梁启超

Political or moral utilitarianism and aesthetic utilitarianism are the two main traditions in modern Chinese aesthetics. The former considers aesthetics and art to be tools for political struggles or moral preachment, and requires them to "serve"directly for political or moral purposes, while the latter, taking aesthetics for the sake of life, or thus a life concept of aesthetics, is against the consideration of aesthetics and art to be tools for politics or morality, and requires them to affect intrinsically the improvement of life state. Liang Qichao is the direct ideological source in the end of the 19〓 century for the former, while Wang Guowei the founder for the latter.

真正构成中国现代美学的两大传统是政治、道德功利主义和审美功利主义：前者主张以审美和艺术作为政治斗争或道德说教的工具，要求审美和艺术直接"服务于"政治或道德目的；后者主张为人生的美学，或者是人生论美学，反对审美和艺术直接充当政治或道德的工具，而是要求审美和艺术内在地作用于人生境界的提升；前者在19世纪的直接思想源头在梁启超，而后者的开创者是王国维。

In this period the movement of literary reformation advocated by Liang Qi-chao also involved in the genres of poem, prose, drama and so on.

这一时期，梁启超的文学革新运动还涉及诗歌、散文、戏剧等文体领域。

Lian Qichao was not only the thinker and the politician of the bourgeois reformism in modern China, but also the founder of the modern historical science of China.

梁启超不仅是中国近代资产阶级改良主义的思想家和政治家，而且也是中国近代历史学的创始人。

In 1900, Liang Qichao went to Honolulu to propagate royalism thought. He and the daughter of oversea Chinese Hui-Zhen He had extermarital affair, but parting finally.

1990年梁启超到檀香山宣传保皇思想，与华侨之女何蕙珍发生婚外情，最后以分手作收。

Will fall dead you of ……"the beam Qi be super to see a grandfather nasty in that manner, unexpectedly and upwards again climb one class, return blunt read aloud 2:"In the flat ground, someone see me up the scaling ladder.

会跌死你的……"梁启超看见祖父急成那样子，竟又往上再攀一级，还冲口念出两句："有人在平地，看我上云梯。

Jiaoxun" Mencius annotate is the greatest works of Mencius scholium in Qing dynasty and taken granted as "model works of new scholium of Qing dynasty by LiangQichao.

焦循的《孟子正义》是清代孟子注释的集大成之作，被梁启超誉为"清代新疏家的模范作品"。

This text has made exhaustive introduction to Liang Qichao"s research contents of Confucianism, and has probed into his high praise of Confucianism"s heart sexology emphatically, and then has analyzed the ontology origin of this inclination.

本文对梁启超的儒学研究内容作了详尽的介绍，并着重探讨了他对儒家心性学的推崇，进而分析了这一倾向的本体论根源。

Thereinto the typographic progress and the prosperity of the paper and magazine were the most important.

梁启超不但是这一历史进程的受益者，同时也是这一进程的参与者。

Based upon such an expected aim, this thesis, using the form of commentary history of literature, has rather deeply discussed in the 20th century China's realism literature initiating problems situations, its beginning motives and actual development orientation, the problem of multiplication and univalence as one of the inner forming elements, the relationship between literature types and social cognition, problems concerning realism literature and modern China's internal anxiety, by focusing on problems such as"from Liang Qichao to Hu Shi,""Young Mao Dun's Upholding in Literature","Around Modern ","Lu Xun and the New Paradigms in Chinese Literature","Lao She's Style and His Concept about China", and"Hu Feng and Modern China's Subjective Anxiety", etc.

基于此一预期目的，本论文采用史论形式，以问题为中心选择了"从梁启超到胡适"、"青年茅盾的文学主张"、"在《现代》周围"、"鲁迅与中国文学的新范式"、"老舍的文体和他的中国观"及"胡风与现代中国的主体焦虑"等专题，较为深入地探讨了现实主义文学在20世纪中国兴起的问题情境、它的初始动机和实际发展路向、作为其内在构成要素之一的多样性与单一化问题、文学型式与社会认知之间的关系、现实主义文学与现代中国的内在焦虑等问题。

The new type of writing for the womenfolk in the early 20th century began with the liberation movement of the women in the social background of "Literature Revolutionary" which guided by the new type writing of Liang Qichao.

20世纪初的中国女界新文体，是在"文界革命"的社会背景下，在梁启超"新文体"主张与书写实戏的示范下，随着妇女解放运动的展开而自成其体的。

The labia have now been sutured together almost completely.The drains and the Foley catheter come out at the top.

此刻阴唇已经几乎完全的缝在一起了，排除多余淤血体液的管子和Foley导管从顶端冒出来。

To get the business done, I suggest we split the difference in price.

为了做成这笔生意，我建议我们在价格上大家各让一半。