松弛的

The preordained frangibility of the hymen: the presupposed intangibility of the thing in itself: the incongruity and disproportion between the selfprolonging tension of the thing proposed to be done and the selfabbreviating relaxation of the thing done; the fallaciously inferred debility of the female: the muscularity of the male: the variations of ethical codes: the natural grammatical transition by inversion involving no alteration of sense of an aorist preterite proposition (parsed as masculine subject, monosyllabic onomatopoeic transitive verb with direct feminine object) from the active voice into its correlative aorist preterite proposition (parsed as feminine subject, auxiliary verb and quasimonosyllabic onomatopoeic past participle with complementary masculine agent) in the passive voice: the continued product of seminators by generation: the continual production of semen by distillation: the futility of triumph or protest or vindication: the inanity of extolled virtue: the lethargy of nescient matter: the apathy of the stars.

671处女膜先天的脆弱性，物体本身预先假定的不可触性。为了达到目的而自我延长的那份紧张以及完成之后的自我缩短与松弛，这二者之间既不调和也不均衡。女性之虚弱及男性之强韧乃基于谬误的臆测。道德的准则是可变的。自然的语法转换：在不引起意思变动的情况下，由主动语态不定过去式命题（从语法上分析：男性主语，单音节拟声及物动词，女性直接宾语）转位到相关的被动语态不定过去式命题：3）（从语法上分析：女性主语，助动词与准单音节拟声过去分词，男性主动补语）。借着生殖，不断地生产播种者们。借着酿造来连续地生产精液。胜利也罢，抗议也罢，复仇也罢，都是徒劳的。对贞操的颂扬煞是无聊。无知觉的物质毫无生气。星辰之情感淡漠。

In one of 'Myth' paintings, the huge stones almost occupy fully the whole surface; in contrast, the figures let down, after intense struggle, as if collapsedly, chikenlike, tiny, impotent, unreconciled and depressed, just like giving up battling with the stones. In this series of heroist mode, particularly as against with the picture surfaces in which the giantlike bodies and energy are expressed, the figures in it even look a sense of funniness – wherein we are certain that irony has been engaged in his paintings, and it can be understood as a self-irony that it is not a floppy laziness, while he indeed does not need to tighten his muscles, not to keep a zealous and single gesture for fighting, as if it seems difficult for everything to continue, and in the paintings when the heroes unpack the stones, the artist seems unpack the dream of heroes, letting alone the huge stones burning and overspreading, surrounding us, pressing us and scorching us, even running over the whole picture. It suffocates us with all these heaviness, hardness, and acuity, as registers our weak life like a paper-cut.

尹朝阳的《神话》系列里有一幅，巨大的石头几乎占满了整个画面，相比之下，画中的人经过了激烈的挣扎，松弛了下来，形将瘫软一般，渺小，无能，心有不甘而黯然神伤，俨然已经放弃了与石头的搏斗，在这个英雄主义调式的系列里，尤其是与其中表现了英雄那巨人般的体魄和能量的画面相对，这幅画中的人甚至显出了一种酸楚的滑稽感——这里，我们确知反讽已经介入了他的绘画，并且，可以理解为一种自我反讽，它并非是纨绔式的慵懒，然而，确实不再绷紧他全身的肌肉，不再保持激昂而单一的斗姿，好像一切都已经难以为继，在画中的英雄卸下了石头的同时，艺术家自己也仿佛卸下了英雄梦，任凭那巨大的石头像烈火般燃烧和蔓延，包围我们，紧紧地挤压、烤炙我们，并且溢出整个画面，它以全部的沉重、坚硬和尖锐使我们窒息，反衬出我们脆薄如剪纸般的生命。

The Levy style Cable Dome model is made up of 〓5 tension piano-wires and 〓32×1 5 compressive steel pipes, distance between nodes and the tension force of cables is adjusted by screw up and down the turnbuckle The procedure of shaping up included four ways, and the loading included fully loaded and half loaded, to validate the influence of unconservative property, the author carried through the slack procedure and the unload procedure.

该Levy型索穹顶模型，以受拉的〓5高强钢丝和〓32×1.5受压钢管构成，节点间拉索的长度以及拉索的预拉力通过拧紧或放松花篮螺丝来调节。试验内容包括成形试验和承载力试验，成形试验尝试了四种不同的成形方法，为了考察结构非保守性的影响，每种成形方法成形后，还逆序进行了结构的松弛试验，荷载态试验包括均布荷载满载（即在所有压杆上部节点施加集中荷载）和半载（在结构1／2的压杆上部节点施加集中荷载）的加载和卸载时结构工作性能的测试。

Cymes loosely many flowered, often conspicuously pedunculate, rarely in a dense verticillaster; corolla tube subequal or saccate, never short spurred on upper side near base; fruiting calyx with 5 subequal teeth or 2-lipped.

松弛多花的，经常显著有花序梗的聚伞花序，在一浓的轮状聚伞花序的很少；花冠筒近等长的或囊状，从未短的激励的上面边近基部；果期花萼具5近等长的齿或二唇形。

PCL is not crystallizable when its content is lower than 50 wt% in theuncured novolac/PCL blends, whereas, after cured with 15 wt% HMTA, PCL is stillcrystallizable even the content of PCL is 30 wt%.

对质子自旋—晶格松弛时间的研究还表明未固化的novolac／PCL共混物和固化的novolac／PCL共混物都具有组成依赖性的相容性，固化交联导致了novolac和PCL之间的相容性的劣化以及体系的非晶态中的微区尺寸的增加。

Leaf sheaths shorter than internodes, glabrous or infrequently tuberculate-hispid; leaf blades linear, 10–40(–70) cm × 3–9 mm, usually glabrous, sometimes tuberculate-hispid; ligule ca. 0.5 mm. Panicle open or somewhat contracted, 10–45 cm; central axis and branches scabrid; branches 5–20 cm, stiffly ascending or spreading, solitary or fasciculate, loosely spiculate; pedicels scabrid, apex usually with long stiff hairs.

叶鞘短于节间，无毛的或很少发生具糙硬毛具瘤；叶片线形，厘米×10-40(-70)毫米，通常无毛，有时具瘤具糙硬毛；大约0.5毫米圆锥花序的叶舌打开或者有点收缩，10-45厘米；主轴线和分枝粗糙；分枝5-20厘米，硬上升的或开展，单生或束状，松弛细刺；粗糙的花梗，有长的硬的头发的先端通常。

Peng Zhao singing with medium bass outstanding, the tamber is more soft and mellow at present, have one special features more mature spontaneousness of the sing on stage of space, He sings to feel attracted place to be thick but not flighty, the enthusiasm make open but not grandiloquent, the singing is always so natural flowing freely, an each songs can give the person the mood which constructs a kind of gentle, appreciate by this kind of mood his to sing in the meantime, or pleased or sad, or grief or joy, voice of usage so freely , use him that the magnetism wonderful voice, go to the in the mind with hid sing,this is Pang's fascination place at present.

曾几何时，赵鹏以其首张个人发烧大碟&男声低音炮&而一炮打响，一炮走红，在 Hifi 乐坛引发巨大轰动，发烧友&粉丝&不计其数。以中低音出色的他，现今音色更为松弛、圆润，独具一格的演唱特色更为成熟自然，他的歌唱动情处沉实而不虚浮，激情处张扬而不造作，歌声总是那么自然流畅，每一首歌都能给人营造出一种平和的心境，同时以这种心境去欣赏他的歌唱，或喜或悲，或哀或乐，声音的运用都那么自如，用他那磁性般美妙的声音，把歌一句句地唱到你的心里去，大概这就是赵鹏现今的魅力了。

Thirdly, geometry and mechanics equation on arbitrary point of the mooring line is deduced based on the catenary's theory . By using B-Spline functions the relationship curve between excursion and mooring force can be obtained, so the mooring force on buoy during the motion is known.

另外，本文应用数学物理的悬链基本方程，推导出平衡悬链上的任意点的几何、力学计算方程，给出了链型静力平衡判别式，还建立了锚链松弛和张紧状态下锚链顶端位移与水平力及垂向力之间关系的分析程序，通过B样条函数方法拟合不出同吃水情况下物体的水平漂移量与锚链拉力之间的关系曲线，从而在时域计算中可以得到锚链力的大小。

A large number of relaxation schemes for feature mapping, claimed to be invariant to transformation, have been reported. However, most of them can deal with transfor-mations involving only rotation and translation, but not scaling. To stay away from the issue of scaling, unrealistic assumptions have to be imposed, such as the conjectures that range data are available so that objects can be rescaled before mapping, and that object shapes are complete so that ratios between object shapes and prototypes can be figured out beforehand. In this paper, we propose a relaxation scheme which is able to be in-variant at a time to rotation, translation, as well as scaling.

截至目前为止已有不少供几何特徵匹配用之松弛法架构被提出来，这些架构虽然宣称可以对空间转移具有不变性，但是实际上，大部分只能处理和旋转及平移有关的转移，对於具有尺度因素的转换泽尽量避免，因此，便有各种不同的假设被加诸於所考虑的问题，例如假设我们已知景深值，因此可以先将物件的尺度正规化后再比对，或者假设物形式晚整的，於是物形和模型间的尺度比率事先可以推知。

Through the investigation, the existent orderliness of gypsum was studied by reconnaissance and survey in locale, and analyzed the physical and chemical quality of bedrock by means of much of experiment, furthermore gained a series of dynamical parameter by considering particularly the representative nature of the sample and selecting unflabby soft rock and intact gypsum samples.

在研究中通过现场调研、勘察，分析了石膏层在泥岩中的分布规律，并且充分考虑了试验的代表性，选取松弛程度较小的泥岩和未被溶蚀的石膏岩试样，进行了大量的室内与现场试验，分析了坝基岩石的物理化学性质，并获取了一系列的力学指标。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。