梅尔

The main characters is the contrast : positive and negative character contrast -- and love Smeshko Hamida Jiaximo mostly good-hearted, sincere and beautiful human representatives, Crowder, and France is selfish, cold and ugly human representatives, very good and evil were clearly reflected in these two groups of people - who produced a strong contrast.

最主要的是人物形象的对比：正面与反面人物的对比--爱斯梅哈尔达和加西莫多是善良，真诚和美好的人性的代表，克罗德、法比则是自私、冷酷和丑恶的人性的代表、善与恶十分鲜明地分别体现在这两组人物身上，产生强烈的对照。

Added a lot of new sudamerican teams Flamengo, Independiente, San Lorenzo, Cruzeiro, Palmeiras, Sao Paulo

增加许多新的南美球队弗拉门戈，阿根廷独立，圣洛伦索，克鲁塞罗，帕尔梅拉斯，圣保罗

Ramires, who will join Benfica from Cruzeiro before the start of next season, chugs up and down the right, allowing Melo, the more advanced of the two holders, to focus his attentions more to the left while Gilberto remains central.

将在下赛季离开克鲁赛罗加盟本菲卡的拉米雷斯在右路搅得对方人仰马翻，两名后腰中偏重进攻的梅洛更多的将注意力放在左路，而吉尔伯托坐镇中路。

Of course Edward and Alice weren't really related (in Forks the story was that all the Cullen siblings were adopted by Dr. Carlisle Culler and his wife, Esme, both plainly too young to have teenage children), but their skin was precisely the same pale shade, their eyes had the same strange golden tint, with the same deep, bruise-like shadows beneath them.

当然，爱德华和爱丽丝并没有血缘关系（在福克斯流传着这样的故事，卡伦家族所有的兄弟姐妹都是由卡莱尔·卡伦医生和他的妻子埃斯梅领养回来的，他们两个人太年轻了，不可能有十几岁大的孩子），但是他们的脸庞蒙着一层如出一辙的苍白与朦胧，双眸也闪烁着同样奇异的金色光芒，淤青般的阴影笼罩着深深的眼窝。

Thus Father von Hummelauer, SJ, in his commentary on Genesis in the "Cursus Scripturae Sacrae"(30), in answer to the question from what author the section on Abraham first proceeded, replies, from Abraham as the first source.

因此，父亲冯胡梅劳尔，律政司司长，在他的评论就起源于" cursus scripturae sacrae "（ 30 ），在回答问题，从作者一节亚伯拉罕最初的答复，从亚伯拉罕的，作为第一来源。

He then ensured his postcard was circulated to relatives all over the world – you may well sense them lurking just within eyeline of this computer screen, or dashing for the trees with a sheet of newspaper tucked under one arm – by causing Melissa Brandts, who owned the camera, to forward the image to National Geographic , where photo editor Susan Welchman chose it for her Daily Dozen gallery.

然后，他让那台照相机的主人梅利莎·勃兰茨把照片转发给《国家地理》杂志，以此确保他的明信片分发给世界各地的亲戚们——你很可能感觉他们就潜伏在四周、窥视着你的电脑屏幕，或者胳膊下面夹着一张报纸，冲到树上。《国家地理》的照片编辑苏珊·韦尔什曼把这张照片选入她的"每日12张"画廊中。

They pretended that at his tomb in the little cemetery of Saint-Médard marvellous cures took place.

他们假装在他的墓在公墓的小圣梅达尔了不起的治疗发生了。

In its present form the list of approved Fathers comprises Cyprian, Gregory Nazianzen, Basil, Athanasius, Chrysostom, Theophilus, Hilary, Cyril of Alexandria, Ambrose, Augustine, Jerome, Prosper, Leo ("every iota" of the tome to Flavian is to be accepted under anathema), and "also the treatises of all orthodox Fathers, who deviated in nothing from the fellowship of the holy Roman Church, and were not separated from her faith and preaching, but were participators through the grace of God until the end of their life in her communion; also the decretal letters, which most blessed popes have given at various times when consulted by various Fathers, are to be received with veneration".

以其目前的形式名单核定父亲包括塞浦路斯，格雷戈里nazianzen ，罗勒， athanasius ，金口，西奥菲勒斯，希拉蕊，西里尔亚历山大，刘汉铨，奥古斯丁，杰罗姆，繁荣，利奥（"每一丝一毫"该托梅向弗拉维安是被接纳下诅咒），和"，也是论文的所有正统的父亲，谁背离了，在没有从团契的神圣罗马教会，并没有脱离她的信仰和说教，而是参与者通过谢天谢地，直至其生命，在她的共融；也是decretal封，其中大部分祝福教宗已在不同时候给予咨询时，各父亲，都将收到与敬仰的"。

Man Metz Dyer one learned to know more, teacher that have boundless prospects, make dedicate oneself to ambition of religion early very.

丁梅斯代尔是一个博学多识，前途无量的教师，很早地就立下了献身宗教的志向。

Nothing can change her mind. Set in his hometown Nantes, Demy's most New Wave film opens with an intertextual reference – a white Cadillac convertible – the last image seen in Melville's Bob le Flambeur .

本片是丹美新浪潮味道最浓厚的作品，用上高达的御用摄影师 Raoul Coutard ，潇洒跳脱，甫开场的白色卡迪拉克开蓬车，更明显是呼应梅维尔《 Bob le Flambeur 》的结尾。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。