横切面

Note the bladder on left and the didelphic uterus with hydrometrocolpos on the right.

胎儿骨盆横切面显示左侧为膀胱，右侧为双子宫和子宫阴道积水。

Transversal planes through thorax and sagittal plane done at 30 week of pregnancy, showing cystic mass located in left dorsolateral portion of the thorax.

孕30周经胸腔的横切面和矢状面显示位于胸腔左背外侧的囊性团块。

In cross-sectioned root form 2 middle bark layer next Internal bark layer especial structure of regularly array; epidermis cell of stems and leaves have developed thickened epiderm, leaves epidermis covers hair, it formed developed vascular bundles.(4)Chromosomes of Agropyron cristatum is tetraploid .

根横切面上形成了在紧靠内皮层的两层中皮层细胞有规则整齐排列成两环的特殊结构；茎和叶表皮细胞均具有发达的角质层，叶表皮多密被毛，其形成了发达的维管束及维管束鞘。

The results demonstrated that, in rat hippocampal slices, propofolinhibits epileptiform activity.

结果显示：在鼠海马横切面，异丙酚能抑制癫痫样活动。

Figure 3. A, Transabdominal scan of the right adnexa shows a complex mass surrounded by pelvic structures containing several round areas of loculated fluid that vary in size and are separated by a thickened band or adhesion, simulating a tubo-ovarian abscess or complex. B, Transabdominal cross-sectional scan shows the 2 loculated fluid areas posterior to the uterus separated by a thickened adhesion band.

图3 A，右侧附件区经腹部扫描显示被盆腔结构环绕的混合性肿块，其内有数个圆形的局限性积液，其大小不等，被增厚的束带或粘连分隔，象是一个输卵管-卵巢脓肿或复合体。B，经腹部横切面扫描显示子宫后方的2个局限性积液区，被一增厚的粘连束带所分隔。

Figure 3. A, Transabdominal scan of the right adnexa shows a complex mass surrounded by pelic structures containing seeral round areas of loculated fluid that ary in size and are separated by a thickened band or adhesion, simulating a tubo-oarian abscess or complex. B, Transabdominal cross-sectional scan shows the 2 loculated fluid areas posterior to the uterus separated by a thickened adhesion band.

图3 A，右侧附件区经腹部扫描显示被盆腔结构环绕的混合性肿块，其内有数个圆形的局限性积液，其大小不等，被增厚的束带或粘连分隔，象是一个输卵管-卵巢脓肿或复合体。B，经腹部横切面扫描显示子宫后方的2个局限性积液区，被一增厚的粘连束带所分隔。

The cross-sections of plant tissues were rapidly transferred to aluminum foil-coated microscopic sides for reflectance mode analysis in FT-IR microspectroscopy with imaging, mapping, ChemiMap, and line scanning techniques.

接著植物组织之横切面薄片被迅速转移至铝箔包覆显微载玻片上，作为傅立叶转换红外线显微光谱仪在全反射模式下，运用光学影像、面扫描、化学官能基面像化及线扫描等技术分析使用。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

The method utilizes petrographical information obtained from two-dimensional thin sections to stochastically reconstruct the 3D model of a stone sample by the theories and techniques of image processing and mathematic morphology.This paper compares quantitatively the reconstructed microstructures...

这种方法利用从二维薄片取得的岩相学图象信息，用图象处理理论技术和数学形态学的方法生成了岩石的三维模型，对重建的三维微观结构和实际砂岩的表面细微结构进行了定量比较，比较显示，这种重建方法得到的三维模型孔隙率与原始图象基本一致，其水平面/纵切面/横切面上的颗粒长径分布与实际岩石有较好的相关性。

Comparison of preoperator of carotid endarterectomy and Percutaneous transluminal stenting with postoperator in measuring the vascular diameter and area of cross section using CTA . Statistical significance was determined using t test. Results: Using a 70% cutoff value for stenosis, CTA and DSA were in agreement in 35 of 37 vessels(95%).

用X2检验评价CTA与DSA检测血管内软斑块的差异有否显著意义；用配对t检验评价内膜切除术和支架置入术前、术后ICA狭窄处直径及横切面面积的差异有否显著意义。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。