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木刻

与 木刻 相关的网络例句 [注:此内容来源于网络,仅供参考]

The GongBuCi have to describe according to the poem of DuFu behind with the structure and form of Ming Dynasty" grass shed view area" of recovering the reconstruction, re-appearing the pastoral appearance that poet so reside, constructing the thick thick poetry atmosphere;Have to set up in 1999 in flower arrangement park of" DuFu poem calligraphy wood-carved", display more than 100 DuFu's poem calligraphy wood-carved work, choose from the building hides several thousand in the pasts a hand book poem genuine calligraphy, engrave with the wood but, have to appreciate the value rather, its verse, calligraphy, have with the material, craft" four unique" it call;" big the hall" inside that locate the important male in a the third in building in thou in peaceful temple in original treasure , display the up to the present the large colored enamel of the local and biggest area(64 square meter) insets to whet to paint the mural with 12 in the pasts anthologist the person carves, image a development for displaying Du Fu usually with Chinese classic verse history;Building inside of basic display the 《 poem saint a thousand years 》, have the honor of acquiring the fifth" whole country ten big display the exhibition exquisite article" the best creativity prize.

工部祠后有依据杜诗描写和明代格局恢复重建的"茅屋景区",重现了诗人故居的田园风貌,营造出浓厚的诗意氛围;在盆景园内有1999年建成的"杜诗书法木刻廊",陈列着百余件杜诗书法木刻作品,是从馆藏数千件历代名人手书杜诗真迹中挑选出,用楠木镌刻而成,颇具观赏价值,其诗歌、书法、用材、工艺有"四绝"之称;位于原梵安寺古建筑群第三重大雄宝殿的"大雅堂"内,陈列着迄今为止国内最大面积(64平方米)的大型彩釉镶嵌磨漆壁画和12尊历代著名诗人雕塑,形象地展示了杜甫生平和中国古典诗歌的发展史;馆内的基本陈列《诗圣著千秋》,荣获了第五届"全国十大陈列展览精品"最佳创意奖。

Many rear area cities are located in the south west of china ,which is heavily mountainous and winding rivers .from the ancient times many nationalities have been living here and created unique and glorious civilizations with their qualities of fierceness , valour and vigour ,hardworking and insistency Si Chuan is famous as the land of heaven with favorite weather ,rich production and deeply cultural details , which is equipped with excellent advantages for cultivating arts crafts After the break out of anti Japanese war, Chong Qing became the war -time capital and the vital organs of war-time culture with the westward moving of the national politics ,military .economy and culture, the shifting of colleges of arts and crafts ,artic intellectuals and woodcut organizations.

七七泸沟桥的枪声,打破了战前以上海、北平、广州、杭州等为美术中心的格局,形成了以重庆为轴心的大后方木刻中心和以延安为据点的解放区木刻中心。大后方木刻中心的形成不是偶然的,而有其历史必然性。大后方很多城市地处大西南,这些地方群山逶迤,江河延绵。从远古时期就有众多的民族生息、繁衍在这一区域,并以他们强悍、勇猛、勤劳坚毅的品质和精神,创造了独特而辉煌的文明。

Wood engraving, especially of an early period.

木刻木刻,尤指早期的木刻

Wood engraving: Similar to "woodent", but the craving are on the end grain of the plank.

木口木刻:和木而木刻相似,只是木块用树的横切面。

Wood engraving: Similar to " wood ent", but the craving are on the end grain of the plank.

木口木刻:和木而木刻相似,只是木块用树的横切面。

While the wood-art services in the war, woodcut art in China, in wartime, had found its soil and air.

木刻艺术服务于抗战的同时,木刻艺术在中国、在战时,也正找到了它发展的土壤和空气。

He will be presenting an introductory lecture on the background of woodcut art, followed by a show of the tools and materials used in its practice.

他将发表演讲,介绍木刻版画艺术的背景,继而展示木刻创作所使用的工具和材料。

The background of woodcut practice in Singapore can be traced to the woodcut developments in Germany and China, and was used as a 'weapon' during the tumultuous 1950s.

关于新加坡的木刻创作,其背景可追溯到德国与中国的早期木刻发展。它在动荡不安的1950年代被当成一种"武器"。

Woodcutting is to speak , to walk , a common behavior closely related to his daily life .

木刻对于刘庆元来说不再是一件神圣的事情,刻木刻是说话,是走路,是一种和他生活密切相关的平常举动。

Woodcutting is no longer a sacred behavior for Liu Qingyuan. Woodcutting is to speak, to walk, a common behavior closely related to his daily life.

木刻对于刘庆元来说不再是一件神圣的事情,刻木刻是说话,是走路,是一种和他生活密切相关的平常举动。

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