梦的

American Tragedy" is the description of the "American Dream" and the pursuit of "American Dream disillusionment.

美国的悲剧》描写的正是对"美国梦"的追求以及"美国梦"的幻灭。

In the long history, with the development of civilized society, man's exploration of dream evolve through from doubt, fear to rational analysis. Dream not only coexist with human thinking, but also closely concern with primitive religion and cultural development.

在漫长的历史演进中，随著文明社会的发展，人对梦的探索历经了从疑惑、恐惧到理性分析的过程；梦不仅和人类思维共存，其与原始宗教、文化发展都有密切的关系。

The great analytic importance of the dream was balanced with technical precepts not to overuse and abuse dream interpretation, and to understand the limitations of dream analysis. Freud 1911, p.

这里有很重要的一点是，我们需要一些技术规范来作出权衡，以使梦的解析不至于被过分滥用，并让我们明白梦的解析的局限性。

This thesis based on the stance of Christianity tries to propose a different interpretation from the modern oneirology, bringing up the profound meaning of dreams to the people of this century.

本研究乃是尝试从基督教的角度，提出一种不同於当代之梦的诠释，并进而揭示出梦对於二十一世纪的现代人究竟有何深邃的意义。

A lot of essays on it were focused either on its quintessential vision of the American dream, romantic hope and romantic disillusion or on the narrative techniques, and there are discussions on the role of the dual-visioned narrator Nick Carraway.

对于其&美国梦的幻灭&这一主题探讨甚多，许多评论家认为这是一部关于美国梦的经典之作，从浪漫的理想及理想的破灭等方面对作品进行分析。

When the magicians, enchanters, astrologers and diviners came, I told them the dream, but they could not interpret it for me.

于是那些学术士、那些用法术的、和迦勒底博学的人、跟占卜的、都进了来；我将那梦告诉了他们，他们却不能把个梦的解析告诉我。

Plum Star SMS awakened by a girl who is dreaming to see the time 4:50, reply message, she opened her eyes and dream Think of something that some fear could be why they could not find any practical reasons to do this dream and gently get up and walk onto the living room door, plum star that, does not speak, both in the kitchen, wash brush their teeth after finishing proposed package quietly out the door.

李子星的短信惊醒了正在做梦的女孩，看时间凌晨四点五十分，回复短信后，睁开双眼的她想想梦中的事有些害怕，可又找不出为何会做这梦的现实原因，轻轻起床带上房门走到客厅李子星那，也不说话，两人在厨房洗脸刷牙完便提出包悄悄的出了门。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Then came in the magicians, the astrologers, the Chaldeans, and the soothsayers: and I told the dream before them; but they did not make known unto me the interpretation thereof.

4：7 于是那些术士，用法术的，迦勒底人，观兆的都进来，我将那梦告诉了他们，他们却不能把梦的讲解告诉我。

Then came in the magicians, the astrologers, the Chaldeans, and the soothsayers: and I told the dream before them; but they did not make known unto me the interpretation thereof.

4：7 於是那些术士、用法术的、迦勒底人、观兆的、都进来、我将那梦告诉了他们、他们却不能把梦的讲解告诉我。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了