服饰的

Clothing : men clothe camisole 、 collarless 、singlet and t-undershorts ; women clothe ageeattach handmade amice and skirt .

服饰：雅美族男子以无袖、无领、短背心，配合上丁字裤；女子方面，斜系手织方巾配上短裙，所有手织衣物均以白色为底，黑、蓝相间的色彩。

If we look at earlier times Ping'an court dress, with the Chinese paintings in the Tang Dynasty costumes even close (the most obvious point, Ping'an era palace official dress in women is not modern kimono behind that big burden, it is Jiang households in the times of the female warrior class began to use).

如果看更早期的平安时代的宫廷礼服，跟中国唐代画作里的服饰就更接近了（最明显的一点，平安时代宫廷女官的服饰里是没有现代和服背后的那个大包袱的，那是江户时代武士阶级的女性才开始使用的）。

Third, the product characteristics, since its inception the company has dozens of enterprises and institutions in Beijing produced a style novel variety of work clothes, occupational clothing, uniforms, hotel staff uniforms, nightclub services, advertising, etc. CI wear suits, the company's market-oriented environment of choice of high standard, trendy accessoriesand wool surface all-round will be the "root kit" brand's image, spirit, culture, meaning embodied in the products, collar, cuff, buckle After carefully hand-sewing, forming a classic with the perfect combination of luxury - Tang suit products, these have stand-collar, and even a sleeve or a sleeve, lapelóor partial, direct debit or deduction of the flower disk overflow golden color of clothing, pushing the traditional Chinese designs - colored soil, fortune cat, dragon, phoenix, cranes, butterflies, Dutch , Liuzhou, Shou, Fu ......, integration of ancient, modern clothes in the development of the essence, and combining Chinese and Western clothing culture, pay attention to details of dress sense and quality of treatment, the formation of the East with the characteristics of unique fashion taste Tang suit.

三、产品特色公司自成立以来已为北京市几十家企事业单位生产了款式新颖的各种工作服、职业服、校服、酒店员工服、夜总会服、广告CI等各类职业装服，本公司在以市场为导向的大环境下选用高标准、新潮的织锦缎和毛料面辅料，全方位将"根杰"品牌的形象、精神、文化、内涵体现在产品上，领、袖、扣经过手工精心缝制，形成了典雅与华贵的完美组合--唐装系列产品，这些有着立领，连袖或上袖，对襟或偏襟，直扣或盘花扣的流金溢彩的服装，挟着中国传统的图案--五色土、发财猫、龙、凤、鹤、蝶、荷、龙、寿、福……，融合古、现代服饰发展中的精华，并结合中西方服装文化，注重服饰细节的处理与品质感，形成具有东方特色、品位独到的时尚唐装。

The Korean fashion demonstrates its national characteristics of perseverance, rigidity, and sternness. The fact that our own lost, damaged, and estranged culture was well inherited and developed by our east neighbor compels us to reflect our own effulgent traditional fashion culture.

我们从韩装造型所呈现出的坚毅、稳重、简约、严谨的民族特性中，发现我们因为文化的丢失和破坏导致的、令我们尤为生疏的本民族服饰文化在我们的东邻韩国得到了很好的发扬和传承，令我们不得不去回顾和反思我们曾经尤为灿烂夺目的本民族服饰文化。

We hope our pursuit will become your dream, wish our every precise cutting, every strict working -procedureand every piece of clothing of elaborateness will make you feel satisfied.our diligent soul is still together with your pursuit for clothing beauty.the true classic , the true life , and the true fashion....

我们在期待中创立了自己梦想的服饰王国，希望我们创造的王国能够成为顾客朋友们的游览胜地，希望我们每一次精确的裁剪，每一道严谨的工序，每一件精工细作的服饰能够与您的举手投足相契合，将你不经意的微笑渲染成永远的幸福，让您偶然的忧郁流露出醉人的魅力。

At the middle ages, the people put on the dress of the animal shape and put on the terrible mask is to want to drive out the demon in the dark night in the halloween night before last.though afterwards the christianity replaced the 凯尔 especially and the religious activity of rome, the custom of the earlier period still protected to stay.now, the children take the jocose mental state to put on various dress and masks to attend the halloween dancing party, the on all sides wall of these dancing parties usually hangs the sorceress, black cat, demon and skeletons of the useful paper 糊 up, the window front and doorways then mourn the 龇 tooth 裂 mouth or hateful face melon lantern of 番s.the apple that children still usually try to bite at to hang.

在中世纪，人们穿上动物造型的服饰、戴上可怕的面具是想在万圣节前夜驱赶黑夜中的鬼怪。尽管后来基督教代替了凯尔特和罗马的宗教活动，早期的习俗还是保留下来了。现在，孩子们带着开玩笑的心理穿戴上各种服饰和面具参加万圣节舞会，这些舞会四周的墙上往往悬挂着用纸糊的巫婆、黑猫、鬼怪和尸骨，窗前和门口则吊着龇牙裂嘴或是面目可憎的番瓜灯笼。孩子们还常常试图咬住悬挂着的苹果。

Based on detailed historical records, this paper systematizes the features of silk garment patterns in different periods in ancient times. The author holds that the great influence of those patterns created by our ancestors under specific historical backguounds on today′s pattern design for silk garment embodies the continuation of history and inheritance of culture. Theses patterns reflecting the intellegence and wisdom of the Chinese labouring people constitute a part of precious scientific and cultural heritage of China and the whole world.

文章在翔实的史料基础上，整理出古代各个历史时期丝绸服饰纹样的特点，并据此认为：在特定的历史背景下，由先人们创造的丝绸服饰纹样对当今丝绸纹样设计的重大影响，实际上正体现历史的延续和文化的继承，显示了我国古代高超的丝织技艺水平，反映了我国劳动人民的聪明才智，它是中国和世界的科学文化遗产的珍贵组成部分。

And the food of his table and the seating of his servants and the service and apparel of his ministers and his cupbearers and his burnt offerings that he offered up at the house of Jehovah, there was no more spirit in her.

10：4 示巴女王见所罗门一切的智慧，和他所建造的宫室，10：5 他席上的膳肴，群臣的座次，仆人的侍候，他们的服饰，和司酒的服饰，以及他在耶和华殿里所献的燔祭，就诧异得神不守舍。

Folk garment is an important category of handicraft, that is the wearings and ornaments voluntarily designed, made, enjoyed, used and preserved by civilians.

民间服饰作为&手工艺&的一个重要门类，指的是民间自发设计、制作、欣赏、使用与保留的衣着用品，理所当然属于世界非物质文化遗产的范畴，这在中国民族服饰研究会的年会上也得到了一致共识，认为这种传统的手工技能与相应的传世标本应当受到&各个方面的确认、立档、研究、保存、宣传、弘扬、承传和振兴。&

In this portrait miniature, Hilliard makes sumptuous costume a transparent medium to signify the religious allegiance of the 18-year-old Donne. At the same time, he also takes a devious route in this portrait to reveal the sitter's inner self. Besides, being a transparent vehicle, the costume is also treated as the translucent veil through whose concealment the young Donne's subtle attitude toward his faith is revealed.

本文就以此画像为例，分析希例雅德的画风如何在这个过渡时期里结合两种相左的空间观，不仅运用唐恩穿戴的服饰来外显他的内在世界，更重要的是，他也利用公众服饰遮蔽画中人内在世界的性格来彰显他幽微的宗教性格。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。