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So is Philip Tattaglia. Moe Greene. Strachi. Cuneo.

菲立浦塔塔基利亚也死了,还有莫格林、史特基、克里安诺。

One year later Glazunov described the work he and Rimsky-Korsakov had done on Borodin's behalf (see Abraham, B1939, for a translation), and there the matter of text rested until the 1940s.

一年后,格拉祖诺夫描述起这部他和里姆斯基—科萨耶夫代表鲍罗丁创作的作品(见亚伯拉罕, B1939,作为翻译),而原文的问题一直遗留到19世纪40年代。

In fact, the differences resulted from Borodin's own revision of the work before publication of the first full score in 1882; the phrase hinting at posthumous collaboration by Rimsky-Korsakov and Glazunov was added by the publisher Bessel simply in order to secure copyright (and royalties from performances) in western Europe.

里姆斯基—科萨耶夫和格拉祖诺夫在遗著中增添的那句话是由出版商贝塞尔添加的,仅仅是为了在西欧保护版权。

The opera finally received its première, in Rimsky-Korsakov and Glazunov's version, on 23 October/4 November 1890 at the Mariinsky Theatre in St Petersburg, but was eclipsed at the time by the season's other illustrious première, Tchaikovsky's Queen of Spades .

这部歌剧最终以里姆斯基—科萨耶夫和格拉祖诺夫的版本在1890年10月23日/11月4日在圣彼得堡的马林剧院取得了首演,但是却被那一季的另一个著名的歌剧的首演,柴可夫斯基的《黑桃皇后》抢去了风头。

The symphony's orchestration is Borodin's despite the indication 'revue par N. Rimsky-Korsakov et A. Glazunov' in many editions.

这个交响曲的管弦乐部分在很多版本上未经鲍罗丁同意标注了&由里姆斯基—科萨耶夫和格拉祖诺夫续写&。

The symphony's orchestration is Borodin's despite the indication 'revue par N. Rimsky-Korsakov et A. Glazunov' in many editions.

这个交响曲是由鲍罗丁配器,尽管在很多版本上标注了&由里姆斯基—科萨耶夫和格拉祖诺夫续写&。

Petersburg Philharmonic under Yuri Temirkanov, the quietly throbbing strings early in the 17th variation of Rachmaninoff's Rhapsody on a Theme of Paganini, are rendered by the 16 more delicately than I have ever heard them on any media.

例如,所发挥的圣彼得堡爱乐乐团尤里Temirkanov下,悄悄地throbbing的琴弦早在17变化的拉赫玛尼诺夫的狂想曲帕格尼尼主题,是提供了更微妙16比我曾听过他们的任何媒体。

But, here it is (without additional equalization)- paired with a wonderful set of dances from Act III of Glinka's "Ruslan and Ludmila" conducted by Yuri Simonov (from the equally wonderful recording of the complete opera).

但是,这里是与来自法格林卡的&鲁斯兰III和美妙的舞蹈一套配对卢德米拉&尤里西蒙诺夫进行(从完整的歌剧同样精彩的录音)中。

The papacy emerged during the High Middle Ages (1050-1500) as the real leader of Western Christendom, beginning with the so-called Gregorian reform movement (its claims neatly epitomized in twenty-seven dicta noted down by Pope Gregory VII), culminating initially in the reign of Pope Innocent III (his reforms permanently inscribed in the Fourth Lateran Council), and waning again during the Great Schism and the conciliar movement.

教宗出现在高中世纪( 1050年至1500年)作为真正的领导人,西方基督教,开始与所谓的阳历的改革运动(其索赔整齐地概括了在2007年dicta记下由罗马教皇格雷戈里七),最终导致最初在统治诺森三世(他的改革永久铭刻在第四次拉特兰会),和日渐缩小的期间再次大分裂和conciliar运动。

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