来世

I can not breathe, baby, goodbye, the afterlife, I have to do your husband!

我不能呼吸了，宝贝，再见了，来世，我一定要做你老公！

If there is afterlife, like me, would choose to do farmer's son!

如果有来世，我一样会选择做农民的儿子！

Human culture, therefore, overflows with afterworld narratives, and in some cases these have become rich in specific details, textures and landscapes.

因此，人类文化对来世的叙述泛滥，在一些情况下还有非常明确的细节、织体和景色。

The legend of the figure in blue could only be handed down as that of a goddess of death, who leads people to the afterworld.

蓝衣人的传奇故事迅速凋谢，就像可以带领人们前往来世的女神的死亡。

He said, my dear don't grieve or yet annoy my patience, You know I love you dearly the more I'm going away, I'm going to a foreign nation to purchase a plantation, To comfort us hereafter all in Amerika.

他说，我亲爱不伤心甚至还未开始烦扰我的耐心，你知道我爱你了昂贵的代价越多，我离开时，我去一个外国的民族购买人工林，来安慰我们来世所有在amerika 。

In this sense again, Guo Yan's figures are similar to Marc Chagall's angelical afterlife lovers: persistent pursuit is hidden under what seems to be casual carelessness.

在这样的意义上说，郭燕笔下的人物，与夏加尔笔下那些天使般的来世恋人有了相通之处：执着的追求，隐藏在不经意的潇洒和散漫中。

As when a Vultur on Imaus bred, Whose snowie ridge the roving Tartar bounds, Dislodging from a Region scarce of prey To gorge the flesh of Lambs or yeanling Kids On Hills where Flocks are fed, flies toward the Springs [ 435 ] Of Ganges or Hydaspes, Indian streams; But in his way lights on the barren Plaines Of Sericana, where Chineses drive With Sails and Wind thir canie Waggons light: So on this windie Sea of Land, the Fiend [ 440 ] Walk'd up and down alone bent on his prey, Alone, for other Creature in this place Living or liveless to be found was none, None yet, but store hereafter from the earth Up hither like Aereal vapours flew [ 445 ] Of all things transitorie and vain, when Sin With vanity had filld the works of men: Both all things vain, and all who in vain things Built thir fond hopes of Glorie or lasting fame, Or happiness in this or th' other life; [ 450 ] All who have thir reward on Earth, the fruits Of painful Superstition and blind Zeal, Naught seeking but the praise of men, here find Fit retribution, emptie as thir deeds; All th' unaccomplisht works of Natures hand, [ 455 ] Abortive, monstrous, or unkindly mixt, Dissolvd on earth, fleet hither, and in vain, Till final dissolution, wander here, Not in the neighbouring Moon, as some have dreamd; Those argent Fields more likely habitants, [ 460 ] Translated Saints, or middle Spirits hold Betwixt th' Angelical and Human kinde: Hither of ill-joynd Sons and Daughters born First from the ancient World those Giants came With many a vain exploit, though then renownd: [ 465 ] The builders next of Babel on the Plain Of Sennaar, and still with vain designe New Babels, had they wherewithall, would build

好像一只伊马乌斯山上生长的秃鹫，在雪岭环绕着鞑靼人流浪的地方，食饵的缺乏迫使他们到放牧羊群的诸小山上去，吃饱了羊羔的肉之后，飞向印度恒河或印度河的发源地；途中降落在丝利刻奈的荒野，那儿的中国人用风帆驾驶藤的轻车。魔王如同这鸷禽，独自徘徊在如海洋一样多风的大地上，寻觅食饵。他真觉孤单，因为那里还找不到其他生物，无论是活，是死；只是后来，罪恶用虚荣填满了人的事业，才从地上升起一切虚无缥缈的东西，像飘浮的气体一般升腾到那里：包括一切虚幻的东西，以及所有人，那些把他们的光荣希望、不朽声名、今生来世的幸福都建筑在虚无缥缈上的人们。有些人在今世得了报应，即可悲的迷信和盲目的狂热追求所结的果实，只追求凡人的称赞，和他们的空虚行为相称的酬报，空虚。自然所未完成的工程，流产的、畸形的、乱七八糟混杂在一块儿，在地上消灭了，都飞到这里来，在这里徒然彷徨，直到最后破灭；有些人把梦想寄托在邻近的月球上，那同样是荒谬的。在那银色的世界里，有各种各样的类族：近乎真实的居民，超升的圣者，介乎天使和人类之间的中性精灵；神的众子和人间女子所生的巨人族，首先从古代世界来，当时很出名，还带来了许多空幻的功业。其次是示拿平原上巴别塔的建筑者，他们还有虚空的计划，要是材料有余的话，还要建筑些新的巴别塔。

The Prophet kept on replying, O Allah, there is no good except the good of the Hereafter; so confer Your Blessings on the Ansar and the Emigrants.

"该先知不断地回答，"安拉面前，没有良好的，除良好的来世，所以赋予你的祝福就安萨和移民。

He is then led to the scales of balance by Anubis ,the jackal-headed god of mummification and the afterlife.

他通过阿努比斯被引导到天平--有着豺狼一样头颅的木乃尹的神明和来世。

The work "The Good Person of Szechwan", written by Bertolt Brecht follows a young prostitute, Shen Te, as she struggles to lead a life that is "good", without allowing herself to be abused and trod upon by those who would accept and, more often than not, abuse her goodness.

Bertolt Brecht的名著"四川好人"说的是两千年来世上好人难以立足，民怨沸腾，因此三位神仙下凡来到人间寻访好人。但他们一开始就遇到了重重困难：无论是富人还是穷人都不愿给他们提供栖身之地。只有好心的妓女沈德收留了他们。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。