本体

A fluorescence probe,which is suitable to use in the photopolymerization of acrylate monomer was recommended.

如在本体聚合中，聚合前，探针分子处于单体内，而在聚合反应发生后，探针分子就处于聚合体中。

There is no sharp break between the photosphere and the outer atmosphere of the sun on one side and the solar interior on the other.

无论在光球与它上面的太阳大气之间，或是在光球层与它下面的太阳本体之间，都没有明显的突变。

In fact,quality education is the course of making innovations in physical education.

素质教育在本质上是体育教育本体功能的回归，是一个持续不断的创新过程。

The branch playscript with stage directions body uses the quality forging, the timber wood and the pipeline material is the same, this company in the carbon steel, the alloy steel, the stainless steel and so on many kinds of material qualities selects for the user.

支管台本体采用优质锻件，用材与管道材料相同，本公司在碳钢、合金钢、不锈钢等多种材质供用户选用。

As a part of enlightening culture, the enlightening literature is definitely a window that publicizes the logos spirit, however, literature is different from philosophy, literature is the artistic transexpression of the Zeitgeist, but not the direct expression of the rational principles, in the eighteenth century the thought of natural logos brought the production of the free humanity of literature, Faust pursues and explores forward constantly, which stands for the permanent"human"spirit, it means the human's release and rein on the atman, it is the natural situation after breaking the fetters, and it is the revertion of the human natural inbeing; Naive man is the unit that has not been touched by"civilization", it is the origianl nature of human beings, during the conflict and collision of these two different cultures--"nature"and"civilization", it holds the independent free spirit homestead; emotion is natural, when the society made it institutionalized, it is catabolized, Lockersha Na heard the voice of heart under the system of plural marriage, she released the human natural emotion, reverted the natural humanity; under the"civilization", individuality is deprived,"civilization"becomes the contrary of civilization, Rameau's nephew championed the individual existence and freedom in the period of losing"self", it stands for the"self"shaping in the independent pose.

启蒙文学作为启蒙文化的一部分，它自然是张扬自然理性精神的一个窗口，然而，文学又不同于哲学，文学是对时代精神作艺术化的转达，而不是理性原则的直接的传声筒，十八世纪自然理性的思想养料孕育的是文学中自由人性的灿烂之花，浮士德不断地向上求索，代表着永不息止的"人"的精神，"人"的精神是人对于自我本体的一种释放与驾驭，是挣脱枷锁之后的自由状态，是对人之自然本性的还原；天真汉是未曾受过"文明"浸染的个体，代表人类之原本的自然天性，在"自然"与"文明"两种异质文化的冲突与碰撞中，维系着个体独立自由的精神家园；情感本属自然的，在社会将其制度化的同时，也将其异化了，洛克莎娜在一夫多妻制下，聆听的是个体心底之声，释放人之自然感情，复原自然之人性；"文明"下，个体性被剥夺，"文明"已堕入文明的对立面，拉摩的侄儿在"我"丧失的时代，捍卫了个体自我的在场性与自由性，代表了以独立个体之姿存在的"我"。

And then analyses expression and image-selection, in order to research the poetess how to use the male- expression to express the Life Consciousness of female.

在意象选择的问题上，又特意拈出"酒"意象和"花"意象作为一对观照，阐明"酒"作为一种观照方式的工具性与"花"与人同构异质的生命本体价值。

Is it possible to ignore the way in which any work of narrative distributes rewards and punishments at its conclusion and take a stand against the suggestion that this distribution represents poetic justice?

我们是否有可能忽视叙述本体所做出奖励和惩罚的结论，并建议如此的配置并不代表诗人的正义观呢？

This kind of fictional situation series has already cast off the art language characteristics satirizing Mao and consumer society, and has entered into a kind of different, Polysemous and ambiguous expressive language.

对于毛的民间塑像在和佛教神像在形体特征的这种游戏，使得刘力国找到了一种意识形态批判的更含蓄和本体的语言形式。

The objective of this study was to identify how many different forms of GnRH in the black porgy brain by HPLC and to localize GnRH fiber and soma in the brain by immunohistochemistry. In addition, we also study the effects of 17- estradiol on the hypothalamic gonadotropin-releasing hormone soma number in the black porgy.

本实验希望藉由HPLC来测定黑鲷脑中GnRH的种类，并利用免疫染色的方法，了解GnRH神经元在黑鲷脑中的分布，并探讨雌二醇(17β-estradiol； E2)对切除性腺(gonadoectomy； GNX)的黑鲷脑中下视丘部位GnRH神经细胞本体个数之影响。

Some work directly connects to traditional Chinese art. The relationship between the portrayer of the object and the objected being portrayed is fundamentally altered. Therefore, multiple visual layers emerge. By creating a self-content painting world, this type of work reinterprets the literati paintings in the Ming and Qing Dynasties. While addressing ontological issues for painting, the work implies the elegant literati taste the artist is born with. Some works emphasize the interaction between space and traditional art materials, mechanically carrying out a repetition of a traditional scene.

参加"诗意现实：对江南的再解读"展览的近三十位艺术家的作品，我以为，也许大体可以把它们分为下面几种类型：有的直接与中国的艺术精神相续，在媒介和再现对象之间进行图像"转译"，并形成多重的视觉套层，从而建立起一个自足的绘画世界，来实现对明清文人画的重新审看和临写，在对绘画的本体问题进行实验的同时，传达自己与身俱来的优雅的文人意趣。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。