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Is at the top. INDIGO is 4th between Explorer and Gogol.

靛蓝是第4在探险家和果戈理之间。

Comparing his nation to a speeding troika, Gogol asks what will be its destination.

果戈理把他的祖国比作奔驰的三套车,并且问它的目的地在何方。

Novelette coat is literary classic of Gogol, standing for his typical style.

中篇小说《外套》是果戈理的名篇,更典型地代表了作者独特的创作风格。

"Dead Souls" is the Russian critical realism, the cornerstone of literary development, but also the development of Gogol's creative pinnacle of realism.

死魂灵》是俄国批判现实主义文学发展的基石,也是果戈理的现实主义创作发展的顶峰。

In Russia, these trends mainly reflect in the attention to and a fresh explanation for Gogol's creation in his later yeas, as well as in the fresh interpretation of his complete works in religious context.

在俄罗斯,这种新动向的主要表现是对果戈理晚期创作的关注和重新阐释以及随之而来的在宗教语境中对其整体创作进行重新解读的趋势。

In Russian literature, judging from depicting art, hardly anybody exceeds Gogol.

在俄罗斯文学中,从写物艺术方面看很少有人能比得上果戈理

Generally speaking, Gogol's Selected Passages to Friends now not only occupies an important place in his own literary career, but in the history of Russian literature as well.

苏联解体后的"宗教热"和文化反思潮为俄罗斯学术界的果戈理研究提供了新的契机,以《书简》为代表的晚期作品成为研究热点。

The two best-known examples of this literary form in Russian are Gogol's Dead Souls and Venedikt Erofeev's Moscow-Petushki.

这两个最有名的例子就是这种文学形式在俄罗斯是果戈理的死灵魂和Venedikt Erofeev的莫斯科Petushki 。

Gogol is a great Russian wirte and religion scholar on 19 cenrtry.

果戈理是俄国十九世纪伟大的文学家、宗教思想家。

This paper concentrates on the analysis of the character Plychikin, who has a close bearing to things, discussing the figure in terms of symbolism of things and Gogol's depicting art in order to further understand the insightful notion of Dead Souls.

本文主要着眼于果戈理的《死魂灵》中与物有着密切联系的人物--泼留希金的形象释析,探讨该人物形象所具有的物性特征及作家的写物艺术,从而进一步理解《死魂灵》的思想内涵。

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As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸,那乌黑、忧郁的眼睛,她便会相信,他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失

But because of its youthful corporate culture—most people are hustled out of the door in their mid-40s—it had no one to send.

但是因为该公司年轻的企业文化——大多数员工在40来岁的时候都被请出公司——一时间没有好的人选。