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阿纳库图弗克》、《我们看印度尼西亚吧》、《库德里亚维探险》、《该地火山专家》、《库里人民: I-II》《拉顿兰》、《阿拉斯加的智者》、《泰雅特亚探险》、《古拉格之旅-北乌拉尔河》、《捕捉黑貂的人》、《古拉格之旅-偷猎者》、《古拉格之旅-乌拉尔河两端》、《古拉格故事》、《赌徒的命运》、《古拉格之旅-安加拉河》、《古拉格之旅-哈萨克斯坦》、《被诅咒的山脉》、《古拉格之旅-卡累利亚》、《迁徙民族》等。

Chris Bangle, Director of Design, BMW Group Peter Barna, Provost, Pratt Institute Yves Behar, Founder, fuseproject Katherine Bennett, IDSA Education Vice-President, and Professor of Product Design, Art Center College of Design Mark Breitenberg, Dean of Undergraduate Education, Art Center College of Design, and Chair of the Education Committee, International Council of Societies of Industrial Design Heather Fraser, Director, Business Design Initiative, Rotman School of Management, University of Toronto Tamara Giltsoff, Live | Work Walter Herbst, Director, Master of Product Development Program, McCormick School of Engineering and Applied Science, and Professor of Marketing, Kellogg School of Management, Northwestern University Barry Jaruzelski, Vice-President, Innovation Practice, Booz Allen Hamilton Chuck Jones, Vice-President, Global Consumer Design, Whirlpool Lorraine Justice, Professor and Head of Hong Kong Polytechnic University, School of Design Larry Keeley, President, Doblin Inc. David Kelley, Founder of IDEO, and Co-founder of Stanford s Hasso Plattner Institute of Design Claus Knapheide, Director of User Experience, Siemens Mick Malisic, Director of Marketing, Frog Design Brian Matt, Founder, CEO, Altitude Dev Patnaik, Founder, Jump Associates Ravi Sawhney, CEO-President, RKS Design Jeff Semenchuk, EVP, Global Consumer Group Innovation, Citigroup RitaSue Siegel, President, RitaSue Siegel Resources Bob Sutton, Professor of Management Science and Engineering, and Co-founder of Stanford s Hasso Plattner Institute of Design Sohrab Vossoughi, President, ZIBA Design Patrick Whitney, Director, Institute of Design, Illinois Institute of Technology Gianfranco Zaccai, President and CEO, Continuum

克里斯手镯,设计,宝马集团董事彼得巴纳,教务长,普拉特学院伊夫贝哈尔,方正,fuseproject 凯瑟琳贝内特,IDSA的教育副总统,以及产品设计,艺术中心设计学院教授马克布赖滕贝格,本科教育,艺术中心设计学院,以及教育委员会,国际工业设计协会理事会主席迪安石南弗雷泽,主任,业务设计倡议,罗特曼管理,多伦多大学塔玛拉Giltsoff,直播|工作沃尔特赫布斯特,主任,产品开发计划,麦考密克工程和应用科学学院硕士,以及市场营销,Kellogg管理,西北大学法学院教授巴里雅鲁泽尔斯基,副总统,创新实践,博思艾伦查琼斯,副总裁,全球消费者设计,惠而浦洛林司法,教授和香港理工大学校长,设计学院拉里开利,总裁,德布林公司大卫凯利,IDEO的创始人兼联合创始人斯坦福虏哈索普拉特纳设计学院克劳斯Knapheide,用户体验,西门子公司董事米克马利希奇,市场营销,青蛙设计总监布赖恩马特,创始人,CEO,海拔 dev的帕特奈克,方正,跳转协会拉维梭尼,首席执行官,总裁,设计可胜杰夫谢缅丘克,执行副总裁,全球消费者集团创新,花旗集团 RitaSue西格尔先生,RitaSue西格尔资源鲍勃萨顿,管理科学与工程学院教授,兼联合创始人斯坦福虏哈索普拉特纳设计学院苏赫拉布Vossoughi,总统,Ziba设计帕特里克惠特尼主任,设计,伊利诺斯技术研究所詹弗兰科扎卡伊,总裁兼首席执行官,连续

The battle once begun, its very various changes,--the resistance of Hougomont; the tenacity of La Haie-Sainte; the killing of Bauduin; the disabling of Foy; the unexpected wall against which Soye's brigade was shattered; Guilleminot's fatal heedlessness when he had neither petard nor powder sacks; the miring of the batteries; the fifteen unescorted pieces overwhelmed in a hollow way by Uxbridge; the small effect of the bombs falling in the English lines, and there embedding themselves in the rain-soaked soil, and only succeeding in producing volcanoes of mud, so that the canister was turned into a splash; the uselessness of Pire's demonstration on Braine-l'Alleud; all that cavalry, fifteen squadrons, almost exterminated; the right wing of the English badly alarmed, the left wing badly cut into; Ney's strange mistake in massing, instead of echelonning the four divisions of the first corps; men delivered over to grape-shot, arranged in ranks twenty-seven deep and with a frontage of two hundred; the frightful holes made in these masses by the cannon-balls; attacking columns disorganized; the side-battery suddenly unmasked on their flank; Bourgeois, Donzelot, and Durutte compromised; Quiot repulsed; Lieutenant Vieux, that Hercules graduated at the Polytechnic School, wounded at the moment when he was beating in with an axe the door of La Haie-Sainte under the downright fire of the English barricade which barred the angle of the road from Genappe to Brussels; Marcognet's division caught between the infantry and the cavalry, shot down at the very muzzle of the guns amid the grain by Best and Pack, put to the sword by Ponsonby; his battery of seven pieces spiked; the Prince of Saxe-Weimar holding and guarding, in spite of the Comte d'Erlon, both Frischemont and Smohain; the flag of the 105th taken, the flag of the 45th captured; that black Prussian hussar stopped by runners of the flying column of three hundred light cavalry on the scout between Wavre and Plancenoit; the alarming things that had been said by prisoners; Grouchy's delay; fifteen hundred men killed in the orchard of Hougomont in less than an hour; eighteen hundred men overthrown in a still shorter time about La Haie-Sainte,--all these stormy incidents passing like the clouds of battle before Napoleon, had hardly troubled his gaze and had not overshadowed that face of imperial certainty.

交锋以后,战争的非常复杂惊险的变化,乌古蒙的阻力,圣拉埃的顽抗,博丹的阵亡,富瓦战斗能力的丧失,使索亚旅部受到创伤的那道意外的墙,无弹无药的吉埃米诺的那种见死不退的顽强,炮队的陷入泥淖,被阿克斯布里吉击溃在一条凹路里的那十五尊无人护卫的炮,炸弹落入英军防线效果不大,土被雨水浸透了,炸弹陷入,只能喷出一些泥土,以致开花弹全变成了烂泥泡,比雷在布兰拉勒出击无功,十五营骑兵几乎全部覆没,英军右翼应战的镇静,左翼防守的周密,内伊不把第一军的四师人散开,反把他们聚拢的那种奇怪的误会,每排二百人,前后连接二十七排,许多那样的队形齐头并进去和开花弹对抗,炮弹对那些密集队伍的骇人的射击,失去连络的先锋队,从侧面进攻的炮队突然受到拦腰的袭击,布尔热瓦、东泽洛和迪吕特被围困,吉奥被击退,来自综合工科学校的大力士维安中尉,冒着英军防守热纳普到布鲁塞尔那条路转角处的炮火,在抡起板斧去砍圣拉埃大门时受了伤,马科涅师被困在步兵和骑兵的夹击中,在麦田里受到了贝司特和派克的劈面射击和庞森比的砍斫,他炮队的七尊炮的火眼全被钉塞,戴尔隆伯爵夺不下萨克森-魏玛亲王防守的弗里谢蒙和斯莫安,第一○五联队的军旗被夺,第四十五联队的军旗被夺,那个普鲁士黑轻骑军士被三百名在瓦弗和普朗尚努瓦一带策应的狙击队所获,那俘虏所说的种种悚听的危言,格鲁希的迟迟不来,一下便倒在圣拉埃周围的那一千八百人,比在乌古蒙果园中不到一个钟头便被杀尽的那一千五百人死得更快,凡此种种迅雷疾风似的意外,有如阵阵战云,在拿破仑的眼前掠过,几乎不曾扰乱他的视线,他那副极度自信的龙颜,绝不因这些变幻而稍露忧色。

However, I would like to acknowledge, especially, B. Gentry Lee; the Cosmos production staff, including the senior producers Geoffrey Haines-Stiles and David Kennard and the executive producer Adrian Malone; the artists Jon Lomberg (who played a criticalrole in the original design and organization of the Cosmos visuals), John Allison, AdolfSchaller, Rick Sternbach, Don Davies, Brown, and Anne Norcia; consultants Donald Goldsmith, Owen Gingerich, Paul Fox, and Diane Ackerman; Cameron Beck; the KCET management, particularly Greg Andorfer, who first carried KCET's proposal to us, Chuck Allen, William Lamb, and James Loper; and the underwriters and co-producers of the Cosmos television series, including the Atlantic Richfield Company, the Corporation forPublic Broadcasting, the Arthur Vining Davis Foundations, the Alfred P.

然而,我还要特别感谢 B·金特里·李及《宇宙》电视系列片全体制作人员——包括老一辈制片人杰弗里·海恩斯-斯太尔斯和戴维·凯纳德以及监制人艾德里南·马龙,画家乔恩·龙伯格(他那富有独创性的布景设计与组织能力对《宇宙》的拍摄起了关键性的作用)、约翰·阿利森、阿道夫·沙勒、里克·斯特恩巴赫、唐·戴维斯、布朗和安妮·诺西亚;顾问唐纳德·戈德史密斯、欧文·金杰里奇、保罗·福克斯和黛安妮·阿克曼、卡墨伦·拜克;KCET管理人员,特别是格雷格·安多尔弗(他首先把KCET的建议传达给我们)、丘克·艾伦、威廉·拉姆和詹姆斯·洛珀,《宇宙》电视系列片的担保人和合作制片人,其中包括大西洋里奇菲尔德公司、公共广播公司、阿瑟·维宁·戴维斯基金会、艾尔弗雷德·斯龙基金会、英国广播公司和波利特尔国际组织。

It is joked by singers that Wagner's character of Siegfried in Der Ring des Nibelungen ought to have been called S ah gfried as his name is sometimes pronounced that way by sopranos looking to get the most volume out of their voices.

歌唱家中流传的笑话说瓦格纳《尼伯龙根的指环》中的角色齐格弗里德应该被称为"查"格弗里德,因为女高音为了提高她们的声量时偶然会这么唱他的名字。

It is joked by singers that Wagner's character of Siegfried in Der Ring des Nibelungen ought to have been called S ah gfried, as his name is sometimes pronounced that way by sopranos looking to get the most volume out of their voices.

歌唱家中流传的笑话说瓦格纳《尼伯龙根的指环》中的角色齐格弗里德应该被称为"查"格弗里德,因为女高音为了提高她们的声量时偶尔会这么唱他的名字。

In two performances of Die Walküre, audiences in the War Memorial Opera House heard Flagstad as Brünnhilde and Lotte Lehmann as Sieglinde, with Fritz Reiner conducting, Lauritz Melchior as Siegmund, Emanuel List as Hunding, and Friedrich Schorr as Wotan.

于是乎在歌剧《女武神》的第二幕演出中,在旧金山著名的战争纪念剧院里,观众们听到了前所未有的巨大威武却又美妙无比的声音之艺术,其中就有我们的顶级瓦格纳女高音弗拉格丝塔特小姐所饰演的拿手好戏——主角"布伦希尔德"以及另一位超级瓦格纳女高音劳特莱曼小姐所饰演的"齐格琳德"一角,在匈牙利著名指挥大师弗朗兹莱纳的杰出指挥棒下,还有名伶大师的加盟呢:那就是歌唱大师劳瑞兹梅尔乔所饰演的"齐格蒙德",埃曼努尔里斯特所饰演的"洪丁"以及大师弗里德里希肖尔所饰演的"沃坦":这样那令人叹为观止的舞台表现和戏剧效果是不是活灵活现的呈现在你眼前了呢?

In two performances of Die Walküre, audiences in the War Memorial Opera House heard Flagstad as Brünnhilde and Lotte Lehmann as Sieglinde, with Fritz Reiner conducting, Lauritz Melchior as Siegmund, Emanuel List as Hunding, and Friedrich Schorr as Wotan.

于是乎在歌剧《女武神》的第二幕演出中,在旧金山著名的战争纪念剧院里,观众们听到了前所未有的巨大威武却又美妙无比的声音之艺术,其中就有我们的顶级瓦格纳女高音弗拉格丝塔特小姐所饰演的拿手好戏——主角&布伦希尔德&以及另一位超级瓦格纳女高音劳特莱曼小姐所饰演的&齐格琳德&一角,在匈牙利著名指挥大师弗朗兹莱纳的杰出指挥棒下,还有名伶大师的加盟呢:那就是歌唱大师劳瑞兹梅尔乔所饰演的&齐格蒙德&,埃曼努尔里斯特所饰演的&洪丁&以及大师弗里德里希肖尔所饰演的&沃坦&:这样那令人叹为观止的舞台表现和戏剧效果是不是活灵活现的呈现在你眼前了呢?

Frege, Russell, Kripke, etc., analyzed and explained this problem, and their views are not the same: Frege did not make the distinction between proper names and descriptions, and thought that difference in other aspects between proper names and descriptions can be tolerated as long as their references are the same; yet Russell strictly distinguished proper names from descriptions; and Kripke regarded proper names as rigid designators, and descriptions as non-rigid designators.

弗雷格、罗素和克里普克等人都对名称问题进行了分析和说明,而且他们的观点都不尽相同:弗雷格不区分专名和摹状词,认为它们只要指称相同,其他方面的不同都是可以容忍的;罗素严格区分了专名和摹状词;而克里普克却认为专名是严格的指示词,摹状词是非严格的指示词。

With the total number of works published amounting to almost 190 million, Diogenes has so far released more than 5,800 titles, out of which more than 2,000 are still available. These include classics such as Montaigne, Shakespeare, Moliere, Flaubert, Stendhal, Balzac, Dickens, Tolstoy, Chekhov; modern classics such as Georges Simenon, William Faulkner, F. Scott Fitzgerald, George Orwell, Carson McCullers, Patricia Highsmith; bestselling authors such as John Irving, Paulo Coelho, Donna Leon; and equally successful German-speaking writers such as Alfred Andersch, Friedrich D rrenmatt, Urs Widmer, Hugo Loetscher, Ingrid Noll, Jakob Arjouni, Erich Hackl, Bernhard Schlink, Doris D rrie, Martin Suter and Patrick S skind.

他们的作者名单包括了经典作家蒙田、莎士比亚、莫里哀、福楼拜、司汤达、巴尔扎克、狄更斯、托尔斯泰、契诃夫,现代经典作家乔治·西默农、威廉·福克纳、司各特·菲茨杰拉德、乔治·奥威尔、卡森·麦卡勒斯,派翠西亚·海史密斯,畅销书作家约翰·欧文、保罗·科埃略、唐娜·莱昂,还有同样出色的德语作家们,如艾尔弗雷德·安德森、弗里德里克·迪伦马特、乌尔斯·维特默尔,胡戈·罗彻尔,英格丽特·诺尔,雅各布·阿约尼,埃里希·海克尔,本哈德·施林克,桃丽丝·多利,马丁·苏特和帕特里克·聚斯金德。

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On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面,更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值,分为几个相等的区间作为横轴,并将各区间内所测定值依所出现的次数累积而成的面积,用柱子排起来的图形,也叫做柱状图。

You rap, you know we are not so good at rapping, huh?

你唱吧,你也知道我们并不那么擅长说唱,对吧?