格萨

Author of some 20 novels, Simon was a writer of France's so-called "nouveau roman" movement alongside Alain Robbe-Grillet and Nathalie Sarraute.

西蒙著有大约20本小说，他与阿兰·罗伯·格里耶、纳塔莉·萨拉特一道，掀起法国&新小说&运动，1985年获得诺贝尔文学奖。

Argentina is Salta and the culture shock of finding myself in a seemingly European city, the desert to Mendoza, delicious wine, huge steaks, the massive barrier of the Andes, the extraordinary clarity of light in Patagonia and, in driving sleet, surprise at startling a flock of green parrots from trees along a river bank.

阿根廷给我印象深刻的是萨尔塔，在这里我经受到一种&文化冲击&，好像自己到了一个欧洲城市。还有门多萨的沙漠、美酒、大块的牛排；安第斯山巨大的屏障，帕塔格尼亚异常清澈的阳光。在冷雨霏霏中行驶，很惊奇地看到一群绿色的鹦鹉从沿河岸的丛林中被惊飞。

A city of south-central Quebec, Canada, on the Saguenay River. There are granite ''.

阿尔马加拿大魁北克中南部城市，在萨格内河一侧，在此地有''。

A city of south-central Quebec, Canada, on the Saguenay River. There are granite quarries in the area.

阿尔马加拿大魁北克中南部城市，在萨格内河一侧，在此地有大理石采石场。

Fonteyn, who was born Margaret Hookham in Reigate, Surrey, was then 36, and at the height of her fame.

方汀出生于萨里的雷盖特，原名玛格丽特·胡克哈姆。那一年她35岁，正处于巅峰时期。

And I spoke of this matter at Nantes with Rouen when Valentino ( for so Cesare Borgia, son of Pope Alexander, was called by the people) was occupying Romagna.

瓦伦 蒂诺(人们都这么称呼亚历山大教皇的儿子切萨雷·博尔贾)占领罗马格纳时，我在南特曾跟卢安枢机主教提过这事。

Robbe-Grillet, and nutritionists Visa.

格里耶和营养师维萨。

One year later Glazunov described the work he and Rimsky-Korsakov had done on Borodin's behalf (see Abraham, B1939, for a translation), and there the matter of text rested until the 1940s.

一年后，格拉祖诺夫描述起这部他和里姆斯基—科萨耶夫代表鲍罗丁创作的作品（见亚伯拉罕， B1939，作为翻译），而原文的问题一直遗留到19世纪40年代。

In fact, the differences resulted from Borodin's own revision of the work before publication of the first full score in 1882; the phrase hinting at posthumous collaboration by Rimsky-Korsakov and Glazunov was added by the publisher Bessel simply in order to secure copyright (and royalties from performances) in western Europe.

里姆斯基—科萨耶夫和格拉祖诺夫在遗著中增添的那句话是由出版商贝塞尔添加的，仅仅是为了在西欧保护版权。

The opera finally received its première, in Rimsky-Korsakov and Glazunov's version, on 23 October/4 November 1890 at the Mariinsky Theatre in St Petersburg, but was eclipsed at the time by the season's other illustrious première, Tchaikovsky's Queen of Spades .

这部歌剧最终以里姆斯基—科萨耶夫和格拉祖诺夫的版本在1890年10月23日/11月4日在圣彼得堡的马林剧院取得了首演，但是却被那一季的另一个著名的歌剧的首演，柴可夫斯基的《黑桃皇后》抢去了风头。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。