柏辽兹

Characteristic is Berlioz's frequent use of the orchestral crescendo.

柏辽兹连续地使用乐队渐强，这是很有特点的。

The next day Achilles delivered a letter to Berlioz.

次日，阿齐利斯向柏辽兹转交了一封信。

Berlioz compared him favorably to Beethoven and Gluck .

柏辽兹认为他并不亚于贝多芬和格鲁克。

This "soprano problem" was formally recognized at least as far back as 1843, when French composer Hector Berlioz wrote in his Treatise on Instrumentation that " should not be required to sing many words on high phrases, since this makes the pronunciation of syllables very difficult if not impossible."

这个"女高音问题"早在至少1843年就已经被认识到。当时法国作曲家埃克托·柏辽兹在他的《管弦乐法》中写道："不应该被要求在高音域演唱太多的歌词，因为这使得发音非常困难，甚至不可能。"

However, the six leading composers of the age were undoubtedly Berlioz , Chopin , Mendelssohn , Schumann , Liszt and Verdi .

然而， 6名领导作曲家的年龄无疑是柏辽兹，肖邦，门德尔松，舒曼，李斯特和威尔第。

This "soprano problem" was formally recognized at least as far back as 1843 when French composer Hector Berlioz wrote in his Treatise on Instrumentation that " should not be required to sing many words on high phrases since this makes the pronunciation of syllables very difficult if not impossible."

这个"女高音问题"早在至少1843年就已经被熟悉到。当时法国作曲家埃克托·柏辽兹在他的《管弦乐法》中写道："不应该被要求在高音域演唱太多的歌词，因为这使得发音非常困难，甚至不可能。"

Zhang Zhengdi has visited the United States, Spain, Malaysia, Korea, Germany, Austria, United Kingdom, Japan, Mexico and the regions as Hongkong, Macao and Taiwan. During his visit in the US, his English horn solo of Berlioz's Roman Carnival obtained highly acclaim in the Washington Post.

张正地曾随中国交响乐团出访了美国、西班牙、马来西亚、韩国、德国、奥地利、英国、日本、墨西哥等国及港澳台地区，1987年赴美国演出，担任柏辽兹"罗马狂欢节"序曲中的英国管独奏，得到美国《华尔街邮报》的高度好评。

Berlioz himself declared in his feuilleton July

柏辽兹本人在阜利通宣布

Later versions include the long and famous poem Faust by the nineteenth-century Romantic writer Johann Wolfgang von Goethe, as well as operas by Charles Gounod and Arrigo Boito and a symphony by Hector Berlioz.

更新版本包括长期和著名的诗浮士德的十九世纪浪漫主义作家约翰沃尔夫冈冯歌德，以及歌剧由查尔斯古诺和萨基博伊托和交响乐的埃克托尔柏辽兹。

His repertoire encompasses almost all the Russian operas and the lead roles in the operas of Mozart, Donizetti, Verdi, Puccini, Gounod, Bizet, Berlioz, Dvorak, Rossini, Bartok, Debussy and many others.

他的节目包括了所有俄罗斯的歌剧，也概括了莫扎特、多尼采蒂、威尔第、普契尼、古诺、比才、柏辽兹、得沃夏克、罗西尼、巴托克、德彪西等许多歌剧的主要角色。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。