梦游

Apparently, until I pointed out how long we'd been in line, the three of us had waited with a kind of dreamy patience.

显然，在我指出排了多久的队之前，三人都在梦游般的耐心中等待。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在梦幻般悦耳的曲调中，双簧管和弦乐的震声演奏很快加入进来，曲调梦游般地旋转，在八小节之后减弱为最弱音。

Egg-shaped Tweedledee and Tweedledum, who are created through motion-capture technology, are among the first characters to greet Alice.

蛋形兄弟Tweedledee和Tweedledum是《爱丽丝梦游仙境》中女主角首先遇到的人物，他们是由3D特效做出来的哦。

Light holds between its hands The white hill and black oaks, The path that goes o, The tree that stays; Light is a stone that breathes By the sleepwalking river, Light: a girl stretching, A dark bundle dawning; Light shapes the breeze in the curtains, Makes a living body from each hour, Enters the room and slips out, Barefoot, on the edge of a knife; Light is born a woman in a mirror, Naked under diaphanous leaves, Chained by a look, Dissolved in a wink; It touches the fruit and the unbodied, It is a pitcher from which the eye drinks clarities, A flame cut in blossom, a candle watching Where the blackwinged butterfly burns; Light opens the folds of the sheets And the creases of puberty, Glows in the fireplace, its flame becomes shadows That climb the walls, yearning ivy; Light does not absolve or condemn, Is neither just or unjust, Light with impalpable hands raises The buildings of symmetry; Light escapes through a passage of mirrors And returns to light: Is a hand that invents itself, An eye that sees itself in its own inventions.

光 双手拥着白色山峦与黑色橡树林，前行的路，停留的树；光是梦游的河旁呼吸的石光：一个女孩舒展，一束暗色破晓。光勾勒出帘中微风的形状，每时每刻造出一个鲜活的身体，光著脚，踩著刀刃；蹑入房间，又溜走；光是镜中诞生的女人，裸露在透明的叶底，被目光锁定，瞬间消逝；它触摸著果实和无形，眼睛在它的水罐饮著清晰，火焰绽放如花，蜡烛目睹黑翅的蝴蝶燃烧光展开被单的折皱与青春期的皱痕在壁炉里光芒焕发，它的火焰成影在墙上攀爬，怀恋著长春藤光既不赦免也不谴责无公平与不公平而言光，用无法察觉的双手举起对称的建筑；光在镜子的通道里逃遁返回于光：一只发明自己的手，一只在自己的发明中看到自己的眼。

The purpose of this paper is to analyze how Julie Taymor applies the theories and techniques of avant-garde theatre directors, and how she listen diverse media, such as visual arts and animation, to reinterpret Shakespeare's story about an ancient ruthless Roman general's revenge. The whole film serves as a dream itself, filled with postmodern montage; and along with its artistic style of provoking morality and reason, all reveal the director's intention of creating a black somnambulating journey where the boundaries between dream and reality, good and evil, reason and consciousness, pain and joy are vague and undistinguishable.

本文的目的是分析茱利泰摩是如何运用前卫剧场导演大师的理论与技巧，并融合视觉艺术和多媒体动画等异媒材，来重新诠释一个莎翁笔下残暴的古罗马将军复仇的故事，全片宛若梦境，充满后现代拼贴色彩，挑动道德理性神经的艺术风格，在在显示出导演意欲营造出一个梦与真实难辨、善与恶交错、理智与清醒不分、痛与乐共存的黑色梦游旅程。

Today,Alice in Wonderland is one of the most famous children's stories in the world.

今天，《爱丽丝梦游仙境》成为最著名的儿童故事之一。

For the majority of people, sleepwalking consists of mundane activities such as sitting up in bed, ambling around the house or dressing and undressing.

为多数人，梦游病由世俗活动组成例如在床上熬夜，在房间里漫步或是穿着衣服睡觉或是裸睡。

"Children developmentally are much more at risk of sleepwalking," Schenck says.

Schenck说：&在许多的危险中梦游病会影响孩子的发展。&

But then she saw his eyes staring emptily ahead of him,and knew he was walking in his sleep.

但是，随后她看清了他的眼睛正茫然空洞地直视着前方，知道他这是在梦游。

In the small hours she whispered to him the whole story of how he had walked in his sleep with her in his arms across the Froom stream, at the imminent risk of both their lives, and laid her down in the stone coffin at the ruined abbey.

半夜过后，苔丝悄悄地向他讲述了他梦游的故事，说他怎样在睡梦里抱着她，冒着两个人随时都会掉进河里淹死的危险，从佛卢姆河的桥上走过，把她放在寺庙废墟中的一个石头棺材里面。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。