned from street to street; at the Halle-aux-Vins, a squadron of dragoons; at the Greve half of the 12th Light Infantry, the other half being at the Bastille;the 6th Dragoons at the Celestins; the courtyard of the Louvre full of artillery.

随后跟着的是无穷无尽的人群,神情急躁,形状奇特,人民之友社的社员们、法学院、医学院、一切国家的流亡者,西班牙、意大利、德国、波兰的国旗,横条三色旗,各色各样的旗帜,应有尽有,孩子们挥动着青树枝,正在罢工的石匠和木工,有些人头上戴着纸帽,一望而知是印刷工人,两个一排,三个一排地走着,他们大声叫喊,几乎每个人都挥舞着棍棒,有些挥舞着指挥刀,没有秩序,可是万众一心,有时混乱,有时成行。

All day and evening long on the Strip, one sees actual wedding parties, waiting under the harsh lights at a crosswalk, standing uneasily in the parking lot of the Frontier while the photographer hired by The Little Church of the West ("Wedding Place of the Stars") certifies the occasion, takes the picture: the bride in a veil and white satin pumps, the bridegroom usually in a white dinner jacket, and even an attendant or two, a sister or a best friend in hot-pink peau de soie , a flirtation veil, a carnation nosegay.

不论白天还是夜晚,在街上,人们总能看到真实的结婚宴会,那些人等候在强光下的人行横道上,不安地站在边境上的停车场里,从西部小教堂雇来的摄影师确认着场景,拍摄着照片:新娘穿着婚纱和白缎子的半高跟鞋,新郎通常穿着白色晚礼服,甚至还会有一两个随从,姐妹或好朋友穿着艳粉色的双面横绫缎,带着风情万种的面纱,手里拿着康乃馨花束。

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