朝上的

To Dionysius the Elder, tyrant of Syracuse, who according to legend was forced to sit at a banquet table under a sword suspended by a single hair to demonstrate the precariousness of a king's fortunes.

达摩克利斯希腊传说中的叙拉古国王狄奥尼西奥斯的朝臣，据传说其被迫坐在上悬宝剑的餐桌旁，宝剑由一根头发系住，以此来暗示君王命运的多危

That is to say, he emptied the tea-leaves now and again into a jam jar set aside for that purpose and if he ran out of clean forks he wiped over one or two on the roller towel.

他把用过的茶叶尽朝尽晚地倒在一个梅酱瓶里，那是放着专为倒茶叶用的，只要他用完了干净的叉子，就在拉得动的擦手布上篦了一个两个暂时使用。

When you have ascended the Rue Saint-Jacques, left the barrier on one side and followed the old inner boulevard for some distance, you reach the Rue de la Sante, then the Glaciere, and, a little while before arriving at the little river of the Gobelins, you come to a sort of field which is the only spot in the long and monotonous chain of the boulevards of Paris, where Ruysdeel would be tempted to sit down.

人们顺着圣雅克街往上走，走过便门，再朝左沿着从前的那条内马路往前走一段，便到了健康街，接着便是冰窖，在离哥白兰小河不远的地方，人们会见到一块空地，在围绕巴黎的那种漫长而单调的环城马路的一带，是唯一可以吸引鲁伊斯达尔①坐下来的场所。

I just lay there face down on the bed trying my hardest to be a good little boy and fall off to meet the sandman yet stay awake for the big moment of Santa's arrival.

我只是打好有正面朝下床上，我想最难的是一个很好的小男孩和脱落，以满足sandman但不成眠，为大的时刻，圣诞老人的到来。

It was full of sap, full of leaves, and full of boughs6; but now in vain does the busy art of man7 pretend to vie8 with nature, by tying that withered bundle of twigs9 to its sapless trunk; it is now at best but the reverse of what it was, a tree turned upside-down, the branches on the earth, and the root in the air; it is now handled by every dirty wench10, condemned to do her drudgery11, and, by a capricious12 kind of fate, destined to make other things clean, and be nasty itself ; at length13, worn to the stumps in the service of the maids, it is either thrown out of doors or condemned to the last use—of kindling14 a fire.

它曾生气勃勃，枝繁叶茂，但如今爱管闲事的人却动手把枯枝捆扎于它那枯桩上，装模作样地同自然徒然抗争。如今它充其量只是以前模样的倒转——一棵本末倒置的树，枝条伏地，根部朝天，听由脏兮兮的女佣随手使唤，并且被无常的命运捉弄，注定要去清扫他物，把自己搞得污秽不堪。最后，被女佣用成一根光杆儿，要么被扔出门外，要么最后充当引火的木柴。

I'd see him standing my watch on top of his'n,'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper.

我看到，当我从一片浓雾中回来，当我在世仇械斗那儿，在泥塘里又见到了他，在所有这类的时刻里，他是多么兴高采烈，总要叫我乖乖，总要宠我，总要想尽一切方法为我设身处地设想，他对我始终如一这么好啊。最后我又想起了那一回的事：我对划拢来的人们说，我们木筏子上有害天花的，从而搭救了他，这时他是多么地感激，说我是老杰姆在这个世上最好的朋友，也是他如今唯一的朋友。正是这个时刻，我碰巧朝四下里张望，一眼看到了那一张纸。

By inserting the barrel of an arruginated male key in the hole of an unstable female lock, obtaining a purchase on the bow of the key and turning its wards from right to left, withdrawing a bolt from its staple, pulling inward spasmodically an obsolescent unhinged door and revealing an aperture for free egress and free ingress.

382他将生锈粗涩的男性型钥匙轴捅进反复无常的女性型锁孔里，把劲头使在钥匙环上，自右至左地转动钥匙的齿凹，将锁簧送回到锁环里，痉挛般地把那扇铰链都掉了的旧门朝里面拽过来，露出可以任意出进的门口。

In it was an old woman with a lip full of snuff and a weather beaten face under a drab sunbonnet , driving a dawdling old mule .

正当她准备步行穿过城镇到北方佬营地去时，一辆破旧的货车来了，车上有个老太婆，嘴唇上满是鼻烟潭，那张久经风霜的脸躲在一顶皱巴巴的太阳帽底下，她赶着一匹慢悠悠的老骡子，她是朝市政厅方向去的。

Just as she was preparing to start walking the long way across town to the Yankee encampment, a battered wagon appeared. In it was an old woman with a lip full of snuff and a weather-beaten face under a drab sunbonnet , driving a dawdling old mule.

正当她准备步行穿过城镇到北方佬营地去时，一辆破旧的货车来了，车上有个老太婆，嘴唇上满是鼻烟潭，那张久经风霜的脸躲在一顶皱巴巴的太阳帽底下，她赶着一匹慢悠悠的老骡子，她是朝市政厅方向去的。

In the face of the "scenery" pictures presented by Yin Chaoyu, maybe some people will not like the spacious, cold and condensed ambience, but it is indeed that we can not be apathetic to this kind of pictures with certain mysticlsm incline and a superorganic character, no matter it is visional or real. They give the spectator a super-experience sense, which may touch something of us on certain point, but we can not express that clear and exactly.

面对尹朝宇给我们呈现的那些"风景"画面，也许有人会不喜欢那样一种广阔而又冷凝的气氛，然而，这样一种具有某种神秘主义倾向和形而上特征的图像，无论它是虚幻的还是真实的，我们的确不能够无动于衷，它给予了一个观者超验的感受，这种感受在某一个点上可能触动了我们一些东西，但是我们却无法准确说得清楚。

In the United States, chronic alcoholism and hepatitis C are the most common ones.

在美国，慢性酒精中毒，肝炎是最常见的。

If you have any questions, you can contact me anytime.

如果有任何问题，你可以随时联系我。