柏辽兹

Opera; Devil; Mefistofele; Characteristics of the image; Goethe's Faust; Gounod's Faust; Berlioz's La Damnation de Faust; Boito's Mefistofele

歌剧；魔鬼；梅菲斯托；形象特征；歌德《浮士德》；古诺《浮士德》；柏辽兹《浮士德的劫罚》；鲍依托《梅菲斯托

In Sir Colin Davis the orchestra obtained a chief conductor (1983-92) who was an acknowledged Berlioz specialist and at the same time an excellent advocate of the Vienna Classic and of more recent English modern music. In 1993-2002 Lorin Maazel lead the Orchestra. His efficient, concentrated and precise work made the Symphony Orchestra achieve a level of technical perfection which today makes it rank among the best in the world.

科林·戴维斯爵士在担任乐团首席指挥期间（1983-92）除了是柏辽兹专家，也是古典时期的维也纳乐派和英国现代派音乐的倡导者。1993年至2002年间洛林·马泽尔以高效率，专注，精准的工作态度使巴伐利亚广播交响乐团的水平达到了技术上无懈可击的水平，可称之为当今世界上最好的乐团之一。

Moussorgsky and Berlioz in the nineteenth

19世纪的穆索尔斯基和柏辽兹

Berlioz broke new ground in his orchestration, and with his programatic symphonies symphonie Fantastique and Harold in Italy, the latter based on Byron's Chile Harold's Pilgrimage.

柏辽兹在他的管弦乐创作中开辟了新的领域，创作了标题交响乐《Fantastique》交响曲和《Harold in Italy》交响曲，后者取材于拜伦的《Childe Harold's Pilgrimage

Berlioz, the master orchestrator, is remembered for his orchestration.

配器大师柏辽兹因配器而闻名天下。

The scherzo's main section suggests Berlioz's 'Queen Mab' from Roméo et Juliette , and its trio is redolent of folksong (alternating triple and duple metre, a repetitive melodic pattern, frequent rising or falling 4ths, a drone bass).

谐谑曲部分的主题让人想起柏辽兹《罗密欧与朱丽叶》中的《玛布皇后》，而三重唱具有民间音乐的意味（三拍子和二拍子的交替，重复的旋律型，频繁的上下四度和雄浑的低音）。

The scherzo's main section suggests Berlioz's 'Queen Mab' from Roméo et Juliette , and its trio is redolent of folksong (alternating triple and duple metre, a repetitive melodic pattern, frequent rising or falling 4ths, a drone bass).

谐谑曲部分的主题让然想起柏辽兹《罗密欧与朱丽叶》中的&玛布皇后&，而三重唱具有民间音乐的意味（三拍子和二拍子的交替，重复的旋律型，频繁的起伏和雄浑的低音）。

One Sunday morning. during an all-Berlioz program at the Sallae Pleyel, Antoine falls madly in love with a girl in the audience. He will see her again at other concerts organized hy the Jeunesses Musicales de France.

一个星期天的早晨，在皮欧大厅举行的柏辽兹节目上，安托万疯狂的爱上了观众中的一个女孩，他会在另一场由法国青年人音乐会组织的音乐会中在见到那个女孩。

In 1827 Berlioz fell in love, wildly, passionately, dramatically of course, with an English actress, Harriet Smithson, then performing in a season of Shakespeare plays in Paris.

1827年，柏辽兹狂热地、激情地、当然也是戏剧性地爱上了一位英国女演员哈里特·史密森。当时她正在巴黎的莎土比亚戏剧季节中演出。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。