本能的

It was quite evident, by her manner, that her uneasiness was not feigned; and Franz himself could not resist a feeling of superstitious dread--so much the stronger in him, as it arose from a variety of corroborative recollections, while the terror of the countess sprang from an instinctive belief, originally created in her mind by the wild tales she had listened to till she believed them truths.

从伯爵夫人的态度上看，她的不安显然并不是装出来的，而且弗兰兹自己也禁不住感到了一种迷信的恐惧，只不过他的恐惧更为强烈，因为那是从种种确实的回忆变化而来的，而伯爵夫人的恐惧只是出于一种本能的感觉而已。

Laud's reaction is a candid-camera miracle of instinctive incomprehension, Later, when Christine complains that the he mauls her in the mauls her in the movies, Antoine turns around with an anxious look at he girl's imperturbale parents, an instantaneous reflex of drug-store-cndy courtliness the defines the decency of a class and a period.

里奥德的反应是公正的电视摄影机的奇迹，本能的不理解。之后，在电影中当克瑞斯廷抱怨他打她时，安托万不安地转过来看着这女孩的沉着的父母，杂货店的殷勤的瞬间反射，解释这个阶级这个时代的高雅。

" So we find monachism at first instinctive, informal, unorganized, sporadic; the expression of the same force working differently in different places, persons, and circumstances; developing with the natural growth of a plant according to the environment in which it finds itself and the character of the individual listener who heard in his soul the call of "Follow Me.

所以，我们找到monachism首先本能的，非正式的，无组织的，零星的；表达了同样的工作不同的部队在不同的地方，人，和情况；发展与自然生长的植物根据环境，它认为自己和性质的个别听众听到谁在他的灵魂的呼吁，大家跟我来。

So we find monachism at first instinctive, informal, unorganized, sporadic; the expression of the same force working differently in different places, persons, and circumstances; developing with the natural growth of a plant according to the environment in which it finds itself and the character of the individual listener who heard in his soul the call of "Follow Me".

因此，我们找到monachism在第一本能的，非正式的，无组织的，零星的；表达相同的部队不同的工作在不同的地方，人，和情况；发展与自然增长的一种植物，根据所处的环境，它发现自己和性格的个别听众听到谁在他的灵魂的号召，"大家跟我来"。

It is well known that we have been using the classical and typical artworks that are already popular with people to enhance kids'morality, merits and percipient of beauty.

在这个背景下，我们基础美术学科教育遇到了新的难题：在以往的美术教学中，欣赏评述内容更倾向于对传统艺术形式和经典作品的理解和欣赏，而且大多是以经过历史筛选、久为人们所熟知的、正面积极的作品来感染学生、提高他们的审美能力和对艺术的感知力，而目前这些尚处在蓬勃发展中的艺术形式对于广大中小学学生来说是令人迷惑而高深莫测的，他们很容易象接受书本知识和教师讲解一样去接受一切在艺术杂志、展览馆、画廊中所看到的充满刺激的新艺术作品，而这种反应大多是本能的、不带批评性的，与他们对摇滚乐和青年文化等方面的反应类似(《艺术批评与艺术教育》ArtCritics and Art Education沃尔夫吉伊根著)。

When my grandfather Denton built it, it was the acme of fashion. It was finished in the 1890s, when Queen Victoria was still on the throe, but in spirit and in design it was an Eswardian house. There it is, huge, crenellated, opulent, and absurd, made for the long summer days before the first war, made for a procession of house parties, made for billiards and bridge-playing, for croquet matches, for shooting weekends, and the discreet diversions of leisured adultery: Winterscombe, my home. I never cared if it ate money, and neither, I suspect, in their heart of hearts, did my father and my mother. They loved it; I loved it; I loved them. When I think of it now, it is always autumn; there is always a mist over the lake; there is always woodsomke; I am always happy. Naturally.

我的祖父Denton造这所房子时，这里可以算作是时尚的尖端房子于19世纪90年代完工，当时维多利亚女王仍然在痛苦时期，但从灵魂和设计方面，这是一个Eswardian房子这里是巨大的，锯齿形，华丽的，荒谬的我的家Winterscombe，它为第一次世界大战前的漫长夏日，为家庭聚会，为台球和桥梁，为槌球比赛，为周末的拍摄，以及谨慎的转移私通而建造我从来不关心，这里是不是花了大把的钱，我怀疑，在内心深处，我父亲和俺滴母亲他们很喜欢这样，我也很喜欢这样，我很爱这样的生活现在回忆起来，想起的都是这里秋天，湖面上总是泛着薄雾；总有wood somke，我总是本能的开心着

For instance, through the response which is made to the child's instinctive babblings the child comes to know what those babblings mean; they are transformed into articulate language and thus the child is introduced into the consolidated wealth of ideas and emotions which are now summed up in language.

比方说，对儿童出于本能的那些呀呀学语的声音做出的反应，儿童借此就知道那些呀呀之声是什么意思；那些声音转变成了音节清楚的语言，因此儿童就被介绍进了观念和情感的那个巩固而统一的宝库当中，那些观念和感情如今概括在语言当中了。

However ,how time flies! The resurgent memories hurt me at last! Just imagin that when you were feeling rather angry and burdened with cockamamie work,who was the one you would like to confide in at the first time?

然而，时光匆匆而逝，苏醒的记忆终于猝不及防的袭击了我，请想像当你因工作的琐碎烦恼不已，沮丧气愤的时候本能的去倾诉的人，是谁？

These bearers of the oppressive instincts that thirst for reprisal, the descendants of every kind of European and non-European slavery, and especially of the entire pre-Aryan populace—they represent the regression of mankind!

这些具有贬低欲和报复欲本能的人，这些所有欧洲的和非欧洲的奴隶的后代，特别是所有前亚利安居民的后代，他们体现的是人类的退让！

The explanation of it is that it is nothing else than the outcome of the natural religious instinct of man to withdraw from the world for meditation, prayer, and spiritual improvement instances of which might be cited among the ancient Greeks and Hebrews, and among ourselves in the Brook Farm and other American experiments.

的解释是，这是比任何其他的结果自然宗教本能的人退出世界的冥想，祈祷，和精神的改善情况可能会引的古希腊人和犹太人，并在我们中间小溪农场和其他美国实验。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。