本土

Actually, if we want to seriously discuss about 'Modernity', we'll find out that this issue has an awkward situation in China. Let's forget about the sociological issues and let's simply start from visual arts. The old generation of artists who brought western arts to China, actually brought along western classic arts academism that is just small part of western classic art, and it's far of being exhaustive. Furthermore, what they brought along went through many changes due to the contact with revolutionary realism and local culture. The result of this process was what was called "Modern Art" in China. After having arrived in China, a part of the western artistic academicism became "Chinese Modern Arts" and this misplacement still exists. Perhaps it comes from a creative misreading, however whether it has the capability of becoming an independent system or not, still remains uncertain.

事实上，当我们想认真的讨论"现代性"时，就会发现这一问题在中国有着极其尴尬的处境，且不谈社会学角度，从视觉艺术这个很小的角度切入，将西方艺术带入中国本土的老一代艺术家们带来的其实是西方学院派的艺术，是西方古典艺术的尾巴或被革命现实主义化了的西方古典艺术，而被带入中国本土后却被称为"现代艺术"，直至今日当代艺术在西方的学理支撑到了中国本土变成了被断章取义的只言片语，这其间"错位"一直存在着，或许这是一种有创造性的误读，但误读的主体是否具有独立消化能力的系统值得商榷。

This paper using the panel data of50 developing countries studies the influence of foreign bank entry on bakingefficiency (growth rate of deposit, growth rate of lend, growth rate of net interestincome and spread) and draws the experiential conclusion: foreign bank entry hasmuch influence on lending market and profit growth, but this influence can force thereform and development of domestic banking. Foreign bank entry decreases the spreadof domestic banking, and this means the efficiency of domestic banking increases.Foreign bank entry dose not cause the deposit diffluence of domestic banking.

利用50个发展中国家的银行样本数据分析了外资银行进入对本土商业银行效率(存款增长率、贷款增长率、净利息收入增长率和存贷利差)的影响，并得出了经验结论：外资银行进入对贷款市场和利润增长形成了巨大的冲击，但是这种冲击会推动东道国银行业改革和发展；外资银行进入降低了本土银行业的存贷利差，说明本土银行由于外资银行进入银行效率得到了提升；进一步验证了外资银行进入没有造成本土银行业存款市场的分流。

Instead this paper focuses on the theoretical, analytical dimension and offers three theoretical, analytical explanations for the questions: 1 because the literary indigenization paradigm engenders a kind of antagonism between different historical narratives which is difficult to be weakened; 2 because in the identity politics strategic essentialism is ready to slide from a mere strategy to a form of de facto essentialism that provokes an essentialist backlash; 3 because the literary indigenization paradigm and the conflict caused by it, after all, involves state power.

因此本文另辟蹊径，从理论分析的角度提出三点解释：第一，由於文学的本土化典范是一种叙事的本土化典范，其相关的争论有如世界观的冲突；第二、由於认同政治∕文化斗争中的「策略的本质主义」与本质主义之间不易区分，即使是策略性的认同宣称，也容易引起本质主义色彩的对抗；第三，因为文学的本土化典范终究涉及国家权力。

Transnational car giant is trying to give a hard blow to the native brands as soon as possible in China, expand their brand rapidly, but the national brand of native country still shows immaturely and weakly. The situation of dancing with wolf makes the native automobile brands of our country face the severe test of survival and development.

跨国汽车巨头在中国的品牌战略就是尽可能地打压本土品牌，迅速扩张他们的品牌，而我国本土民族品牌则尚显幼小和稚嫩，这种与狼共舞的局面使我国的本土汽车品牌面临着生存与发展的严峻考验。

The appearance of the Chinese Archetypal Criticism is directly related to the new condition of the literatus at that time, such as the weakening of the realism, and the appearance of a new kind of literature form with the similar aesthetic conceptions to the Archetypal Criticism.

新时期本土文艺观的转变为原型批评进入本土话语体系清除了认识上的隔阂，以往强大的现实主义话语的势危为原型批评的异军突起创造了机会，而本土文学创作中一种与原型批评审美观相近的文学形态的出现，又为原型批评向批评实践的渗透准备了充分条件。

The thesis points out that during the writing Soyinka integrates the native culture and the culture of the West, offering privillage to the native culture. During the appreciation of Greek classic tragedy, European modern play and poetry and the stream-of-consciousness novel, based on the native culture, Soyinka established a new powerful narrative style that is farce imitating so as to reach a stage of dis/mantling European narrative model counter-discursively.

指出索因卡在实际写作过程中，融合了本土与西方两种异质文化，并努力突出本土文化的地位，在对希腊古典悲剧、欧洲现代派戏剧和诗歌以及意识流小说等艺术形式进行借鉴的过程中，以本土文化为基础，建立了一种具有戏仿性质的、更具强大力量的新的叙事风格，从而对欧洲叙事模式进行了反话语式的消解和掩盖。

The third section is "The recognition of Pili puppetry and local culture", it mainly discusses the relationship between Taiwan puppetry and local culture, and the discussion about Pili puppetry spirit from the perspective of local culture.

第三节，霹雳布袋戏与本土文化之认同，主要在於：台湾布袋戏对本土文化的接触；从本土文化观点谈霹雳布袋戏的精神。

Shen Kai: Should say the amount drops, before two years my statistic crosses China to have alliance of more than 500 advertisement, should say now 100 was less than, but change with mainland on, our product is spending competition with mainland all the time, be being clicked so e.g. the advertisement of Google is enclothed in former window, we fell hard with all possible means last year anew the window yielded, this is a very big innovation to the experience of the user, the 2nd, it is we undertook distensible to the font of Chinese, can read a gender to increase greatly, the 3rd is a lot of people complain Fu Meiyuan check is slower, we are OK last year immediate telegraphic money order, still can a lot of will be improve henceforth, we are change in ceaseless mainland.

沈恺：应该说数量是下降的，在两年前我统计过中国有五百多家广告联盟，现在应该说一百都不到了，但是和本土化上，我们产品一直在和本土化竞争，比如说Google的广告原来点击是在原窗口覆盖的，去年我们多方努力下从新窗口产出了，这对用户的体验是一个很大的创新，第二个，就是我们对中文的字体进行了扩大，可阅读性大大增加了，第三个就是很多人都抱怨付美元支票比较慢，我们去年可以直接电汇，今后还会有很多改进，我们是在不断的本土化。

Indigenization is essential for library theory and library practice, content and method of library, and is required for basic library, administeration, system legislation, professional education of library. The study of indigenization does not mean come back to past, which reclaim a lot of misconceives.

图书馆理论和实践都需要、图书馆学内容和方法都需要本土化；图书馆学需要本土化，图书馆学的基础理论、管理、制度立法、专业教育等领域也需要本土化；本土化研究不是中国图书馆学是回到过去，并纠正了许多误解。

The whole thesis is composed of three parts: I start with an all-sized description of the localization strategy, and then in the second part I try to argue the problems in the area of research and development, human resource, promotion management and enterprise culture.

文章主要以跨国公司近年来在中国施行本土化战略中的重点问题作为研究对象，包含：研究与开发本土化、人力资源本土化、营销管理本土化和企业文化本土化。

In the United States, chronic alcoholism and hepatitis C are the most common ones.

在美国，慢性酒精中毒，肝炎是最常见的。

If you have any questions, you can contact me anytime.

如果有任何问题，你可以随时联系我。