构成派

Such Arminians largely comprise the eight million or so Christians who today constitute the Christian Holiness Association the Salvation Army, the Church of the Nazarene, the Wesleyan Church, etc.

这种阿敏念派主要包括800万个左右的基督徒今天谁构成了基督教圣洁协会（救世军，教堂的拿撒勒，在卫斯理教会等）。

He thought that "literariness" also enabled a work to be a literary work Russian formalists understood "literariness" from the form linguistics and pay attention to the form and skill of a work.

俄国形式主义对&文学性&的认识是从形式语言学出发，关注作品的形式和技巧，利用文学的&陌生化&，通过语言形式的强化、重叠、颠倒、浓缩、扭曲、延缓等方式，打破文学语言的正常节奏、韵律和构成，摆脱语言的&自动化&，使其与人们熟悉的语言形式相疏理相错位，并且进一步将&陌生化&运用到文学作品的形式，产生耳目一新的感觉；英美新批评派则从文本语义结构上所体现出来的多层次、多意义的朦胧性特征来探讨&文学性&；到了结构主义那里，他们主要强调在整体结构系统中来把握文学文本，突破了形式主义和新批评专注于具体作品分析的局限，通过具体作品去发现背后普遍的结构模式，同时也正是在对具有普遍意义的抽象结构的关注，使其进一步了认识&文学性&。

But Mr Horspool's achievement is to show the sheer extent to which rebellion in its many different shapes and forms has been a continuous and conscious tradition shaping the behaviour of both the ruled and their rulers. The Levellers in the 17th century saw their oppression as dating from the imposition of the "Norman yoke" in the 11th century; the 19th-century Chartists took their inspiration from Magna Carta in the 13th century; and those late 20th- century rebels defying Mrs Thatcher's poll tax referred directly back to the Peasants' Revolt of the 14th century.

但是，霍斯普先生的成就在于他表明了：各种形式的反叛，在某种决定性的意义上，构成了一种有意识的，不断地在塑造着统治者与被统治者行为的历史传统。17世纪的平等派把他们所受到的镇压一直追溯到11世纪的&诺曼之轭&[注4]，19世纪的宪章派从13世纪的大宪章汲取灵感，而在20世纪后期反抗撒切尔人头税的人们，则把14世纪农民起义看作自己的直接渊源。

Then they set about creating images using color points. Hence, color points have become the basic ingredient of their works. But expressionists prefer to express their passion using color lines, so these lines have become an important part of their paintings.

于是他们就用彩点去构造画面，&彩点&构成了他们作品的基本语言；表现派画家更喜欢用&色线&表现他们狂放的激情，于是色线就成为他们的常用语汇。

Bonnard and Vuillard from the Nabis made the language of colors more expressive: they used different comparisons of color blocks and the composition of the picture to show the artists' different inner emotion.

纳比派的博纳尔、维雅尔让色彩语言更具表现性，他们运用不同的色块对比及画面的构成来表现画家不同的内心情感。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。