服饰的

In the clothing tied the chest and the beam has formed the different style of clothing and the culture : 1. The style of form of solid and complanation . 2. Intrinsic and external physique of the Eastern and the Western clothing is beautiful.

服饰中的束胸和束腰形成了不同的服饰风格和文化：1、立体化和平面化的风格；2、东方服饰的内在含蓄美和西方服饰的外在形体美。

Based on the practical investigation and study, the authors analysed the feature of the traditional costume culture of Tajik and discussed the effects of nature environment, totemism, religion and foreign culture on the trait formation of the traditional costume.

笔者于2001年10月随中国民族博物馆"民族服饰保护"摄制组赴新疆调研，在实地考察的基础上对塔吉克传统服饰的产生渊源进行了分析研究，探讨了自然环境、图腾崇拜、宗教信仰及外来文化等几方面对塔吉克族传统服饰特征的形成所起到的作用和影

The main body of a book set off from the clothing design angle , be tied in wedlock each other by starting to pertinent theoretical analysis , linking the clothing design basal principle with, marketplace , put into practice by cooperating with project of the local TV station, thereby, sum up out a set of the new law that TV variety show anchorperson clothes and ornaments designs , form a set of new method that clothes and ornaments designs to this type thereby:(1) establishes anchorperson clothes and ornaments style , establishes anchorperson clothes and ornaments expressing priority;(2) union anchorperson oneself qualities characteristic , image characteristic , entirety design;(3) sets off from to accepting numerous angles , studies mentality, is had the design being aimed at by numerous appreciation of the beauty;(4) is in anchorperson clothes and ornaments colour being going , seek in the unification change to come to consider style and hue from entire stage indeed at the regular time;(5) heddle skill entertainment anchor-man clothes and ornaments detail designs that priority chooses high-quality material on clothing collar headquarter , shoulder , bosom, emphasize that the meticulous handicraft is right away especially important;(6) when has being anchorperson more in one program, clothes and ornaments designs that emphasizing that the series feels more.

本文从服装设计的角度出发，通过对相关的理论分析入手，结合服装设计的基本原理，与市场相结合，通过与地方电视台的项目合作实践，从而总结出一套电视综艺节目主持人服饰设计的新规律，从而形成对此类型服饰设计的一套新方法：(1)确立主持人服饰风格，确立主持人服饰表达重点；(2)结合主持人自身气质特点、形象特点，整体设计；(3)从受众的角度出发，研究受众的审美心理，有针对的设计；(4)在主持人服饰颜色的确定时，要从整个舞台的风格和色调来考虑，在统一中求变化；(5)综艺娱乐节目主持人服饰的细节设计重点在服装的领部、肩部、胸部上，选取高品质的素材、强调精细的工艺就尤为重要；(6)在一台节目有多个主持人时，服饰设计更强调系列感。

And their symbolic, decorative, regular and orchestic characteristics were enough developed.

明代杂剧以宫廷盛演的优势在服饰上迈出了决定性的一步，它灵活地吸收、采用明代生活常服来扮演角色，从而完善了戏剧服饰的程式性、符号性和装饰性特征，尤其是它用宦官常服来扮演武将角色，直接促使了戏剧服饰可舞性特征的最终形成。

In Song Dynasty, the dress, of the common people or of the soldiers, had an obvious tendency of scholarliness , which owed to various reasons.

以往的服饰史论者过多地注重宋代服饰的保守和封闭，其实，儒雅化才是宋代服饰最重要的特征。

So this paper tries to expound the history of the Chinese ancient theatrical costume on the basis of analyzing its materials in the round. And systematically analyzes its characteristics by the methods of semeiology and aesthetics.

因此，本文试图在全面整理中国古代戏剧服饰资料的基础上勾勒出中国古代戏剧服饰的演变历史，并利用符号学、美学等学科方法系统探讨中国古代戏剧服饰的美学特征等问题。

Currently a certain quantity fashion brands which regarded in expanding the traditional costume culture as their characteristic in domestic, because of the comprehension of the traditional costume too unilateral and surface, fashion designers think of the content of the Chinese traditional costume as some signs, lacking of cultural background, content and cultivate, as a resault is called no cultural design.

国内现有的一定数量的以弘扬传统服饰文化为特色的服装品牌，由于对传统服饰的理解过于片面和表面化，致使服装设计师们把中国传统服饰的内涵变成了符号，缺少文化背景、内涵和修养，被人称为"没文化的设计"。

Early in the development of the costumes, elaborate costumes is to show status and wealth, to the late 18th century, the British gentleman's dress became the model for all the men dress, because hunting is a sport that people have a vast land, the hunters have Great reputation, the 19th century sportswear limited to hunting, archery, bowling ball recovery, with a modern look at these sports apparel is not functional, but they slow the evolution of the direction is more useful, a symbol of participation in sports People have enough leisure time for entertainment, clothing suitable for strenuous exercise changes become perfectly acceptable to the facts.

在早期的服饰发展中，精巧的服饰主要是为了显示地位和财富，到了18世纪末期，英国的绅士服饰成为了所有男子服饰的样板，因为狩猎运动暗示着一个人拥有广阔的土地，狩猎者有巨大的盛誉，19世纪的运动服局限于狩猎、射箭、草地追球，用现代的眼光看这些运动服装显然不具有功能性，但是它们缓慢的进化方向却更为有用，参加体育运动象征着一个人有足够的闲暇时间用于娱乐，适合剧烈运动的服饰变化成为完全可以接受的事实。

The Chinese ancient theatrical costume 's genesis relates to the origins of the Chinese Ancient Drama and the Chinese ancient clothing. Since the Chinese Ancient Drama comes of the primitive men 's roll playing and the Chinese clothing comes of the primitive men 's dressing themselves up. So the Chinese ancient theatrical costume comes of the primitive men 's primping up themselves for roll playing.

中国古代戏剧服饰的起源与中国古代戏剧和中国古代服饰的起源都密切相关，戏剧起源于原始人的角色扮演，服饰产生于原始人对自身的装饰，因此，中国古代的戏剧服饰起源于原始人通过装饰自身而进行的角色扮演。

It is the center of this article that how to put the costumes art of china's ethnic groups to good use in the modern character design. The writer expounds and proves the inevitability and necessary of the combination of external works and china's costumes art of traditional ethnic groups, according to which the writer chose several characters from famous classical novel ?The Creation Of Chinese Gods and recreated them with interrelated knowledge. These recreative examples and: Nvwa Sudaji nine-tailed Fox Denchanyu and Longji princess. Their vivid creative images and design prove the superiority of the two combinations. Meanwhile, some good relative suggestions have been put forward and a theory has been concluded in which modern character design is "skeleton", the comprehensive artistic display of the costumes art of china's ethnic groups is "blood and flesh".In addition, the topic is discussed according to higher practical field. Through the tentative analyses of productive economy and social development in china, the writer applies the costumes art of china's ethnic groups to modern character design, which will be good for the development and improvement of products' economic results, the improve and perfect of educational system, the standard of continuing cultural tradition and the resist of foreign culture invasion.

本文围绕中国传统民族服饰艺术在角色设计中的运用这一论题进行论述和研究，通过国外角色作品对中国传统民族服饰艺术的运用，论证了两者结合的必然性和必要性，并以服饰是角色灵魂设计的重点作为切入点，结合了融会贯通的中国传统民族服饰艺术知识进行了对名著《封神演义》人物：女娲、苏妲己、九尾狐、邓蝉玉及龙吉公主的实例创作，以生动的形象和实际设计的演练论证了两者结合的优越性，同时，也为创作提出了相关的建议，并提出了以现代角色设计为&骨骼&，以中国传统民族服饰的综合艺术表现为&血肉&的结论。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。