柳条做的

This second person was a lady, who sat at the last of a range of four windows, employed with some needlework, the kind which is generally called plain work, and with a large wicker basket, filled with calicoes and flannels, standing by her.

这第二位是个女士，她坐在一排四扇窗的最后一扇窗畔，正在做些针线活儿，就是那种通常称之为"简单缝纫"的活儿，她身边还有个大柳条篮子，里边放满了白布和法兰绒布。

The wicker husband didn't eat, and never complained that his dinner was late.

她的柳条丈夫不吃饭，所以从来不会抱怨她做饭做迟了。

Returning, she got Lu a supper, and after that, having tucked the younger into her own bed, packed up as many of her belongings as would go into a withy basket, and started, directing Lu to follow her next morning.

她又回来给丽莎做了晚饭，然后再把她安顿在自己的床上睡了，才开始收拾自己的行李，尽量地把自己的东西都装进一个柳条篮子里，告诉丽莎明天早上走，自己动身上路了。

This second person was a lady, who sat at the last of a range of four windows, employed with some needlework, the kind which is generally called plain work, and with a large wicker basket, filled with calicoes and flannels, standing by her.

这第二位是个女士，她坐在一排四扇窗的最后一扇窗畔，正在做些针线活儿，就是那种通常称之为&简单缝纫&的活儿，她身边还有个大柳条篮子，里边放满了白布和法兰绒布。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。