棱角

However, classical artists' short venture into the human form's interior was to return once more to the human form's exterior, from that point onwards rendering more accurate and subtle depictions of human facial features and expressions; it is the body's exterior that moves people, that entertains, and is the ultimate goal and objective. The most typical examples are da Vinci's "Mona Lisa" and "Lady with the Ermine". It seems as if the skeleton is the one thing Luo Quanmu demands of the world. He has returned the world to its original state, solidifying it into a structure with a static framework.

不过，古典艺术家在人体内部的短暂旅行，是为了再次返回身体的表层，从而更为准确和微妙地表现人的面容与神态，身体的表层才是动人的、愉悦的，才是终点和表现对象；最典型的莫过于达·芬奇的"蒙娜丽莎"，或"抱貂的女人"……然而，对于罗荃木来说，骨架仿佛是他向这个世界索取的唯一实物，借助于骨架，他将世界还原、冷凝为一个静态的框架性结构。