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His language-sense teaching method has enriched and developed the ontology of Chinese teaching and the theory of language-sense teaching, which is a new teaching system with national traits and typical Chinese style.

洪镇涛语感教学观丰富并发展了语文教学本体论和语感教学理论,是富有民族特色和中国气派,又有现代精神的语感教学新体系。

This part focuses on the important position of aestheticism in Yu DaFu's literature thought.

在第二节中的第一、二、三部分中分别论述文学本体论与唯美的关系,还包括无政府主义思想和文学批评思想以及文艺理想与唯美主义的关系;创作思想与唯美的关系;以及唯美思想在作品中的体现等,主要论述唯美主义在郁达夫文艺思想中的地位和作用。

Generally it includes the extract of ontology like "the evolvement of the universe" and "the anagenesis of the world" which is magnificent; and it obtains the wisdom in life like "Different people have different views","People don't understand the real meaning of the things in common life".

大而观之,《周易》中包含着"弥纶天地之道"、"范围天地之化"的宇宙本体论的精义,可谓宏大;小而论之,《周易》中又具有"仁者见之谓之仁,智者见之谓之智"、"百姓日用而不知"的诸多人生智慧。

In the third period, the animadversion on the Reification is mainly represented by the work-The Ontology of Social Being.

这一阶段物化理论的思想主要反映在《关于社会存在的本体论》中。

Here is the second version of the ontological argument as Anselm states it

当 Anselm 说它,这是本体论的争论的第二个版本

The artificial intelligence which reflectsdisembodied cognition attitudes has three unexamined philosophical assumptions------psychological assumption, epistemological assumption and ontological assumption.

在以无身认知思想为指导的人工智能研究背后,有三个未经检验的哲学假设:心理学假设、认识论假设和本体论假设。

The construction of a social philosophy as such relies on the creation of the synthesis of the Reformation and the Renaissance able to break the shackle of modern ontology that believe in the all-sufficiency of reason and the attainability of perfection in history.

这种融合揭示出理性自足和历史进步理念这两大现代性本体论核心概念所存在的问题,为预料、解释、和理解现代社会问题,尤其理解历史中善与恶一同增长这一基本事实,提供切合人性和历史经验的视域。

This article analyses the issue logically from the points of view of noumenon,axiology,and methodology.

本文以此为逻辑起点,从后现代写作的本体论、价值论、方法论三个层次展开对其合理性的分析。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心;对西方和古代的纯诗理论之引入,引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论;纯诗理论的基本内涵与差异;诸多现代派诗人掀起了晚唐南宋纯诗热,对姜夔、严羽作了新的理解;对纯诗理论的发展和变异,含梁宗岱的现象学形式论,何其芳的唯美论与形式论,现代派诸人的诗本体论;梁宗岱对纯诗理论的中国化研究,含梁宗岱的超越性与形式性,"超验"与"妙悟"的比较研究与形态超脱性的比较研究;中西纯诗形态的超脱性等;现代派纯诗论是对初期白话诗理论的清算,对新月派、象征派探索的总结和发展,音乐论是对纯诗论的延伸和对格律论的发展;现代派引入研究了西方诗学音乐论理论,含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点;引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论;进行了两次关于新诗音乐论的大讨论;在节奏、音顿、音韵三方面借鉴了西方的理论,同时改造了古代的格律理论,扬弃了平仄说,何其芳、卞之琳把新诗音乐论命题延续到当代,提出了汉诗音乐论的理论框架。

This paper discusses ontology building and ontology-based Knowledge retrieval model.

本文将讨论本体论的知识表示、构建理论以及基于本体的知识检索。

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