松弛

The mechanisms of feces control is followed:(1)Perception of oncotic pressure by anal activates the kinetic response of defecation control;(2)The tension of the internal sphincter muscle of anus makes it closed inmost of the time.(3)Tension of anal sphincter and puborectalis mantain the angle between rectum and anal canal and make anal canal closed during the relaxation of anal sphincter ;(4)adaptability of rectum makes rectum engorge in the cases of the not too high pressure of rectum .Destruction of any mechanism above will result in fecal incontinence .

正常人的大便节制主要通过下列机制调控：(1)直肠对膨胀压的感知，激发控制排便节制的动力学反应；(2)肛门内括约肌的张力，使肛管在大部分时间处于关闭状态；(3)肛门外括约肌和耻骨直肠肌的张力，使得在肛门内括约肌松弛期间，维持肛管直肠角的存在，并使肛管处于闭锁状态；(4)直肠适应性，使得在直肠内压不致过高情况下，允许直肠充盈，上述机制中一种或几种受到破坏，就可以引起大便失禁。

The structure of flow field and the aerodynamics along with the inner energy excitation and the variable flow conditions were analyzed in details.

采用L-B碰撞模型，分析了内能激发松弛的流场参数特性，从分子碰撞、分子与飞行器表面碰撞的角度，分析了不同来流条件下的流场参数的变化情况。

The three dimensional flow field with inner energy excitation and the variable flow conditions were studied with Direct Simulation of Monte Carlo method.

本文研究了带内能激发松弛和不同来流条件下的复杂外形高超声速飞行器过渡区三维流场特性。

The techniques of the midface rejuvenation develop with the understanding of the aging appearance and the development of the facial anatomy. The earliest form of rhytidectomy only removed a piece of redundant skin, but failed to achieve significant long-term benefit. To achieve a more durable benefit, numerous adaptations of face-lift techniques are devised, including SMAS face-lift, malar fat elevation and extended supraplastysmal plane face lift. The subperiosteal approach was firstly performed in 1980s. Youthful curve was detailed by Little William in 2000. To obtain the architectural ogee, the approach of volumetric sculpture, also named three-dimensional rejuvenation, was described.

随着整形美容外科医生对面部衰老变化的认识和面部解剖学的发展，中面部年轻化手术也随之发生着演变：最初的面部除皱术只是单纯去除松弛的皮肤，但术后远期效果不理想；为获得更加持久的效果，到20世纪70年代开始了一系列面部提升术，包括：各种SMAS提升术、颧脂肪垫提升术，扩大的颈阔肌上面部提升术；到20世纪80年代后期，学者提出为获得和谐的面部容貌应进行骨膜下面部除皱术；而到21世纪初Little William提出了"青春曲线"的概念，并实施了容量雕刻技术，即三维中面部年轻化手术。

The relaxation time is the important factor to affect the extensional viscosity, and the effect is different in the different area.

另外，松弛时间是影响无量纲化拉伸粘度的重要参数，并且在不同的范围内，影响不同。

Previous studies with use of this technique have found a high prevalence of complications,including fracture,infection,extensor mechanism insufficiency,and loosening.

先前的研究发现该项技术有很高的并发症的流行率，包括骨折、感染、伸肌装置功能不足，伸肌装置松弛。

Always be sure to drop the "fan-out" or XLR ends of the subsnake at the stage box, with a little extra slack, and then run the box around the perimeter of the stage to the desired location you desire.

总是确定降低那"狂热者-外面的"或在阶段盒子的次蛇 XLR 结束，藉由小小的额外之物松弛，然后在阶段的周长周围跑盒子到你需要的被需要的位置。

The corium is under the epidermis, it's made up of connective tissue that contains collagenous fiber, elastic fiber, reticular fiber and ground substance between fasciculus, it's very important for the elasticity and lusty of the skin, malnutrition, ageing and long-time excessive exposure to the sun would all lead to wrinkles and sagging of the skin, the reason of this is denature or fracture of collagenous fiber and elastic fiber.

真皮在表皮之下，由胶原纤维、弹力纤维和网状纤维组成的结缔组织，与纤维束间的无定形基质构成，对皮肤的弹性光泽和弹力等有着重要作用，营养不良、衰老或长期过度日晒会使皮肤发生皱纹、弹性松弛，是胶原纤维及弹力纤维变性或断裂的结果。

The Fauvist painter Matisse used the color to express his mood more freely: intense or relaxing.

野兽派马蒂斯让色彩更加自由地去表现他的情绪，或强烈或松弛。

The experimental results are analyzed using the virtual linear viscous theory and the constitutive equation is established for the fibrocartilage.

通过对新鲜腕关节软骨板共计60个试件进行不同应变水平下的"应力松弛试验"和等应变速度下的"拉伸试验"，了解腕关节软骨板在承受一维拉伸破坏试验时的力学性质，并用拟线性粘弹性理论对试验结果进行分析，建立了腕关节软骨板的本构方程。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。