木头的

And everywhere the sleepy smell of rotting wood,damp earth and dusty hollyhocks thick and perfunmy like the blue-blond hair of the dead.

到处都是那种令人昏昏欲睡的气味：腐烂的木头，潮湿的泥土，以及那蒙了灰尘的蜀葵，像老去的人那白发到发蓝的金发一样浓郁而馥郁。

Here was a boy that was respectable and well brung up; and had a character to lose; and folks at home that had characters; and he was bright and not leather-headed; and knowing and not ignorant; and not mean, but kind; and yet here he was, without any more pride, or rightness, or feeling, than to stoop to this business, and make himself a shame, and his family a shame, before everybody.

他明明是个有身份的孩子，受过良好的教养，人品又好，家里人也都是人品好。他为人又聪明，不是那种木头脑袋的人。有学问，不是愚笨无知。不是下流胚，而是为人和善。可如今，竟然不顾自己的体面，不顾是非，不顾人情，降低身份干起这档子的事，在众人面前，丢尽自己的脸面，丢尽他一家人的脸。

As for their wonders, the Chinese have some tough choices to make. If players want to go an economic strategy, they can build the Porcelain Tower, which generates the player's choice of food, wood, coin, or a small trickle of all resources, including experience and export points. For the more military-minded, there's the Confucian Academy and the Summer Palace.

至于他们的奇观，中国文明拥一些有强大的奇迹供你选择建造，如果玩家是走经济型路线的，你的农民就可以建造一种可以产生食物，木头，黄金和一些其他稀少的资源的瓷塔（之中包括经验和附加点数），可供玩家选择。

From the time the palm and reed huts of the Chimilas began to be replaced by the wooden houses of the United Fruit Company, with their sloping tin roofs, burlap windows and outhouses adorned with vines of dusty flowers, we resembled nothing so much as the raw towns in western movies.

自打联合水果公司的木头房子开始取代Chimila人用棕榈树和芦苇杆搭起来的小棚屋，我们这里简直就成了西部电影里未开化小城的翻版：这些木房子屋顶倾斜，是铁皮做的，窗口遮着粗麻布，挨着主屋的小屋子墙上爬着藤蔓，开着落满灰尘的花朵。

I followed the direction of her index finger and saw the station: a building of peeling wood, sloping tin roofs, and running balconies, and in front of it an arid little square that could not hold more than two hundred people.

我顺着她的手指看到了火车站：剥掉树皮的木头做的房子，倾斜的铁皮屋顶，连绵的阳台，门口是一个没有生气的小广场，只能容纳二百来人。

Godzilla movies are not about realism. A rubber suited monster stomping phony balsa wood scale models of Tokyo wiggly power lines made of thread toy army vehicles drug along by poorly concealed strings cannons sparking like last years firecrackers this stuff is great.

怪兽哥斯拉》无关乎什么真实不真实：一个橡胶质感的大怪物在那儿肆意毁坏木头模型组合起来的微缩东京，丝线做的城市电缆晃晃悠悠，一辆辆玩具军车被隐藏得很不到位的线牵着跑来跑去，而攻击怪兽的火炮则跟你去年见的烟火没两样……这些东西真棒。

Thus we can look on a piece of wood or any piece of plant matter as photosynthetic product that can be returned, by respiration during life, by slow decay, of by burning to the carbon dioxide and water from which it was made.

这样我们可以将一块木头或任何的植物当作可以回收的光合作用的产物，这种回收是通过有机物活着时的呼吸，或死后的缓慢腐烂，或是燃烧完成的。

It is labour then which puts the greatest part of value upon land, without which it would scarcely be worth any thing: it is to that we owe the greatest part of all its useful products; for all that the straw, bran, bread, of that acre of wheat, is more worth than the product of an acre of as good land, which lies waste, is all the effect of labour: for it is not barely the plough-man's pains, the reaper's and thresher's toil, and the baker's sweat, is to be counted into the bread we eat; the labour of those who broke the oxen, who digged and wrought the iron and stones, who felled and framed the timber employed about the plough, mill, oven, or any other utensils, which are a vast number, requisite to this corn, from its being feed to be sown to its being made bread, must all be charged on the account of labour, and received as an effect of that: nature and the earth furnished only the almost worthless materials, as in themselves.

如果我们追踪一下我们食用的每块面包的劳动所提供的东西，那么将会发现这是一个不太可理解的物品清单；铁，树，皮革，树皮，木头，石头，砖，煤炭，石灰，布料，染料，沥青，焦油，桅杆，绳索，以及所有造船的材料——船运来了其他工人制造的这件工作所需要的物品——完全列举几乎不可能，至少是太长。

Close under the eaves of the stack, and as yet barely visible, was the red tyrant that the women had come to serve - a timber-framed construction, with straps and wheels appertaining - the threshing-machine which, whilst it was going, kept up a despotic demand upon the endurance of their muscles and nerves.

在靠近麦垛檐子下面的地方，当时在朦胧中可以看见那些女工们前来伺候的红色暴君——一个装着皮带和轮子的木头架子——当这个打麦子的机器开动的时候，它就要对她们肌肉和神经的忍耐力提出暴虐的要求了。

The band played on, and the swaying couples twisted like bobbing marionettes, to and fro, to and fro, across the great ball and back again, and it was not I who watched them at all, not someone with feelings, made of flesh and blood, but a dummy-stick of a person in my stead, a prop who wore a smile screwed to its face.

Daphne du Maurier， Rebecca 琴鼓声不绝于耳，舞池里双双对对的舞伴，像牵线木偶似地摆动扭曲着身子，转过来转过去，转过来转过去，从大厅的这头转到那头，又从那头转到这头；那个站在一旁冷冷静观的似乎不是我本人，并不是一个有血有肉，有感情的活人，而是一具借托我这形体的泥塑木雕，一具钉上了笑容的木头架子。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。