来世

But when he took to agriculture , and made his wife do all the heavy work in the fields, he had time to reflect upon the vanity of human life, to invent mythologies and systems of philosophy, and to dream of the life hereafter in which he would perpetually hunt the wild boar of Valhalla.

但当他开始从事农业生产，让妻子干田里的一切重活时，他就有时间去思考人生的虚空，去创造神话和哲学体系，去梦想来世的生活，在那里他可以永远地捕猎天堂的野猪。

But when he took to agriculture, and made his wife do all the heavy work in the fields, he had time to reflect upon the vanity of human life, to invent mythologies and systems of philosophy, and to dream of the life hereafter in which he would perpetually hunt the wild boar of Valhalla.

但当他开始从事于农业生产，让妻子干地里的一切重活以后，他便有了时间去思考人生的空虚，去创造神话和哲学体系，去梦想来世的生活，在那里他可以永远不断地捕猎天堂的野猪。

But when he took to agriculture , and made his wife do all the heavy work in the fields, he had time to reflect upon the vanity of human life ,to invent mythologies and systems of philosophy ,and to dream of the life hereafter in which he would perpetually hunt the wild boar of Valhalla.

但当他开始从事农业，让妻子干田里一切重活时，他就有时间去考虑人生的虚荣、去创造神话和哲学体系，梦想来世他能不断地捕猎天堂的野猪。

The purpose of life in the physical world is to prepare the soul for its existence in the next.

人在尘世的生命之目的，是为灵魂在来世中的生存做准备。

Anyway , the otherness of the i r convent i ona I arch i tecture i s d i ss i m i I i tude. Conventional architecture in China focus on man, embodies logos spirit and romantic sensation about enjoyable and recognitional living of life time, no matter on space layout, structural sculpt or ornamental design. While the western focus on divinity, and represents religioso yearning for God and etern i ty, even re I i g i ous f anat i c i sm.

从总的方面看，中国传统建筑在空间布局、结构造型、装饰设计等方面以人为中心，体现出乐生、重生的现世理性精神和浪漫情怀；西方古代建筑则以神为中心，表现出对上帝、来世的虔诚向往和宗教迷狂。

Towers of salt and a riverbed colored by crystallized salt create an otherworldly landscape in Ethiopia's Danakil Desert.

盐形成的塔和色彩的河床来自结晶盐的制造一个来世的风景画位于埃塞俄比亚的Danakil沙漠。

The angel hyphenates maleness and femaleness: on the left, in Joseph's half, the space of time as narrative spools backwards as the music plays: on the right, in Mary's half, the narrative has been lulled to a standstill, and appears to be holding its breath before its own futurity.

天使hyphenates雄性和雌性：在左边，在约瑟夫的一半，作为叙事线轴时空向后作为音乐播放：关于玛丽的一半，叙述都被误导瘫痪，并似乎持有其呼吸之前自己来世。

The angel hyphenates maleness and femaleness: on the left, in Joseph's half, the space of time as narrative spools backwards as the music plays: on the right, in Mary's half, the narrative has been lulled to a standstill, and appears to be holding its breath before its own futurity.

天使断字雄性和雌性：在左边，在约瑟夫的一半，作为叙事线轴时空向后作为音乐播放：关于玛丽的一半，叙述都被误导瘫痪，并似乎持有其呼吸之前自己来世。

That year, I was keeling down to every inch of groud, not for reaching, but for leaning against your warmth

那一世，我走遍十万大山，不为修来世，只为途中能与你相见。

Mithra is represented as a Military General in Chinese statues, and is considered to be the friend of man in this life and his protector against evil in the next.

密特拉在中国雕像是被描绘成一位军中将领，被认为是人这一生的朋友和来世防止邪灵的保护者。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。