望见

Now when we had discovered Cyprus, we left it on the left hand, and sailed into Syria, and landed at Tyre: for there the ship was to unlade her burden.

21：3 望见塞浦路斯，就从南边行过，往叙利亚去，我们就在推罗上岸。因为船要在那里卸货。

F. Now when we had discovered Cyprus, we left it on the left hand, and sailed into Syria, and landed at Tyre: for there the ship was to unlade her burden.

21：3 望见居比路、就从南边行过、往叙利亚去、我们就在推罗上岸。因为船要在那堥瓥

The cells of literature hiding in my bones will immediately act when I see the yulan blossom outside my building, when I stand lonely beside the window, when I take a walk in the rain, or when I pick up my pen devoutly. On these occasions, my world will be filled with the air of literature.

在我望见窗外盛开的玉兰时，在我孤寂的立在落地窗旁时，在我漫步在细雨中时，在我虔诚地提起笔时，那潜藏在骨里的文学细胞活跃了起来，霎时我的世界便充满了文学的空气。

And thence they saw the bridge of wood

望见了他们的沼泽

There was no a vehicle passing by for a long time. He saw a house with lights on far away, so he deiced to go there and borrow a jack.

怎么办？这条路半天都不会有车子经过，他远远望见一座亮灯的房子，决定去那个人家借千斤顶。

Here Pilgrims roam, that stray'd so farr to seek In Golgotha him dead, who lives in Heav'n; And they who to be sure of Paradise Dying put on the weeds of Dominic, Or in Franciscan think to pass disguis'd; [ 480 ] They pass the Planets seven, and pass the fixt, And that Crystalline Sphear whose ballance weighs The Trepidation talkt, and that first mov'd; And now Saint Peter at Heav'ns Wicket seems To wait them with his Keys, and now at foot [ 485 ] Of Heav'ns ascent they lift thir Feet, when loe A violent cross wind from either Coast Blows them transverse ten thousand Leagues awry Into the devious Air; then might ye see Cowles, Hoods and Habits with thir wearers tost [ 490 ] And flutterd into Raggs, then Reliques, Beads, Indulgences, Dispenses, Pardons, Bulls, The sport of Winds: all these upwhirld aloft Fly o're the backside of the World farr off Into a Limbo large and broad, since calld [ 495 ] The Paradise of Fools, to few unknown Long after, now unpeopl'd, and untrod; All this dark Globe the Fiend found as he pass'd, And long he wanderd, till at last a gleame Of dawning light turnd thither-ward in haste [ 500 ] His travell'd steps; farr distant he descries Ascending by degrees magnificent Up to the wall of Heaven a Structure high, At top whereof, but farr more rich appeer'd The work as of a Kingly Palace Gate [ 505 ] With Frontispice of Diamond and Gold Imbellisht, thick with sparkling orient Gemmes The Portal shon, inimitable on Earth By Model, or by shading Pencil drawn.

此外还有很多，说起来未免太冗长，他们无非是些未成熟的、痴呆的、穿着黑、白、灰色衣的身带骗人的假法宝的隐士和托钵僧。其中有的在这里云游巡礼，曾到各各他去寻觅那活在天上的死人，临终穿上圣多明我派或圣方济派的袈裟，以证明自己确实去过极乐天堂，他们误以为这样打扮就可畅通无阻。他们通过七星天，通过&恒星天&，通过那权衡黄道振动均势的&水晶天&，并且还通过&原动天&。圣彼得手拿钥匙，站在天堂的边门口，像是在等待他们，正要举步登上天堂的阶梯时，看吧！从左右吹来一阵猛烈的横风，他们被斜吹到十万里外的远空中去：那时看见僧帽、头巾、袈裟，连同它们的穿戴者一起被吹翻扯烂，还有圣骨、念珠、免罪券、特免证、赦罪证、训谕，全被高高卷起，都成了风的玩具，他们飘过这世界的背面而远落在广大的地狱边缘，被称&愚人的乐园&，很久之后将是家喻户晓的，但是现在却是人迹罕至的地方。魔王走过这整个黑球，经过长久的漫游，终于发现一线曙光，便加紧他的步伐，向那边走去。他远远望见一座高大的建筑，从它那宽大的阶梯拾级而上，可以抵达天国的城垣，它的顶上，像有比王宫还要富丽的宫门，它的正面镶有金刚石和黄金；大门上密饰着东方的珠宝，光彩夺目，人间的浓淡画笔也无法描绘它。

The guard came nearly me again, and I could only see his face getting foggier and foggier in the morning rain.

守卫又再度靠近我，而我只能望见他的脸在清晨的细雨中逐渐模糊。

O friends, I hear the tread of nimble feet Hasting this way, and now by glimps discerne Ithuriel and Zephon through the shade, And with them comes a third of Regal port, But faded splendor wan; who by his gate [ 870 ] And fierce demeanour seems the Prince of Hell, Not likely to part hence without contest; Stand firm, for in his look defiance lours.

朋友们！我刚才听见有急促的脚步声向这边走来，现在又望见伊修烈和洗分的影子穿过林荫而来，他们带来第三者，虽有王者之风，但光彩已逝，看他的态度和步伐都像是地狱的君主，看来不经一阵战斗不会离开这里；站好，因为他眉宇间有挑战神情。

Catching sight of Jesus from a distance, he ran up and prostrated himself before him

他从远处望见了耶稣，就跑来，跪在他前

Originally The committee of the construction wanted to build an ancient memorial masses with statuaries、tablets、gardens and temples, nevertheless, at last, the design of G. Eiffel's, a bridge engineer was elected:a great towel symbolizing the mechanic civilization which could be seen from any point in Paris.

筹委会本来希望建造一所古典式的、有雕像、碑体、园林和庙堂的纪念性群体，但在700多件应征方案里，选中了桥梁工程师埃菲尔（G·Eiffel，1832-1923）的设计：一座象征机器文明、在巴黎任何角落都能望见的巨塔。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。