模仿作品

One reslt of this encounter with the great masters of the early 18th century was Mozart's imitation of Handelin the unfinished Suite in C (only the first three movements were completed), from which Courante is drawn.

的作品后，他允许我将它们都带回家。得遇18世纪早期大师们的结果是莫扎特在他未完成的组曲C中模仿了亨德尔，创作了第二乐章。

There are many echo es of Shakespeare in his work .

他的作品中有很多处模仿莎士比亚。

Visual Characteristics of Pop Art: because this project was aimed at a pop art form, I researched into pop art and briefly conclude the main visual characteristics of it: hard-edge/ changes in scale/ repeated images/ skill of imitating printing/ bright artificial colors/ collage

分析普普艺术的视觉特质：由於这个作品希望能达到一种普普艺术的形式，我研究了普普艺术并简单归纳其主要视觉特质如硬边艺术、规模的改变、重复的图片、模仿画技术、明亮人工的色彩、拼贴

This kind of operation led to the low quality works and it nearly drew Ukiyo-e prints to its end fifty years in advance. Fortunately, Katsushika Hokusai and Utagawa Hiroshiga save this backwardness of Ukiyo-e prints.

浮世绘的商业操作模式，导致了一些作品的低俗粗陋和模仿抄袭之风，这类不良品质差点提前五十年结束了浮世绘的生命，幸亏葛饰北斋和歌川广重的出现给了浮世绘一次挽救。

If you deliberately imitate the work of a maestro, you will reflect a feeling of uncomfortable unconsciously.

假如你刻意的去模仿某位艺术大师的作品，你就会很不自然的体现出一种别扭的感觉。

However, in the teaching the work, the teacher usually gives music work with concretely explain in detail and mimicry, tied up the student's thinking and imagination dint, make the student be placed in the appearance of passive accept type, as time passes, student to music lesson then milli- disinterest.

然而，在教学工作中，教师通常给音乐作品以具体的讲解与模仿，束缚了学生的思维与想象力，使学生处于被动接受式的状态，久而久之，学生对音乐课便毫无兴趣了。

In this consideration, critical emphasis has been put on a true-tolife reflection or mimesis of reality in Steinbeck's work, and history is used as backgrounds against which his texts are interpreted.

这种认识的基点在于，将文学作品看作是对现实的真实反映或模仿，历史则被用来作为阐释文学文本的背景。

In thischapter, we also deal with some relative themes such as name, music, nominalism, imagination and so on. Through mimesis and illusion, we feel a new relation between ourselves and the world. We suggest in chapter 6 that this relation is implied in the relation between ourselves and art work.

通过模仿与假象，我们体味到了我们与万物的一种新的关系，这种关系浸润于我们与艺术作品的关系之中，这也就是我们在第六章所要探讨的。

Feng Feng's work emits a subtle echo across time and an absurd, pale mimesis of societal perceptions and misperceptions.

冯峰的作品散发出穿越时光的微妙回声，像一出皮影戏，荒诞的模仿社会中或正确或错误的概念。—罗斌（加拿大诗人，艺术评论家）2003

People just mimic what those outside of China are doing. It is dangerous, he says.

现在都在模仿西方，做出的作品不中不西，这是很危险的。

Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势，并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。