束腰外衣

The tunic must have given me a castoff glory, the shimmer of a fallen angel. It had long bell sleeves and came to my knees.

这束腰外衣定是给予了我一个被抛弃者的荣耀以及一个堕落天使的微光，它那钟形的袖子长及我的膝盖。

Among the many remarkable final projects that have been proposed and presented at the end of the course have been a Renaissance hourglass blown in the MIT glass shop and set into a frame turned on our set shop lathe; a four harness loom built by a student who then wove cloth on it; a number of chain mail tunics and coifs; a wide variety of costume and furniture pieces and electrified period lighting fixtures.

在以往的课程中，学生们构想并于期末展示出了很多优秀的作品，比如一个文艺复兴时期的沙漏，它是学生在麻省理工学院的玻璃工作坊吹制、并在我们布景工作坊的车床上成形的；一台由学生制作的四综纺织机，制作者真正用它来织布；许多锁子甲束腰外衣和头巾；各式各样的服饰、家俱和电气化时代的照明设备。

You are in the same seat, only you are watching classical Greek entertainment and wearing a simple chiton, or tunic.

你坐在同一座位上，你所看的是经典的希腊娱乐节目，穿着简单的宽大长袍或是过膝短袖束腰外衣。

Only men who were citizens of Rome wore the toga. Women wore an outer garment known as a stola, which was similar to the Greek chiton.

同时，只允许罗马男公民在束腰外衣之外穿着宽外袍，而女人则要在束腰外衣之外穿着一种比古希腊式衬衣略小的衣服，这种外罩被称为stola。

The more classically beautifulAdrienne is swimming in the typical park-strolling attire of the time—adoublebreasted tunic layered over a full, floor-length skirt, blousedup over a belt obscured by a bunch of extra fabric, some kind of ahigh-collared shirt tightly buttoned around her neck, and one of thoseinfamous fin de si cle hats that looked like a platter of pastries.

看上去更具传统美态的Adrienne依然包裹在当时流行的公园漫步风格的服饰中――上着一件对襟的束腰外衣，下穿一条长及地面的裙子，束着一条隐藏在串串织物下的腰带，还让某件高领衬衣紧紧环扣在她的脖子周围；她还戴了一顶具有19世纪末风格的帽子――那种帽子名声不太好，看上去简直就像一个装满馅饼皮的大盘子。

The individual was a male, about 30 to 45 years old. He was dressed in two tunics and a loincloth. Around his knees and his waist were slingshots.

墓主人是男性，年龄大约在35至40岁之间，身着两件束腰外衣和一条缠腰带，膝盖和腰上缠绕着弹弓。

The snaky tunic was laced with streamers of blood, and the feral eyes were dimmed, as though some internal curtain had rolled down to block the light within.

他缠在身上的束腰外衣上，散落着一道道的血迹，那双目光凶猛的眼睛，暗淡失色，就象是那里面，放下了一层窗帘，将内部的光线遮挡住了。

The acid began to eat away at the edge of her tunic.

酸开始逐渐地腐蚀她束腰外衣的边缘。

And when a branch had lanced his tunic and scored his ribs the day before he had only been able to growl and flail at it—a beast!

而在前一天，当一根树枝戳进他的束腰外衣，刮伤他的肋骨的时候，他所做的仅仅是吼叫着，向那个枝条不断地击打——这行动，真象一只野兽！

With the shoulder pauldrons and waist tunic, I tried to evoke the brown Jedi robes, I also felt they gave the armor a ceremonial feel.

我在设计了护肩和束腰外衣，是想使大家想起杰迪的原型所穿的褐色的袍子，而这护肩与束腰外衣，也使战甲看上去更为正式。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。