柳条

In Autumn, I remember eating pomegranates and getting a sweet sting on the tip of the tongue, and at the same time, brightly hued persimmons neatly presented in flat wicker baskets on the street.

秋天，我记得吃过柚子，感受到那舌尖上甜甜的刺痛，与此同时，街上还有那装在扁平柳条框里的色彩艳丽的柿子。

Miss Kennedy with manners transposed the teatray down to an upturned lithia crate, safe from eyes, low.

82肯尼迪小姐扭扭捏捏地把茶盘低低地挪到人们看不见的低处--放在一只底朝天的柳条筐上，那原是装成瓶的矿泉水用的。

Furniture, mirrors, picture frames; goods of wood, cork, reed, cane, wicker, horn, bone, ivory, whalebone, shell, amber, mother-of-pearl, meerschaum and substitutes for all these materials, or of plastics.

家具， 玻璃镜子，镜框；由木、软木、苇、藤与竹、柳条、角、骨、象牙、鲸骨、贝壳、琥珀、珍珠母、海泡石或这些材料的代用品制成或由塑料制成的物品。

Class 20 Furniture, mirrors, picture frames goods of wood, cork, reed, cane, wicker, horn, bone, ivory, whalebone, shell, amber, mother-of-pearl, meerschaum and substitutes for all these materials, or of plastics.

类别20 家具，玻璃镜子，镜框；由木、软木、苇、藤与竹、柳条、角、骨、象牙、鲸骨、贝壳、琥珀、珍珠母、海泡石或这些材料的代用品制成或由塑料制成的物品。

Class 20 Furniture, mirrors, picture frames; goods of wood, cork, reed, cane, wicker, horn, bone, ivory, whalebone, shell, amber, mother-of-pearl, meerschaum and substitutes for all these materials, or of plastics.

商标注册类别2 0 家具，玻璃镜子，镜框；由木、软木、苇、藤与竹、柳条、角、骨、象牙、鲸骨、贝壳、琥珀、珍珠母、海泡石或这些材料的代用品制成或由塑料制成的物品。

Lastly, the lowest scene shows Sākyamuni still emaciated and naked save for a loincloth, grasping a willow branch to emerge from the Naira?

最后，最下部的场景表现太子仍然很瘦弱而且只裹了一块腰布，在一个云端之上的神灵的帮助下，抓住柳条浮出了尼连禅河。

And his baskets of plaited osier were empty.

他的柳条篮子空空如也。

In one corner were an osier suitcase and three bundles-probably the three men's luggage.

那边的墙角有一只柳条箱，三个衣包，大概就是三位先生带来的。

Of pliant rush or osier? Scorned by this

将那些柳条或芦草编在一起？

Now, ere the sun advance his burning eye, the day to cheer and night's dank dew to dry, I must up-fill this osier cage of ours with baleful weeds and precious-juiced flowers.

现在，太阳神还未圆睁火红的眼睛，白昼还未欢腾，露水还未晒干；我必须用苦涩的野草和鲜艳的花朵盛满我这个柳条筐。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。