梦的

As a human creation, culture evolves with the difference of ages, regions and characteristics, therefore, on the one hand net provides an afterburning platform for multiple cultures and on the other hand in the cultural crashes is the accompanying gloomy mood of "nostalgia of one far away from the motherland" and the impulse of seeking the ancient dream.

文化作为人的创造呈现出时代性演进和地域性展开及异质性绵延，因此，一方面网络提供了全球化背景下多元文化直面的加力平台；另一方面在各种文化的多元互创中，与之相伴随的则是文化"去国怀乡"的愁绪和寻找往古之梦的冲动。

In sum, it is an analysis of the relationship between love and money in reality according to the break of Gatsby's American Dream.

总的来说，文章是在对了不起的盖茨比美国梦的幻灭的分析的基础上，透视了现实中的爱情和金钱的关系。

A series of events and examples in the text illustrate the misunderstanding and misogyny of the narrator. By rereading of Daisy, Nick\'s patriarchal narrative discourse is dismantled. Therefore, it can be concluded that it is unfair for the critics and readers to judge the women in the text only guided by Nick\'s limited view. Rather than a victimizer, Daisy is the victim of Gatsby\'s American dream.

由此得出结论，在尼克的男权意识视角支配(来源：AadBC论文网www.abclunwen.com)下，批评家及读者对文本中女性人物的负面解读是有失偏颇的，黛西是盖茨比"美国梦"的受害者而非加害者；而文本对女性人物的负面刻画在一定程度上体现出作者的女性价值观和当时美国社会对女性的态度。

A necdotal as these examples are, they get to the crux of the American Dream as Adams saw it: that life in the United States offered personal liberties and opportunities to a degree unmatched by any other country in history—a circumstance that remains true today, some ill-considered clampdowns in the name of Homeland Security notwithstanding.

从这些无数的轶事中，美国人得到正如亚当斯所见的美国梦的核心：美国给人自由，提供了在历史上任何一个国家都无法给予的机遇，而这些，在如今仍然适用，尽管安全局考虑不周取缔了一些东西。

We are filled with delight to see their long-forgotten shape, to breathe their fragrance again and we wonder at our carelessness in forgetting.

看到那些久违的梦的雏形，再次呼吸到了它们芬芳的气味，我们满心欢喜，并惊诧于自己的疏忽大意，居然忘掉了它们。

I think this is because of the witty language and its creative contributions to the development of the art of novel-writing, and the writer's vivid and lively narration,which is by no means shallow or transparent.

这段关于红楼梦的，大意为：我想这是因为它的诙谐的语言和对小说写作技巧的创造性贡献。并且作者的描述生动形象，绝不肤浅表面。

During the period marked by the Yuanmingyuan artist community, mainstream contemporary art was dominated by political pop and pseudo realism; these two huge influences directly or indirectly affected the artistic disposition of young artists coming to Beijing in pursuit of dreams.

在圆明园画家村时期，当代艺术的主流形式是政治波普和玩世现实主义，这两种形式的强大影响力，直接或间接的改变了许多来北京寻梦的年轻艺术家的艺术态度。

But that prophet or that dreamer of dreams shall be put to death, because he has advocated apostasy from Jehovah your God, who brought you out of the land of Egypt and ransomed you from the slave house, in order to force you out of the way in which Jehovah your God has commanded you to walk.

13：5 那申言者或是那作梦的，既用言语叛逆那领你们出埃及地，救赎你脱离为奴之家的耶和华你们的神，要勾引你离开耶和华你神所吩咐你行的道路，他就要被处死。

Rickman has a way of effortlessly stealing any film he's in, but Grant, as the director of a seedy Liverpool theater company, and newcomer Georgina Cates, as starstruck teenager Stella Bradshaw, keep things in balance in An Awfully Big Adventure.

Rickman可以毫不费力地把任何他参与的影片变成他的影片，不过大冒险里有格兰特和新人Georgina Cates可以少许平衡这点。格兰特的角色是利物浦一个破败地方剧团里的导演，Cates扮演一个做着明星梦的少女Stella Bradshaw。

This article takes as examples whitman's leaves of grass, kerouac's on the road and other texts, to show that travel and ritual of passage represent typical american experience, express the pursuit, realization and spread of the american dream, and become part of the american cultural tradition.

本文以惠特曼的《草叶集》和克鲁亚克的《在路上》等作品为例，说明旅行以及过路仪式表现了典型的美国经验，表达了对美国梦的追寻、实现和传播，成为美国文化传统的重要组成部分。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。