本来的

I planed to catch the early train,but i was getting up late

我本来打算赶早班的火车，但是我起晚了。

I planed to catch the early train,but i got up late

我本来打算赶早班的火车，但是我起晚了。

I essentially planed to catch up with early train,but I got up late .

我本来打算赶早班的火车，但是我起晚了。

I had planed to eaylier train,but I got up late.

我本来打算赶早班的火车，但是我起晚了。

I planed to catch the earliest train, but I got up too late.

我本来打算赶早班的火车，但是我起晚了。

Needless to say, the disgraceful censorship code is an important factor in predetermining the content of these pictures.But the code does not disturb the profits, nor the entertainment value of the films; it merely helps to prevent them from being credible.

他说这个事情了，围棋上这叫脱先，一句话还在往糊涂处领你，让某些方向感本来就不好的小朋友一筹莫展了，他接着讨论这种disgraceful censorship，说明他也是万恶之源，接着说他固化了内容，但是反而助长了拜金主义和娱乐致死，这些导致了不可信。

All of this could have been prevented.

而所有这一切本来都是可以避免的。

Gradually, however, Tesla reassumed his natural state and collapsed back into his seat, spent, subdued, and apologetic.

可是渐渐地，泰斯拉回复了他的本来样貌，猛然朝后倒在座位上，筋疲力尽，垂头丧气，一脸歉意。

Was originally intended to be done in a Timbaland 'remixed' fashion, but ended up not.

本来是用 Timbaland混音风格的，但是后来不是。

As soon as Po made up his mind, he sends out three fierce attacks to Shin. Shin has just recovered and scruples to fight Po so he can barely resist Po's attack from beginning. Now, his sword is heavily hit by Po and he has to retreat swiftly to unload the harmful energy transmitted from the sword. Po, at same time, sends four forceful stabs to the "plum"" orchid""bamboo""chrysanthemum" four paints on east wall. After four big bangs, those paints rends at once. Three shallow holes occurred behind three of those while a whole piece of wall collapsed behind the "bamboo" paint. And, a secret cell appears there!

童博心念一定，立刻向童心猛攻三招，童心重伤初愈又心有顾忌，本来就只可勉强挡住他招式，这时被童博最后一招打在剑上，不得不向后疾退卸去劲力以免受伤，童博则趁此空档，突然向东壁上&梅兰竹菊&四幅画全力刺岀，砰砰砰砰四声巨响，那四幅画登时碎裂，其中三幅画后出现一个浅坑，但竹画的后面却是一整块墙版崩落，后面出现一个暗格！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。