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Beyond the series of "portraits" which serves as a record of the famous gatherings at the Bateau Lavoir, one can see references to the recent contributions of Cubism made in Picasso's studio in the same block of buildings: the fruit bowl, the landscape painted as large cross-hatched areas of mass unified by the reddening hue, the simplified "masks" of the faces, and above all, the placement of both groups of embracing and dancing women which call to mind the preliminary studies for the Demoiselles d'Avignon.

相比之下,这幅作品绘画得既审慎又野心勃勃,但整体来说是以一个表面和幼稚的方式模仿立体派。「肖像」系列除了纪录了于巴多拉夫瓦的聚会外,更间接地让我们瞥见,位于同一大厦的毕加索画室中充满立体派气息的东西:水果盘、以并行线相交的大片艳红阴影绘画之风景,以及简化如「面具」的脸孔,而更重要的是,结聚在一起相拥跳舞的女郎们,令人想起毕加索《阿维侬的少女》的初形。

A contrapuntal piece of music in which a melody in one part is imitated exactly in other parts.

在一个部分的一个音调在另一部分里有确切的模仿的有对立效果的音乐作品。

A work of art that imitates the style of some previous work .

模仿先前作品风格的艺术作品。

Playing on sexual themes, she reveals uncomfortable aspects of British humour, in addition to asking the viewer to re-assess their judgement of gender roles. Her work always has a certain raw energy, it is confrontational as she often impersonates masculine poses with travesty, and its wry sense of humour leaves the viewer both provoked and amused.

她在性别主题上作文章,除了让观众重新审视自身对两性角色的看法以外,也揭示了英式幽默里令人不安的东西,卢卡斯的作品具有某种自然状态下的活力,带着对峙的感觉,她常常对男性姿态进行一种滑稽模仿,使作品以其另类的幽默让观众觉得既有些气恼又很好笑。

In cartoon cartoon design domain, because domestic regarding thisindustrial technical force and resources limited, therefore is beingat the development phase the cartoon cartoon design to be supposed tojoin the Chinese character typeface design part in the work, uses inthe foreign propaganda to promote this national the cartoon cartoonenterprise, I thought in the unintentional imitation overseas work thetypeface design element inundates to the national card with theanimation enterprise development is disadvantageous.

在卡通漫画设计领域,由于国内对于该产业的技术力量和资源有限,所以正处于发展阶段的卡通漫画设计更应该在作品中加入汉字字体设计部分,用于对外宣传推广本民族的卡通漫画事业,我认为有意无意的模仿国外作品中的字体设计元素对民族卡漫和动画事业的发展不利。

It indicates every literary work is a matter of convention and a reworking of old works.

6?1克丽斯蒂娃根据巴赫金的&对话性&和&复调&理论推演而来的,指文学本身存在着互涉关系,任何作品都存在着对传统文化的承袭和对以往作品的模仿。

This is not only because of her witty language and her original contribution to the development of the art of novel-writing, but also because of the fact that her vivid and lively narration is by no means shallow or transparent.

此外,美国人确实会走极端,要么咄咄逼人地大肆渲染其文学,要么进行着同样不幸的亦步亦趋式的顶礼膜拜。但反过来说,英国人自己在其文学鉴赏中也显得有些狭隘愚陋。此外,在他们并无上乘表现的领域--例如绘画与音乐,他们也会走极端,不是吹嘘他们本国的作品,就是大肆模仿欧洲大陆的作品。

They were pastiches of other people's work.

这些作品都是根据其他作品模仿而来的。

In each room, works by Picasso join those of the masters he cannibalised.

每一个展厅里,毕加索的作品都与他模仿的大师作品对照展出。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想,尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性,即&天人和一&、&弦外之音&以及&以象立意&等;它在众多方面都体现山了加美兰的创作技巧,如持续音、固定音型的使用,织体对位的模仿,调式、和声的相似性等,在对《大海》音乐本体的分析中可以看出,德彪西对爪哇加美兰的音乐曾进行过深入的研究:作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面,一是表现出他对日本浮世绘的浓厚兴趣,二是表达了他作品中具有的绘画性因素。

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Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势,并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。

This dramatic range, steeper than the Himalayas, is the upturned rim of the eastern edge of Tibet, a plateau that has risen to 5 km in response to the slow but un stoppable collision of India with Asia that began about 55 million years ago and which continues unabated today.

这一引人注目的地域范围,比喜马拉雅山更加陡峭,是处于西藏东部边缘的朝上翻的边框地带。响应启始于约5500万年前的、缓慢的但却不可阻挡的印度与亚洲地壳板块碰撞,高原已上升至五千米,这种碰撞持续至今,毫无衰退。