标题音乐

Usually symphony is absolute music.

交响乐通常都是无标题音乐。

Usually symphonies are absolute music.

交响乐通常都是无标题音乐。

Max-Reger opposed "heading music" in his life, advocated "absolute music".

雷格尔—生反对"标题音乐"，提倡"纯音乐"，但这决非是简单的"复古"。

Its intimacy suited his meditative rather phlegmatic nature and his taste for involved polyphony; and writing chamber music, absolute music, was the sign of his opposition to, and separation from, the dramatic and programmatic orchestral writing of the "New German" followers of Wagner and Liszt.

室内乐密切的关系适合他沉思冥想而非冷漠的天性，以及他于对位法的偏爱；写作室内乐这种纯音乐，也是他反对与脱离戏剧性和标题音乐管弦乐队写法的一个标记，就像瓦格纳和李斯特"新德国"追随者们主张的那样。

Liszt is both the theme music creator, and its enthusiastic advocator .

李斯特是标题音乐的创始者，也是热情的倡导者。

Key Concepts: Huge Orchestras, orchestration, orchestral technique, programmatic, chromaticism, emotional extremes ^nbsp

主要音乐概念：庞大的管弦乐队编排，配器法，管弦乐写作技巧，标题音乐，半音阶的广泛使用，极端情绪表现。

Key Concepts: Huge Orchestras, orchestration, orchestral technique, programmatic, chromaticism, emotional extremes qTj7mUk

主要音乐概念：庞大的管弦乐队编排，配器法，管弦乐写作技巧，标题音乐，半音阶的广泛使用，极端情绪表现。

First ,this discourse look back of the Programme music development history, then aim for colligation existing point of view and giving a strict definition.

通过二者的标题音乐创作观念的比较差异引发出音乐表现的本体性含义，引发对于标题音乐的特色及价值的再认识。

Second, enumerate and analyze Berlioz and Liszt's composing feature each other, and take the their representational work Symphonie Fantastique﹑Tasso for analyzing, integrate the music form, mostly saw about their concept's embodyment in the music.

本文首先回顾了标题音乐的发展历史，通过追溯其发展历程，力图综合前人的观点，对于标题音乐这一音乐形式有一明确、严格的界定，然后重。。。

He initiated a new style of music-- symphonic poem and made remarkable contribution to the development of program music.

李斯特对标题音乐的创立作出了贡献，但他同时还是标题音乐的支持和推动者，他首创标题交响诗这一新体裁，并为标题音乐的发展作出了卓越贡献。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了