柏辽兹

Berlioz was born in 1803, son of a country doctor, and with no musical background.

柏辽兹出生于1803年，父亲是一个乡村医生，自幼并未受到过音乐方面的熏陶。

Many consider Berlioz's compositions to be innovative but eccentric.

许多人认为柏辽兹的作品富有创新力，但与习俗格格不入。

La Damnation de Faust, one of Berlioz's magnum opuses, has a very difficult vocal part.

柏辽兹的《浮士德的沉沦》是作曲家声乐作品的代表作之一，剧中角色的唱段属于难度较高的曲目。

Berlioz, published on June 12, 1842, in the Paris Journal des Débats.

柏辽兹，于1842年6月12日公布，在巴黎的辩论日报。

Paganini was away when Berlioz completed Harold in Italy, so he heard it for the first time as a member of the audience.

当柏辽兹完成《哈罗德在意大利》的时候，帕格尼尼恰好不在，所以他第一次欣赏这部作品时的身份只是一个普通听众。

Berlioz was the first composer to use sound for its own sake----to make an aesthetic of pure sound.

试译：柏辽兹在运用声音时只是为了声音本身，他是第一位这样做的作曲家——营造纯粹声音的美学。

"In the French milieu, innovations in romantic style and form were further developed by Berlioz, Chopin and Liszt."

在法国乐坛上，柏辽兹、肖邦和李斯特进一步推动了对浪漫派风格和曲式的改良。

"No, no, just the opposite," Berlioz told her."Paganini一he has sent me twenty thousand francs."

"不，不，恰好相反，"柏辽兹告诉她，"帕格尼尼一一他送给了我两万法郎！"

Through the analysis of music and performing indications, as well as of the cantabile characteristics and motivity of this role, I expatiated the unique feature of Berlioz's Marguerite, by which I hope to offer some references to other

并通过对玛格丽特的主要唱段的分析和演绎提示，阐述柏辽兹对玛格丽特角色独具一格创造所表现出独特的歌唱性和动力性，为表演者们提供一定的参考。

Through the analysis of music and performing indications, as well as of the cantabile characteristics and motivity of this role, I expatiated the unique feature of Berlioz's Marguerite, by which I hope to offer some references to other performers.

并通过对玛格丽特的主要唱段的分析和演绎提示，阐述柏辽兹对玛格丽特角色独具一格创造所表现出独特的歌唱性和动力性，为表演者们提供一定的参考。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。