朗达

On the preferment of clemente to the cardinalate in 1557, Francesco Zamora, his successor (1559-65), defended at the Council of Trent the order's rule of poverty, which was then sanctioned by the council for the Observants and Capuchins.

论升迁的克莱门特的红衣主教在1557年，弗朗西斯萨莫拉，他的继任者（ 1559年至1565年），在维护安理会的遄达秩序法治的贫困，当时认可的理事会Observants和

Natural color fabrics like Dirty Aida, Mushroo m , Natural Light, Brown Undyed, Chestnut, etc.

喜欢脏阿伊达，蘑菇，自然光，布朗染色，板栗等自然色织物使设计看起来古老，经典，或仿古。

Natural color fabrics like Dirty Aida, Mushroom, Natural Light, Brown Undyed, Chestnut, etc.

喜欢脏阿伊达，蘑菇，自然光，布朗染色，板栗等自然色织物使设计看起来古老，经典，或仿古。

Natural color fabrics like Dirty Aida, Mu sh room, Natural Light, Brown Undyed, Chestnut, etc.

喜欢脏阿伊达，蘑菇，自然光，布朗染色，板栗等自然色织物使设计看起来古老，经典，或仿古。

Natural color fabrics li ke Dirty Aida, Mushroom, Natural Light, Brown Undyed, Chestnut, etc.

喜欢脏阿伊达，蘑菇，自然光，布朗染色，板栗等自然色织物使设计看起来古老，经典，或仿古。

Natural co lor fabrics like Dirty Aida, Mushroom, Natural Light, Brown Undyed, Chestnut, etc.

喜欢脏阿伊达，蘑菇，自然光，布朗染色，板栗等自然色织物使设计看起来古老，经典，或仿古。

Natural color fa b rics like Dirty Aida, Mushroom, Natural Light, Brown Undyed, Chestnut, etc.

喜欢脏阿伊达，蘑菇，自然光，布朗染色，板栗等自然色织物使设计看起来古老，经典，或仿古。

Natural color fabrics like Dirty Aida, Mushroom, Natural Li g ht, Brown Undyed, Chestnut, etc.

喜欢脏阿伊达，蘑菇，自然光，布朗染色，板栗等自然色织物使设计看起来古老，经典，或仿古。

Even a contortionist could not make Mr Brown's electioneering position on spending fit the budget arithmetic of his own chancellor, the heavily-eyebrowed Alistair Darling.

即使是长袖善舞的政客也不能使布朗在竞选中关于政府支出的态度符合其财政部长，那个经常持否定态度的阿利斯特尔·达灵的预算要求。

Even a contortionist could not make Mr Brown's electioneering position on spending fit the budget arithmetic of his own chancellor, the heavily-eyebrowed Alistair Darling. In April he set out a strategy, of sorts, for plugging the gaping hole in the public finances.

即使是长袖善舞的政客也不能使布朗在竞选中关于政府支出的态度符合其财政部长，那个经常持否定态度的阿利斯特尔·达灵的预算要求。4月的时候他推出了一套差强人意的策略来填补公共财政的赤字。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。