木刻的

More than 450 years have By now, Albrecht Durer's hundreds of masterful portraits, pen and silver-point sketches, watercolors, charcoals, woodcuts, and copper engravings hang in every great museum, but the odds are great that you, like most people, are familiar with only one of Albrecht Durer's More than merely being familiar with it, you very well may have a reproduction hanging in your home or

四百五十多年过去了，亚布瑞秋有成千上百部的杰作流传下来，他的速写、素描、水彩画、木刻、铜刻等可以在世界各地博物馆找到；然而，大多数人最为熟悉的，却是其中的一件作品。也许，你的家里或者办公室里就悬挂着一件它的复制品。

On the subject, it is mostly selected based on the historical themes and natural scenery. Part of the works take the traditional black-and-white mimeograph and woodcut techniques in order to pursue a traditional interests' inheritance, from theme to form, part of the works follow the orthodox Realism style to represent a realistic foundation and skillful printmaking techniques.

题材方面，大多为历史题材与自然风景，其中部分作品采取了传统的黑白油印与木刻技法，追求一种从题材到形式上的传统趣味的继承，有的则沿袭了正统的写实主义的风格，表现出精良的写实功底与纯熟的版画技艺。

Part of the works take the traditional black-and-white mimeograph and woodcut techniques in order to pursue a traditional interests' inheritance, from theme to form, part of the works follow the orthodox Realism style to represent a realistic foundation and skillful printmaking techniques.

题材方面，大多为历史题材与自然风景，其中部分作品采取了传统的黑白油印与木刻技法，追求一种从题材到形式上的传统趣味的继承，有的则沿袭了正统的写实主义的风格，表现出精良的写实功底与纯熟的版画技艺。

Black and white woodcut painting gained its intensity through sharp contrast, and therefore was used for propaganda and showed irreplaceable revolutionary quality. But this quality disappears today as thingness in the market prevails. Born in a transitional period, the post-eighties generation in China is caught in the tension between tradition and modernity, industry and nature, and without persistent and clear-cut personality of their parents, they tend to get lost in others or with themselves.

黑白木刻以强烈反差所营造的力度感，曾成为宣传利器，具有无可替代的革命性；而革命性在今天的沉淫于商场式的物品性中消失。80后成长于转型中的中国，他们没有他们的前辈那样明确而执着。

Chinese prints, after a thousand years of development, from woodcuts to the copper engraving, lithographs, from monochrome printing to color overprint by a single print religious literature to develop prints, prints Hua Pu, in areas such as print New Year by the text attached to the Illustrations to be relatively independent of the arts, has made brilliant achievements of ancient Chinese art has become an important part, but also any country in the world and prints pair with more than.

和造纸、印刷术一样，版画艺术的故乡也在中国。版画是在绘画艺术和雕版印刷术的基础上发展起来的，它始于隋，行于唐，扩于宋，精于明，衰于清。经过一千多年的发展，中国版画由木刻版画到铜版画、石版画，由单色印刷到彩色套印，由单一的宗教版画拓展到文学版画、画谱版画、年节版画等领域，由依附于文字的插图到成为相对独立的艺术，取得了辉煌的成就，成为中国古代美术的重要组成部分，而且可以和世界任何一个国家的版画相媲比。

The main idea of the last half of this paper is the analyses of Cursive skill and the use of pen with eight analyses of basic writing method , 14 special writing skills, and make up the lost wooden block-printed book glyph attached after each example word.

本篇论文后半部重点，尝试就《书谱》草书技法加以分析，从用笔的方法以及草书的使转用笔谈起，将草书的基本笔法分成八点解析，举出《书谱》的十四种特殊笔法，并将《书谱》墨迹本和补阙漏的木刻本的字形，随附在各字例之后。

The two piastres that Luigi received every month from the Count of San-Felice's steward, and the price of all the little carvings in wood he sold at Rome, were expended in ear-rings, necklaces, and gold hairpins. So that, thanks to her friend's generosity, Teresa was the most beautiful and the best-attired peasant near Rome.

罗吉每月从圣德里斯伯爵的管家那儿得来的两个毕阿士特和他的木刻小玩意儿在罗马卖得的钱，都花在买耳环呀，项链呀和金发夹呀等等东西上去了，正是靠了她朋友的慷慨，德丽莎才成了罗马附近最美丽和打扮得最漂亮的农家女。

Yet, it would be a pity to entertain comparisons and parallels that are simplistic in nature, as what should be seen here is not only a question of cultural identity or combination alone, but the personal language of these painters and wood carver.

但是，如果只是简单化地进行比较和对照，那是令人遗憾的。因为，从这次展览的作品当中，我们应当努力关注的，不是文化特征的问题，甚至不是作品当中混合了哪些文化的元素，而是这些画家或者木刻家所使用的艺术语言。

For Ly Tran Quynh Giang (born in 1978), this conflictual relationship with happiness perhaps appears all the more prominent since the animals and human figures which she engraves in black upon delicate bark are symbolic of her own isolation and rapport with the world.

在李陈琼江（出生于1978年）的作品中，这种与幸福对立的关系似乎表现得更加深刻，因为在她用十分细腻的树皮制作的黑色木刻版画当中，动物和人都象征着她的孤独，象征着她与世界的关系。

Ragno agrees with what Ferruccio Laviani maintains; that is to say, that the time is right and that, just as in the past we have witnessed the cyclical alternation of the use of woods, marbles, plastics, resins and stone for floors and, on the walls, of tapestries, woodwork, cloth, polished and matt paints, today the world of furnishing should be struck by a new creative wave that rediscovers the expressive and functional potential of ceramics.

蜘蛛同意FERRUCCIO LAVIANI 所坚持的，时间是适当的，就像过去我们看到的用木头，大理石，塑料，树脂和石头来铺地板；用挂毯，木刻，织布，抛光漆以及无光漆来装饰墙面。今天，世界装饰界将以瓷砖丰富以及功能性的潜力引领一种新的创新浪潮。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。