桃树

Smooth-barked N orth American hickory with 7 to 9 leaflets bearing a hard-shelled edible nut .

光滑树皮的北美山胡桃树，有七到九个小叶，有带硬壳的可食用的坚果。

Smooth-barked North American hickory with 7 to 9 leaflets bearing a hard-shelled edible nut.

光滑树皮的北美山胡桃树，有七到九个小叶，有带硬壳的可食用的坚果。

To them, he was hard and tough as the wood of a hickory tree.

对他们，他是坚硬和坚韧的作为山胡桃树的木头。

Hickory of the eastern United States having a leaves with 7 or 9 leaflets and thin-shelled very bitter nuts.

美国东部的山胡桃树，有七到九个小叶的叶子，壳薄非常苦的果实。

Hardwoods such as hickory, oak and ash also burn well.

如胡桃树、橡树和桉树等硬木都是很好的燃料。

Hickory of southern United States and Mexico having hard nutmeg-shaped nuts.

美国南部和墨西哥的山胡桃树，有硬的肉豆蔻形状的坚果。

The walnut trees in the yard had grown, and the hopvine which he himself had planted now decorated the windows.

庭院里的胡桃树长大了，而他亲手种的蛇麻草蔓藤现在已装饰了整扇窗户。

"Lawd, Miss Melly, doan cry hyah on Peachtree Street," groaned Uncle Peter, hastening his horse's pace.

"我的天，媚兰小姐，你别在这桃树街哭了，"彼得大叔咕囔着，一面赶着马加快速度。

Through their designs, downtown hotels have interpreted their cities'dominant themes as in the ultra-modernity of Atlanta's Hyatt Regencyand Westin Peachtree Plaza, the sophistication of San Francisco'sStanford Court and Campton Place, the massiveness of New York's Hiltonand Marriott Marquis, and the traditional charm of Boston's MarriottLong Wharf and The Bostonian.

通过他们的设计，在超现代的亚特兰大的凯悦酒店和威斯汀桃树广场，高明旧金山的斯坦福法院和坎普顿饭店，厚实的纽约希尔顿和万豪侯爵，与传统的魅力波士顿的万豪长期码头和波士顿，市中心酒店已经诠释城市的主题。

The misquote actually comes from a 1907 book called Friends of Voltaire, by Evelyn Beatrice Hall.

那个错误的引语实际上出自伊芙妮·比翠西·豪1907年写的《伏尔泰的朋友们》一书。我不能说谎。是我砍倒了那棵樱桃树。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。