根出的

Doo-wop, droopy melodies and sighs and swoons also find their way into her songs.Never forgetting her classical lessons, Brooke says she strives to "connect the 'classical world' with the 'mainstream world' by showing people it all works hand-in-hand." Although they may be presented differently, she says:"The beauty in the structure of a Mozart piece is essentially the same structure used in pop songs"

Brooke Waggoner的魅力是发自于内心的，她试图把日常生活中的细节深刻化，锤炼出细小并打动人心的感情，并努力地将每一个音符都变成记忆，将每一分旋律都变成记录岁月流逝的诗歌，Brooke Waggoner用自己独到的音乐语言承载他内心最真诚，最纯真的自白，就像一根洁白的羽毛，在蔚蓝的天空下飘荡着寻找下一个着陆点。

Firstly, according to electromagnetic field theory, the 2-dimensional (2-D) mathematical model of a three phase squirrel-cage Y802-2 induction motor is developed. Then general equations can be deduced from finite element discrete and functional analysis. The motor's 2D solving region of electromagnetic field is given based on the boundary conditions and assumption conditions of the squirrel-cage induction motor. Through finite element mothod and inner–outer convergence method, magnetic field distributions and magnetic forces of bars can be calculated in following rotor conditions: health rotor, one single broken bar, two adjacent broken bars, two broken bars with one good interval, two broken bars with two good interval and four adjacent broken bars.

本文首先根据电磁场理论建立Y802-2型三相笼型感应电动机二维电磁场的数学模型，并对其进行了有限元离散以及泛函分析，推导出总体方程；在基本假设和边界条件基础上，给出笼型感应电动机二维电磁场的求解区域，然后应用有限元并结合内外双收敛方法，对样机稳态运行进行数值计算，得出电机在转子完好、一根导条断裂、连续两根导条断裂、间隔一根两根导条断裂、间隔两根两根导条断裂及连续四根导条断裂六种情况下的磁场分布和导条所受电磁力的变化情况。

Chapter 2 centres around the spiritual contents of her works. It penetrates through the skin to their core, that is, the tragic sense. Her works take the most ordinary people as characters. Unexpectable elements befall on these people, change their fate considerably. The helplessness of being fooled by destiny overshadows most of her works, leaving readers sign in vain. Then, her portrayal of characters bears a tinge of rootlessness, unsteadiness loneliness, filling the works with deep pensive mood. And finally, she exposes the ugliness of man from this covering of brilliance. Man dares not face his true being. What he shows and sees of himself tends to be his bright side. But his ugly side steels out, which gives himself a deadly blow.

第二章围绕作品的精神内蕴展开论述，侧重于由表及里的层层挖掘，悲剧意识构成王安忆作品精神内蕴的核心，其作品多写芸芸众生，在展现这些人的人生际遇时，难以预料的偶然因素总是改变着他们的命运，宿命感使作品笼罩在虚无的阴影之中，令人怅然；其次作家在写人物时，那种无根的漂泊感、孤独感，使作品有着深深的悲凉意蕴；再次就是对隐藏在绚烂表象之下的人的丑陋本质的发现，人总是无法面对自己真实的存在，看到的或表现出的总是冠冕堂皇的一面，但是那丑陋的一面总会在不经意中呈现出来，给人以毁灭的打击。

The four protozoa had different changing patterns in rhizosphere and nonrhizosphere soil. About 90 times more Colpoda were determined in rhizosphere than in nonrhizospher at 52 days after sowing. There were more Anweba in rhizosphere than in nonrhizosphere at 74 days after sowing. Much more Bodo were found in rhizosphere at 32 days alter corn sowing. However, the number of the Bodo in rhizosphere soil was only 10% of that in the nonrhizosphere soil at 52 days after sowing. Rhizosphere always contains more Cercomonas than nonrhizosphere within the whole growing season of corn.

不同的原生动物的根际效应差异很大，肾形虫在抽雄期R/S比接近90；变形虫在吐丝时期表现出一定的根际效应；波豆虫在大喇叭口时期表现出比较强烈的根际效应，但在抽雄期则表现出十分强烈的负根际效应，根际土壤中波豆虫数量不到非根际土壤的10%；尾滴虫在玉米整个生育时期都表现出微弱的根际效应。

But Yu Dafu's sadness is dejected nearly transfixion have depended on his entire novel creating middle, he leaves for our impression being also a so-called people if the person is gentle, heavyhearted love is burning , alive , tossing about, express the dreary tone memorializing an emperor out on his nerve slim and weak, disregarding his which sheet article to have echo to varying degrees, but sentimental , be eternal theme within...

郁达夫的感伤忧郁几乎贯穿在了他整个小说创作中，而他留给我们的印象也是如此人如其文的，忧郁的爱着、活着、辗转着，他那根纤弱的神经上鸣奏出的沉闷调子，无论在他哪篇文章里都有着不同程度的回响，而伤感，是永恒的主旋律……本文试从&郁达夫小说忧郁伤感的艺术特色的表现手法及其意义&和&郁达夫小说忧郁伤感的艺术特色的形成原因&两方面进行了论述。

A group: to measure the length of root canal by Root ZX, prepare the root canal and test the trial point for a best position of the major Gutta Percha Point in root canal obturation with lateral compaction, then take X-ray photos.

随机选择需行根管治疗术的单根管恒前牙、双尖牙 2 30颗，分为A、B两组，A组采用RootZX 根管测量仪测量根管长度，根管预备后，根管充填时加试尖步骤，调试出最适主尖后侧压充填根管，摄牙片

When earlier place upside still does not have apparent symptom, root ministry grows to already was affected, radicle root needle grows stop, and cerebral cortex continues to add thick, in close root needle section chief gives very much new root, serious Shi Yougen dies, typical symptom is long around dead root piece short thick and much more ramose root group.

初期当地上部还无明显症状时，根部生长已受到影响，幼根根尖生长停止，而皮层继续加厚，在近根尖处长出很多新根，严重时幼根死亡，典型症状是在死根四周长出短粗且多分枝的根群。

These experiences were very memorable and valuable to me —— anchored in forty feet of water, and twenty or thirty rods from the shore,surrounded sometimes by thousands of small perch and shiners,dimpling the surface with their tails in the moonlight, and communicating by a long flaxen line with mysterious nocturnal fishes which had their dwelling forty feet below, or sometimes dragging sixty feet of line about the pond as I drifted in the gentle night breeze, now and then feeling a slight vibration along it, indicative of some life prowling about its extremity, of dull uncertain blundering purpose there, and slow to make up its mind.

这一些经验对我是很值得国忆和很宝贵的，在水深四十英尺的地方抛了锚，离岸约二三杆之远，有时大约有几千条小鲈鱼和银鱼围绕着我，它们的尾巴给月光下的水面点出了无数的水涡；用了一根细长的麻绳，我和生活在四十英尺深的水底的一些神秘的夜间的鱼打交道了，有时我拖着长六十英尺的钓丝，听凭柔和的夜风把我的船儿在湖上漂荡，我时不时地感到了微弱的震动，说明有一个生命在钓丝的那一端徘徊，却又愚蠢地不能确定它对这盲目撞上的东西怎样办，还没有完全下决心呢。

You want to leave the soil nice and loose for the roots of the fly trap. When you start to transplant, you want to be very careful of the leaves of the plant. Gently taking the plant out of its pot…and you want to remove quite a bit of the soil from around the roots of the plant. Here we can see that the actual root ball of the Venus Fly Trap is extremely small. The roots are very shallow, and they really don't need a whole lot of space for their roots. Here is the rye zone of the plant, which is really the core of the Venus Fly Trap, this white fleshy part. So we are going to make a small hole for this fly trap, place it down in the soil and just bring the soil right around the plant. Nice and easy. You don't want to pack it down too hard. We are going to repeat this part process for each one of these plants.

我们将玻璃瓶倒入大约四分之一的介质，而您必须要确定不要倒入太多的介质，您要为小捕的根部维持良好又松弛的介质，当您开始移植时，您要小心的保持维护住小捕的叶子，优雅小心的将小捕从旧盆中拿出，并且移除掉一些围绕在根系外多余的土壤，从这里我们可以实际看到小捕根部的土球非常的小，这些根非常的短小，而且他们完全不需要太大的空间，这是小捕最核心的球茎部位，这白色的基部，接下来我们要为小捕挖一个小洞，安置小捕后把介质好好的盖在植株根部简单又容易，您不需要把他压的太紧，我们就依照这样的方式来移植每一颗小捕，在您移植完全部的小捕后，要记得给他们喷上优质的水喔！

The fury and cruelty of this battle is quite revealed in the figure's complexion and body, or we say that to create these faces and bodies, Yin retrospected the genealogy from Goya to Francis Bacon, including many expressionists, such as Van Gogh, Munck, Oskar Kokoschka. All these artists painted 'anxious people', their brush touches looked intense and sensitive, their paints gave a horrible sense of solidity. The faces and bodies they painted are distorted and twitched under the burden of mental nightmare, so the organs are deformed, or even blurred; in 'Myth', the mental nightmare is incarnated as a stone, a battle between man and stones. Therefore, the deformed and distorted bodies look more vivid, when man strives to raise up a stone, all his muscles and expression are in an intense condition.

这种搏斗的激烈与残酷也充分表露画中人的表情和肌体之中，不妨说，在对这些面孔和身躯的塑造中，尹朝阳回顾了一个从戈雅到弗朗西斯·培根的谱系，其中应该包括了众多的表现主义者们，例如凡高、蒙克、奥斯卡·科柯施卡，所有这些画家都绘制了&焦虑的人&，他们的笔触显得激烈而敏感，颜料有一种可怕的实体感，他们所绘制的人物面孔和身躯，都具有精神梦魇的重负之下引发出的扭曲和抽搐感，器官因此而变形，甚至模糊不清；在《神话》之中，精神梦魇具化成了石头，具化成了人与石头之间的搏斗，人体的扭曲和变形的理由因此来得更为具体，当人奋力地举起一块石头时，他全身的肌肉和表情都自然地处在极度紧张的状态之中。

Fancy gold-plated dangling earrings with facetted White Opal crystals.

花式镀金悬垂耳环与facetted白欧泊水晶。

This essay chooses the study aim from biology teachers in middle school in Shi Jiazhuang which tells us that most of the middle school biology teachers in Shi Jiazhuang have the"burnout", lower successfulness, individualize.

本文选取石家庄市初中生物教师作为研究对象，运用问卷调查的方法对石家庄市初中生物教师职业倦怠的现状进行调查，调查结果发现，石家庄市初中生物教师这一群体普遍存在职业倦怠，情感枯竭程度偏高，成就感偏低，去个性化程度最为严重。