本能的

In our very impetus to move, this view argues, we cannot help but collide with others.

这种观点认为，我们出于本能的动机，会不由自主地与别人发生碰撞。

His shocking illiterate ideas, attempting to correct "learning from others" to "learning from oneself","being educated" to "educating oneself","to destroy is to construct" to "to construct is to elutriate","aesthetic judgment, ugliness judgment, and others judgment" to "self judgment, thought judgment, importance judgment and thingliness judgment","make nothing out of something" to "to make something out of nothing"(we have to create something, because there is nothing), and to instinctively inspire one's intelligence and to make "empty reproduction" and "analysissitus" of such an inspiration, encouraged more and more pioneers to inaugurate new things.

把"学习他人"纠正为"学习自己"，把"他人教育"纠正为"自我教育"，把"破坏就是建设"纠正为"建设就是淘汰"，把"审美和审丑及审他"纠正为"审我审想审要审物"，把"有中生无"纠正为"无中生有"（正因为没有，所以才要创造），以及对智慧的本能激发和对本能的智慧激发的"空殖"、"悬浮"、"拓扑"等惊世骇俗的文盲观点，激发了越来越多的先锋创新人士。

When this jangle of free-will instinct shall have been adjusted, when perfect under standing has given the former the power to replace the latter entirely, man will no longer vary.

当自由意志和本能的矛盾得到调整，当充分的理性使自由意志具有完全代替本能的力量，人类就不会继续摇摆不定。

Supposing that what is at any rate believed to be the "truth" really is true, and the meaning of all culture is the reduction of the beast of prey "man" to a tame and civilized animal, a domestic animal, then one would undoubtedly have to regard all those instincts of reaction and ressentiment through whose aid the noble races and their ideals were finally confounded and overthrown as the actual instruments of culture ; which is not to say that the bearers of these instincts themselves represent culture.

假定，现在被当作"真理"的东西果如其然，假定一切文化的意义就在于把"人"从野兽驯化成一种温顺的、有教养的动物、一种家畜，那么我们就必须毫不犹豫地把所有那些反对的和仇恨的本能，那些借以最终羞辱并打倒了贵胄及其理想的本能看作是真正的文化工具，当然无论如何不能说，那些具有这种本能的人本身同时也体现了文化。

In his works, he revealed people's horror towards supernature, nothingness, death, evil and disintegration of personality. He tried to demonstrate that horror originates from our soul.

坡在作品中深刻地揭示出人们本能的对超自然的恐惧，对虚无、死亡的恐惧，对人性本能的恶、对人格分裂的恐惧，他竭力向人们证明"恐怖的源头在于人的心灵"。

Tantalus:致命的诱惑,生存本能的诱惑 tantalize:逗弄 Tantalus was the rich and mighty king of Lydia.

坦塔罗斯是罗底亚富有而又强大的国王。

This is an instinct for which there is, I think, little original sympathy in the practical English nature, and what there was of it has undergone a long benumbing period of blight and suppression in the epoch of Romanticism.

好奇是一种本能，但我认为，英国人讲究实际的本性中几乎找不到这一本能的痕迹；而且仅存的求知欲也在浪漫主义时代里，经历了长期的不良影响和压制而变得麻木了。

His shocking illiterate ideas, attempting to correct "learning from others" to "learning from oneself","being educated" to "educating oneself","to destroy is to construct" to "to construct is to elutriate","aesthetic judgment, ugliness judgment, and others judgment" to "self judgment, thought judgment, importance judgment and thingliness judgment","make nothing out of something" to "to make something out of nothing"(we have to create something, because there is nothing), and to instinctively inspire one's intelligence and to make "empty reproduction" and "analysissitus" of such an inspiration, encouraged more and more pioneers to inaugurate new things.

把&学习他人&纠正为&学习自己&，把&他人教育&纠正为&自我教育&，把&破坏就是建设&纠正为&建设就是淘汰&，把&审美和审丑及审他&纠正为&审我审想审要审物&，把&有中生无&纠正为&无中生有&（正因为没有，所以才要创造），以及对智慧的本能激发和对本能的智慧激发的&空殖&、&悬浮&、&拓扑&等惊世骇俗的文盲观点，激发了越来越多的先锋创新人士。

It seems, in fact, as though there existed in certain men a veritable bestial instinct, though pure and upright, like all instincts, which creates antipathies and sympathies, which fatally separates one nature from another nature, which does not hesitate, which feels no disquiet, which does not hold its peace, and which never belies itself, clear in its obscurity, infallible, imperious, intractable, stubborn to all counsels of the intelligence and to all the dissolvents of reason, and which, in whatever manner destinies are arranged, secretly warns the man-dog of the presence of the man-cat, and the man-fox of the presence of the man-lion.

在某些人心里，好象确有一种和其他本能同样纯洁坚贞的真正的兽性本能，具有这种本能的人会制造同情和恶感，会离间人与人的关系，使他们永难复合；他不迟疑，不慌乱，有言必发，永不认过；他卖弄糊涂的聪明'他坚定、果敢，他对智慧的一切箴言和理智的一切批判无不顽强抗拒，并且无论命运怎样安排，他的那种兽性本能发作时，总要向狗密告猫的来到，向狐狸密告狮子的来到。

Concretely, this anti - aesthetic poetics teleology mainly displays three directions, opening to sexual instinct, disinterring to dead instinct, anxiety to existence and decadent appearing.

具体而言，这种审丑诗学目的论又主要表现为三种流向，即：对性本能的敞开、对死本能的发掘和对存在的焦虑、颓废的显现。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。