格

Chapter 7,discusses some unresolved problems about minimum genus and genus distribution of orientable embeddings for a graph,such as based on the joint tree model,calculation of minimum genus of complete graphs,determination of minimum genera for further types of graphs or even arbitrary graphs,etc.

第七章介绍了图的最小亏格及亏格分布领域中一些需要更进一步研究的问题，如如何利用联树模型计算完全图的最小亏格，以及如何通过刻画最小亏格关联曲面的特性来确定更广泛图类，乃至任意图类的最小亏格问题等等。

By investigating Euler\'s application of variational mathematics to mechanics, especially his principle of least action,the mechanics background of his research and its influence on Lagrange are revealed.6.By the discussion of Lagrange\'s innovation and generalization of the calculus of variations,the reason why Lagrange puts forward his method of variation by comparing Euler\'s method is explained.

深入细致地分析了拉格朗日对变(来源：ABC论文2d网www.abclunwen.com)分法所做的变革和发展：(1)通过比较欧拉方法和拉格朗日方法，探讨了拉格朗日变分方法——δ-方法提出的动因；(2)详细论述了拉格朗日早期对变分法发展所作的重要贡献；(3)探究了拉格朗日δ-方法由非参数形式向参数形式转变的原因。7。

Grief is a Mouse -- And chooses Wainscot in the Breast For His Shy House -- And baffles quest -- Grief is a Thief -- quick startled -- Pricks His Ear -- report to hear Of that Vast Dark -- That swept His Being -- back -- Grief is a Juggler -- boldest at the Play -- Lest if He flinch -- the eye that way Pounce on His Bruises -- One -- say -- or Three -- Grief is a Gourmand -- spare His luxury -- Best Grief is Tongueless -- before He'll tell -- Burn Him in the Public Square -- His Ashes -- will Possibly -- if they refuse -- How then know -- Since a Rack couldn't coax a syllable -- now.

格瑞夫是一个鼠标-壁板和选择的乳腺癌他害羞房子-挡板和追求-格瑞夫是一个贼-快速一惊-扎伤他的耳朵-听取报告辽阔的黑暗-席卷他是-返回-格瑞夫是Juggler -大胆的发挥-否则，如果他退缩-眼睛这样突袭对他的伤痕-一个-说-或3-格瑞夫是一个美食-备用他的豪华-最佳格瑞夫是Tongueless -之前，他会告诉-烧伤了他的公共广场-他的骨灰-将也许-如果他们拒绝-那么，怎么知道-由于机架不能哄音节-现在

In two performances of Die Walküre, audiences in the War Memorial Opera House heard Flagstad as Brünnhilde and Lotte Lehmann as Sieglinde, with Fritz Reiner conducting, Lauritz Melchior as Siegmund, Emanuel List as Hunding, and Friedrich Schorr as Wotan.

于是乎在歌剧《女武神》的第二幕演出中，在旧金山著名的战争纪念剧院里，观众们听到了前所未有的巨大威武却又美妙无比的声音之艺术，其中就有我们的顶级瓦格纳女高音弗拉格丝塔特小姐所饰演的拿手好戏——主角"布伦希尔德"以及另一位超级瓦格纳女高音劳特莱曼小姐所饰演的"齐格琳德"一角，在匈牙利著名指挥大师弗朗兹莱纳的杰出指挥棒下，还有名伶大师的加盟呢：那就是歌唱大师劳瑞兹梅尔乔所饰演的"齐格蒙德"，埃曼努尔里斯特所饰演的"洪丁"以及大师弗里德里希肖尔所饰演的"沃坦"：这样那令人叹为观止的舞台表现和戏剧效果是不是活灵活现的呈现在你眼前了呢？

CUNNINGHAM,"A History of the Sikhs" Calcutta, 1904; MACGREGOR,"History of the Sikhs"(2 vols., London, 1846; COURT,"History of the Sikhs"' GOUGH,"The Sikhs and the Sikh Wars"(London, 1897); SAYED MOHAMED LATIF,"History of the Punjab"(Calcutta, 1891); SEWARAM SINGH THAPAR,"Sri Guru Nanak Deva"(Rawalpindi, 1904); BHAGAT LAKSHMAN SINGH,"A short Sketch of the life and Work of Guru Govind Singh"(Lahore, 1909); MACAULIFFE,"The Sikh Religion"(6 vols., Oxford, 1909); TRUMPP,"The Adi Granth, the Holy Scriptures of the Sikhs"(London, 1877), stigmatised by Macauliffe as an unreliable translation.

坎宁安&的历史锡克&（加尔各答， 1904年； MACGREGOR ，&历史的锡克教徒&（ 2卷。，伦敦， 1846年），法院，&历史的锡克教徒&高夫&的锡克教徒和锡克星球大战&（伦敦， 1897年）； SAYED穆罕默德拉蒂夫，&历史的旁遮普邦&（加尔各答， 1891年）； SEWARAM辛格塔帕尔，&斯里兰卡古鲁那那天&（拉瓦尔品第， 1904年）； BHAGAT拉克什曼辛格，&短期的生活素描和工作的大师Govind辛格&（拉合尔， 1909年）； MACAULIFFE ，&辛格&（ 6卷。，牛津， 1909年）； TRUMPP ，& ADI公司格兰斯，圣经的锡克教徒&（伦敦， 1877年），打上了Macauliffe作为一个可靠的翻译。

In two performances of Die Walküre, audiences in the War Memorial Opera House heard Flagstad as Brünnhilde and Lotte Lehmann as Sieglinde, with Fritz Reiner conducting, Lauritz Melchior as Siegmund, Emanuel List as Hunding, and Friedrich Schorr as Wotan.

于是乎在歌剧《女武神》的第二幕演出中，在旧金山著名的战争纪念剧院里，观众们听到了前所未有的巨大威武却又美妙无比的声音之艺术，其中就有我们的顶级瓦格纳女高音弗拉格丝塔特小姐所饰演的拿手好戏——主角&布伦希尔德&以及另一位超级瓦格纳女高音劳特莱曼小姐所饰演的&齐格琳德&一角，在匈牙利著名指挥大师弗朗兹莱纳的杰出指挥棒下，还有名伶大师的加盟呢：那就是歌唱大师劳瑞兹梅尔乔所饰演的&齐格蒙德&，埃曼努尔里斯特所饰演的&洪丁&以及大师弗里德里希肖尔所饰演的&沃坦&：这样那令人叹为观止的舞台表现和戏剧效果是不是活灵活现的呈现在你眼前了呢？

There Cyrus Harding and his companions received at intervals visits fromLord and Lady Glenarvan, Captain John Mangles and his wife, the sister ofRobert Grant, Robert Grant himself, Major McNab, and all those who hadtaken part in the history both of Captain Grant and Captain Nemo.

赛勒斯·史密斯和他的伙伴们那里，每隔一段时间就有客人来访问，其中有格里那凡爵士和他的夫人，约翰·盖格尔船长和他的夫人玛丽·格兰特，罗伯尔·格兰特和麦克那布斯少校，以及一切和格兰特船长、尼摩船长的一生有关的人。

The second chapter probes into the way and feature of spreading on Gesar" s music, and the development and the changes of the music spreading since the involving of modern intermedium, by introducing the psalmodies in different categories. The third chapter analyses the types of Gesar" s lyrics and the patterns they could change. The forth chapter illustrates the principles of Gesar" s creating and several majority tone patterns are showed here. In the fifth chapter, the tones of Gesar are classified based on three aspects, that is, the tone" s name, utilization and the localstyles. In the sixth chapter, the feature of Gesar s tones is analyzed from the aspect of the characteristics of melody, the rhythm and time, the tone patterns and the music structure and so on. The last chapter discusses the forms of music performance and the methods that the psalmodies take to sing.

本文第一章从史诗《格萨尔》说唱结合艺术形式的产生与发展开始，对它的这种艺术形式中的说与唱分别做了介绍；第二章通过对《格萨尔》音乐创作主体——艺人的分类介绍，探讨了史诗音乐的传播方式、传播特点以及在现代传播媒介的介入下它的传播方式的发展与变化；第三章是对唱词体裁的分析和它的变化类型；第四章论述了音乐唱腔的创作原则以及几种最主要的唱腔类型；第五章从曲调的名称、曲调的运用以及地域风格特点三方面对《格萨尔》唱腔进行了分类；第六章结合谱例从旋律特征、节奏节拍、调式以及音乐结构等方面分析了《格萨尔》音乐唱腔的特点；第七章是对《格萨尔》音乐表演形式及艺人演唱方法的探讨。

Tom and Jerry are a lot like modern-day versions of Krazy Kat and Ignatz Mouse. The plots of Krazy Kat comics were always very similar--Krazy Kat was in love with Ignatz Mouse who simply threw bricks at Krazy; Offissa Pupp was in love with Krazy and often threw Ignatz in jail. In this film, Krazy Kat serenades Ignatz, but is met by flying bricks.

汤姆和杰利很像是现代版的疯狂猫及依格奈及鼠；疯狂猫的漫画情节总是大同小异：疯狂猫爱上了依格奈及鼠，而依格奈及鼠却只会对它丢砖块；派普爱上了疯狂猫，并常常把依格奈及鼠丢到监狱内；在这部影片中，疯狂猫对依格奈及鼠唱情歌，但只收到了一堆飞来的砖块。

There are three voices in a verb-active, passive and neuter. So, too, there are three voices in Christ's verb "to live."

一个动词，有三个位格─施事格，受事格，不及物格，为基督活着的「活」字，也有三个位格。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。