极其

And the he-goat became very great: and when he was strong, the great horn was broken, and in its place came up four other horns turned to the four winds of heaven.

8：8 这山羊极其自高自大、正强盛的时候、那大角折断了，又在角根上向天的四方、〔方原文作风〕长出四个非常的角来。

The he-goat became very powerful, but at the height of its power the great horn was shattered, and in its place came up four others, facing the four winds of heaven.

后来这公只公山羊长的极其强大；正当它极强大的时候，它那只高大的角被折断了，代替这角而生出来的是四只卓绝的角，向着天下四方

As one of the culture type, ocean culture is one headstream of whole mankind culture, showing people's history and creativity.

无论从自然环境或是文化意义上讲，海洋对人类而言都是极其重要的，海洋的重要性应在《世界遗产名录》中得到体现。

A novel absorber with heat pipe and flat plate dual collector is proposed for the purpose of enhancing solar energy flux in absorber and improving its heat transfer performance.

由于太阳辐射能与制冷用能在时空的分布上高度匹配，使太阳能制冷成为一个极其诱人的研究领域眼1演～眼3演。

Heat radiation is the crux of all key technologies in high-power semiconductor lasers.

摘要在半导体大功率激光器的各种关键技术中，散热问题的解决是一个极其关键的技术。

The invention is not needed for electric power, so the production cost is low, and the PC product liked by people is used by various families such as: electrical switchgear, public project, large construction, commercial application, storefront show, industrial application, agriculture application, medical heath and family kitchen ''frameless PC oil fume cover''(application number: 200820107377.7); because of wide product application and particular low production cost, the product produced by the invention can have great competitive power in market, and the commercial prospect and commercial value can be fully reflected.

由于本"PC板材不用电冷弯机"不用电，因此生产成本低廉，使得倍受人们亲睐的PC产品走进千家万户，如：电气开关柜、公共工程、大型建筑、商业应用、店面展示、工业应用、农业应用、医疗卫生、家庭厨房"无框架PC油烟罩"(申请号：200820107377.7)等范围，由于产品极其广泛和独有的生产低成本、因此用本"PC板材不用电冷弯机"生产出的产品在市场上会有很强的境争力，充分体现出它的商业前景和商业价值。

Almost 2000 years later, we stand much closer to the time of Christ's return; but we also would be wrong to see his imminent appearance as an excuse for idle waiting and heavenward gazing.

将近2000年过去了，我们离开基督再来的日子要比当时大大接近了，但是如果我们把等待基督再来作为闲散和懒惰的借口，那么那将仍旧是一件极其错误的事情。

Think of an extremely heavy weight being placed in your hand, and you are not able to hold it up.

想想了极其沉重的重量放在你的手，你不能认为它。

Even though Deng Jianjin's early paintings were related to dreams, love, sex, pornography, peeking, and self-absorption, they provided no entertainment at all. Instead they gave a representation of exaggerated, dead serious, and even overcorrect individual heroism. They bore the historical baggage of China's 5000 years of civilization and all the suffering and oppression of Chinese people in modern Chinese history. They were a diligent and honorable means of salvation.By the end of 1990s, Deng Jianjin's series 'About the Witness's Dreams' continued to carry on his signature style of being 'expressive' and 'intimate', but cynicism and jokes had also started to prevail among his paintings heavy in colors and opened up a way out for 'sentimental youth' and 'heavy-hearted moods'. Ever since then, Deng Jianjin has obtained a sense of uninhibited freedom and been able to let his thoughts flow on this paintings.

邓箭今的早期作品虽然与梦境有关，与情色和色情有关，与偷窥和自恋有关，但却毫无娱乐性，是一种放大了的、极其严肃的、甚至是矫枉过正的个人英雄主义写照，它背负着五千年文明的历史包袱和近现代中国人民的所有压抑和苦难，是一种花大力气的、正派的拯救的方式。90年代末，邓箭今在《有关目击者的梦境》系列中，虽然延续了他一贯的"表现"和"私密"的话语风格，但是调侃和玩笑之风开始盛行于色彩拥挤的画面，并为"感伤的青春"和"忧心重重的情怀"开启了一扇透气的风门，从此，邓箭今游刃有余，思想得以自由穿行。

Heinlein's The Moon Is a Harsh Mistress portrays an individualistic and libertarian utopia.

要让后世的人都到其中去生活，就是一种极其猖狂的狂妄。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。