梦的

Gently shake youth Campanula ring, a pleasant voice on the heart attack, looked up rays in the halo of colorful dreams, a few heart will indulge in the glory of touching: the stream of history, the splendid ancient Chinese poem so elegant that the idea of flying the look, clean up one's soul and beautify their own temperament; breathing poetry of the text in the mellow air, let poets of sentiment or feeling melancholy; then Qingli poetic, sincere love, dream The gorgeous cast of human soul, the soul of the strokes used to write their own lines, to the life of paper left on a clean page.

轻轻摇响青春的风铃，一阵悦耳声袭上心头，抬头仰望霞光中五彩梦的光环，心几就会沉醉在那动人的光环之中：从历史的小溪里，掬起古人灿烂的诗句，让那飘逸的思想、飞动的神采，荡涤自己的灵魂，美化自己的气质；呼吸诗文中醇厚的文气，感悟诗人们放达抑或忧郁的情怀；再把诗的清丽、情的真挚、梦的绚烂投人心灵之中，用灵魂的笔触写出自己的诗行，给生命的纸页上留下一笔清澈。

He is declaring his naivete life in Yixing. Those pickled vegetable or uniform size crock filled with water may be his hiding place when he play hide-and-seek childhood or probably is the place to step cabbage for parents, those of which has been frozen, become a sigh looks like a short cut ice tear hung down and insinuate such a scene: piles of crock arrange on the producer---lake of Dingshu town Yixing city, accumulate to wall in rule and great, the majestic spectacle narrate the desolation of current depression market speechlessly. The former prosperity spectacle: fluctuation discharge, ships, such as the of the net, now only laid-off workers broken dream of ceramic music field. Tang wenwei's historical situation description, in fact, is not concerned special purpose, such as people's political mission, etc.

他也在昭示他于宜兴生活的无邪童年，那些腌菜或盛水的大小不一的瓦缸，可能是他和同伴玩捉迷藏的藏身处，可能是他帮父母踩白菜的玩乐点，等等这些了然冰封，化成喟然一叹，如那一短截挂下欲化的冰泪影射出那样一副景象：成堆的缸排列在盛产地——宜兴丁蜀镇温柔的湖畔上，堆积成规则雄伟的墙，宏大的场面无言叙说着当下市场萧条的凄凉，昔日上下卸货、船只如网的繁荣，如今只是下岗陶瓷工碎梦的失乐场……汤文伟的历史情景述说，其实不带有特别的目的，譬如关注民生民情等政治使命。

I have been wandered through Internet at early time, from curiosity to habit and even in the shape of dependence, I am always looking for something, the life of thinking and feeling have changed via time flows, my heart has never changed except for only way to pursue a dream---------that is to settle a home for my soul, just let my feeling and thinking could leap over myself through unconstraint, I don't want myself indulge in trivial matters and wear away my initial passion and love with life, so I would like to cherish every moment in life.

很早的时候就游离在互联网中，从新奇变成习惯，甚至一种依赖，一直在寻找着什么，生活的所思所悟都随着时间的变化而改变，唯独那寻梦的心没有改变——那就是给自己的心灵安一个家，让自己的思绪可以天马行空的跨越自我，不再让自己沉浸在生活的琐碎中磨灭掉那对生命最初的激情和热爱，从而珍惜生命中的每一刻。

This dissertation attempts to map out African American dreams for personal fulfillment, for equal opportunity, for recognition in the society, and for a place to start all over again respectively in four major novels written by African American writers in the twentieth century: Their Eyes Were Watching God (1937) by Zora Neale Hurston, Native Son (1940) by Richard Wright, Invisible Man (1952) by Ralph Ellison, and Paradise (1998) by Toni Morrison.

本文以非洲裔美国作家于二十世纪创作的四部作品（佐拉·尼尔·赫斯顿于1937年发表的《他们眼望上苍》、里查德·赖特于1940年发表的《土生子》、拉尔夫·艾里森于1952年发表的《无形人》和托妮·莫里森于1998年发表的《乐园》）为对象，从文化研究的角度分别考察了非洲裔美国人追寻自我价值的实现、平等寻梦的机会、主流社会的认可和获得新生的机会等梦想。

Rich in hues and wrong fall in the water bottom moonlight of embellish under, dragon body the colors of the scale all apparently take some Ans to sink ……but, that eyes, that double of have for a day, the color of granite, the tea crystal sheen, eyes of the gentle and soft facial expression of black jade are the dream of water in the first night of old know

在水底月光斑斓错落的点缀下，龙身鳞片的颜色都似乎带着些黯沉……但是，那双眼睛，那双有着天青石的颜色，茶晶的光泽，乌玉的温柔神情的眼睛，是第一夜的水之幻梦的旧识

The 1950s the United States, is experiencing economic recovery after World War II and the Cold War gradually, and gradually close in Europe, has made a lot of Americans, the germination of gold fever in Europe.

二十世纪五十年代的美国，正经历着第二次世界大战之后的经济复苏与冷战的渐起，与欧洲的渐渐亲密，也使得很多美国人萌发了到欧洲淘金的热潮。1955年的美国康涅狄格州，有一个名为革命山庄的住宅小区，这个小区坐落在城市的近郊，小区内的居民生活安稳，经济富裕，正是标准的美国之梦的象征。

Butterfly, a symbol of what a wonderful dream, cat, dog, red, ice, snow, gentle, love is perhaps the subconscious of the young painter Perishable's Lament, the longing for love, for self-dual or cold lonely heart ridicule, Kogusu, daffodils Years Old Little Love, a white flower buttercup, blue water rafting around the situation so much a painter's friend, rather, is with the self-life aesthetic of beauty, purity, free abstract ideal reflection and youth Imagine interpretation, these works reveal the artist in the virtually real and realistic three-dimensional puzzle, showing the deep spirituality of individual aesthetic white, innocence, kindness, fantasy, sincere, innocent and beautiful.

蝴蝶，多么美好的梦的象征，猫咪、小狗、红线、冰、小雪、温柔、爱或许正是画家潜意识对青春易逝的感喟、对爱的渴望、对自我内心孤寂的偶或冷嘲，小楠、水仙、小娜、小爱、白色花毛茛、碧波泛舟与其说是画家周遭情境中的朋友，毋宁说是对自我生活审美与对美好、纯洁、自由的理想化抽象观照与青春畅想演绎，这些作品于无形中透漏着画家的立体真实和现实困惑，透出了审美个体性灵深处的洁白、无邪、善良、梦幻、真诚、天真和美丽。

Supported by Freud"s psychological analyses and archetypal criticism of Frye and C. C. Jung, the main body of the thesis firstly analyzes the deep reason for the phantom battle. Charles"s jealousy for James and the phantom pursuit of Hartley take their initial in his transferred "Oedipus complex" towards his aunt. Secondly it presents the artistic means Murdoch employs in the novel, dealing with the language confrontation, and such archetypal images as sea serpent and seals. Lastly, the study reveals how Charles fulfills his spiritual maturity through "down-up experience","the last baptism" and "meditations on stars".

论文主体以弗洛伊德的精神分析理论，弗莱和荣格的原型批评为支点从三个方面着手，首先分析导致查尔斯虚幻之争的深层缘由，阐述查尔斯对詹姆斯的嫉妒和对哈特莉梦的追寻源自对婶婶的&俄狄浦斯&情结；进而重点分析默多克呈现兄弟虚幻之争所运用的艺术手段，其中包括言语对抗，&海怪&，&海豹&等原型意象分析；最终揭示查尔斯如何通过&坠落经历&，&最后的洗礼&，&对星星的冥想&等完成自身的精神成长。

Ernst eagerly intended to break through the new vision effect, created by Giorgio De Chirico, which was similar to Freud's "unconscious theory". After all, Ernst created a brand new combination style of philosophic theory, which was not only limited in "dream" but a all new theory combined with psychology, philosophy, and Freud's theory. Simply speaking, Ernst owned unique thought which was free from the limitation of logic and traditional esthetics thinking.

恩斯特野心勃勃的在艺术界全力以赴，企图超越基里诃所创造的一种新的视觉效果，一种接近佛洛伊德所描绘的潜意识理论，最后恩斯特不仅跨越佛洛伊德所发现的潜意识理论，进而创造一种全新的哲学风貌混合意象，这新的混合意象不再只限于梦的单纯表象而已，这全新的意象是结合心理学、哲学以及佛洛伊德学说三者而成。

Ernst eagerly intended to break through the new vision effect, created by Giorgio De Chirico, which was similar to Freud's "unconscious theory". After all, Ernst created a brand new combination style of philosophic theory, which was not only limited in "dream" but a all new theory combined with psychology, philosophy, and Freud's theory. Simply speaking, Ernst owned unique thought which was free from the limitation of logic and traditional esthetics thinking.

恩斯特野心勃勃的在艺术界全力以赴，企图超越基里诃所创造的一种新的视觉效果，一种接近佛洛伊德所描绘的潜意识理论，最后恩斯特不仅跨越佛洛伊德所发现的潜意识理论，进而创造一种全新的哲学风貌混合意象，这新的混合意象不再只限於梦的单纯表象而已，这全新的意象是结合心理学、哲学以及佛洛伊德学说三者而成。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。